Georgian Walnut Chest on Chest

This William and Mary-period chest is distinguished by oyster veneering and circular inlay. Intersecting circles are inlaid into the veneers on the drawer fronts and on top of the ch...

Superior craftsmanship and intricate marquetry characterize this rare secrétaire by Gervais-Maximilien-Eugène Durand, one of the most popular French ébénistes of the 19th century. Th...

Queen Anne period furnishings such as this walnut secretary are incredibly rare and important examples of English cabinetmaking. This secretary is of the most outstanding caliber, boasting desirable double bonnet, mirrored cabinet doors...

This highly important secrétaire-cabinet was crafted for and specially ordered by King George I for the British Ambassador to Russia. From its craftsmanship and materials to its exceptional artistry, it is a work of royal and historic significance that exudes power in each and every detail. The broken pediment at its apex features the simplified royal coat of arms bearing the king’s crown, while the interior is adorned by portraits of the British Royal Family. Placed within the ambassador’s St. Petersburg home, this entirely unique piece of furniture would have been a potent reminder of England's grandeur and political importance. Relations between England and Russia during this period were at an all-time high. Peter the Great had traveled to England in 1698 as part of his widely known “Grand Embassy” tour, wherein he attempted to gain foreign support against the Ottoman Empire. He spent a period of nearly four months there, meeting with King William III and his court on numerous occasions. Noted academic Arthur MacGregor wrote concerning the impact of the trip, “For two decades following Peter's visit, British influence in Russia reached a peak. It manifested itself in social custom, in craft practice and in ships and naval organization... it reached a significant sector of the population before relations cooled once again and the two nations pulled back from this era of unprecedented cordiality.” First and foremost, however, it is a reminder of British might and influence. By the reign of King George I, England had come into its own as a world power. Unique in its design, this cabinet is a reflection of the country’s might. It is crafted from the highest-quality solid walnut and burr walnut adorned by gilded lock plates and engraved hinges. The presence of ormolu at its apex and lining the doors was a rarity for this period, and its addition makes manifest the importance of the design. The outer doors open to reveal multiple interiors, including fifteen separate drawers around a central cupboard; the cupboard doors each bear mezzotint portraits of George I and his father, Ernest Augustus, Elector of Hanover. An etching after the portrait of George I dating to circa 1716 is in London’s Royal Academy. A second, inner pair of doors are adorned by mezzotints of the Prince and Princess of Wales (later Queen Caroline and George II), which are both after portraits by Sir Godfrey Kneller dated 1716 in the Royal Collection. A final portrait is revealed on the very interior of the cabinet, where a mezzotint of Frederick, Anne, Amelia and Caroline, children of the Prince of Wales, resides. An etching (circa 1715-1720) after this portrait can be found in the National Portrait Gallery (London). Apart from its abundance of royal portraiture, the cabinet features stunning painted decoration, including floral designs as well as clouds, birds and trees in a bucolic motif reminiscent of Eden. Its lower portion is a study in both form and function, featuring a fitted secrétaire-drawer above three additional drawers for storage. The cabinet appears in The Shorter Dictionary of English Furniture by R. Edwards from 1964, a text that is regarded as the bible of British furniture design. Edwards describes it as a “writing cabinet...given by George I to the British Ambassador at the Russian court.” The cabinet was likely made for the 18th-century German diplomat and writer Friedrich Christian Weber, who represented English interests at the Russian court from 1714 until 1719. Although Weber’s tenure as ambassador was relatively short, while in St. Petersburg, he authored his account entitled Das veraenderte Russland (The Present State of Russia), which was published in three volumes in 1721, 1739 and 1740. It may, however, also have been made for George Douglas, 2nd Earl of Dumbarton, who served as ambassador alongside Weber in 1716. Diplomatic relations ceased between the two countries in 1721. In 1928, the cabinet appeared for sale at the International Exhibition of Antiques & Works of Art in Olympia. It had previously been in the collection of the Woltner family of Bordeaux, the celebrated vintners who owned the estate Château Laville Haut-Brion and produced wine of the same name. According to the family, Monsieur Woltner was given the cabinet as a gift from an aunt who lived in Russia for many years. After leaving the Woltner collection, the cabinet was acquired by William Berry...

This rare 18th-century serpentine chest of drawers was crafted in the style of the iconic Thomas Chippendale. The George III mahogany dresser is complete with its original brass hand...

This magnificent pair of French commodes captures the refinement of the Louis XVI style. A highly detailed parquetry design is inlaid into the commodes’ facades and centered by beaut...

Fine Georgian period mahogany chest on chest, the dentil molded top with reeded canted corners having three short and three wide drawers over lower section having secretary drawer an...

18th century, Italian walnut wood bureau chest of drawer This bureau chest of drawer was made in Emilia, in Italy, at the beginning of the 18th century. The structure is entirely paved in the precious wood essence of walnut and walnut root. The upper portion has a door that opens to the fore to show inside a compartment divided into six drawers. There is also a secret, which is fulfilled by running the support plan. The front then has three drawers equipped with door locks and handles in chiseled bronze. The cabinet rests on a band that front is interrupted to create two feet, a feature that gives elegance and lightness to the compositional line. The walnut veneer is applied playing on the different designs of the wood and this gives the furniture a refined chromatic effect of great decorative. This flap is suitable to be inserted in different environments of your home is combined with antique furniture in...

SmallLouis XV or Baroque Secretary Switzerland (Bern) Walnut Baroque around 1760. Dimensions: H x W x D: 109 x 93 x 60 cm Description: Writing furniture standing on a ...

Early 19th century Georgian style walnut and burr secretary desk, vanity or chest with four drawers and two interior drawers in the desk.

Georgian walnut and oak chest on chest. Upper section consists of three over three graduated drawers, reeded chamfered corners and deep crown moulding. Bottom section stands on bra...

18th century, Italian walnut wood chest of drawers with secrétaire The elegant small chest of drawers with secrétaire was built in th...