Late 16th Century Genoan Bambocci Chest of Drawers

This stipo, little Italian cabinet made of walnut and walnut burl, is a remarkable example of Mannerism applied to decorative arts during the late 16th century. While the Manneris...

Provenance : Jean Gismondi collection, before 1973. This important walnut jewelry chest is outlined with a gilt motif and presents a decor imitating basketry. The lid is topped by...

Large wedding chest in tinted and gilded walnut, the lid animated with a frieze of pearls, the sides with compartments, the belt decorated with gadroons. It rests on four claw feets.

The monk is depicted with an oval face, marked with high and strong cheekbones, sunken cheeks, strong jawbones and a cleft chin. His almond shaped eyes are opened under very strong a...

This walnut chair stands on four square-section feet linked by four crossbars. The front spacer is carved as an intertwined branch. The backrest’s jambs are adorned with leaves motif...

In the beginning the table was a movable furniture with removable feet, easy to build and disassemble. Most of the 15th and 16th century tables are built following the Roman cartibula principles that is a plate standing on two large stands secured by a crossbar. The lengthy and elegant plate of this Italian Renaissance palace table...

Beautiful small chest of drawers with four drawers in carved walnut with tiles both on the drawers and on the sides. Typical Tuscan cabinet-making from the end of the 16th century, ...

This beautiful French Louis 16th chest with unique line detailing on the sides and a black and white marble top. Three oak lined drawers that slide perfectly. This classic piece woul...

AN EXCEPTIONAL MUSEUM QUALITY, ITALIAN, RENAISANCE WALNUT CASSETTONE WITH A FITTED BUREAU IN THE UPPER PART & EXCEPTIONAL BAMBOCCI CARVING, LOMBARDY - This exceptionally rare, museum quality, piece of early furniture was conceived and crafted as an artwork of the finest quality of its time. Throughout time it has been a luxurious, statement piece which has protected it, and fortunately it has survived in virtually, original condition. - This magnificent cassettone exudes the character and quality of the finest, late-Renaissance furniture. Northern Italian Renaissance furniture often had the sides, legs or angles, 'a Bambocci', incorporating carved figures which were considered unique sculptures in their own right. - The putti on this cassettone are beautifully carved and of sculptural quality. Each angel has one arm raised to heaven, a poignant touch. - The lion’s paw feet are a classical feature and make a great statement. - This cassettone was conceived to have visual impact through the quality of the carving, as well as being very practical with the writing compartment fitted in the top part. - It has survived in very original condition with a few small repairs and losses, and the colour and patina are warm and lustrous. - This cassettone is illustrated Illustrated in C. Alberici, Il Mobile Lombardo, Milan, 1969, p. 45, one of the seminal works on Lombardy furniture, and has been in two renowned collections. The hinged top in two sections faced with a solid moulded edge. The front part has a fall front and opens to reveal a writing compartment. The fall front retains its original lock and is concealed with a false drawer which is above three drawers. All with moulded panels, escutcheons and retaining the original iron handles. The front ends have exceptional, bambocci, carved putti raising their arms to heaven above trailing foliage. Standing on magnificent lion's-head carved feet. The sides are panelled. Exceptional original colour and patina. Literature : Illustrated in C. Alberici, Il Mobile Lombardo, Milan, 1969, p. 45. A Gonzalez-Palacois, Il mobile in Liguria, Genova, 1996 illustrates related pieces Measures: Length 147 ½ cm. 58 in, height 104 cm. 41 in, depth 75 cm. 29½ in, Provenance: Coll. Private Azzate The Collection of Sandro and Lidia Orsi, Ca’ Mera, Varese. Regarded as one of the most beautiful homes in Lombardy, Ca’ Mera, the country house of Sandro and Lidia Orsi was filled with beautiful objects from many different epochs. A renowned antiquarian from Milan, over his lifetime Sandro and his wife Lidia revived the Renaissance and Baroque character of the house and instilled their own unique vision into the interiors, which culminated with the creation of a Kunst – or Wunderkammer. “I have never seen such an example of poetical taste”, Sir John Pope...

Exceptional museum quality, Italian, renaissance walnut cassettone with fitted bureau in the upper part & exceptional Bambocci carving, Lombardy. This magnificent cassettone exudes the character and quality of the finest, late-Renaissance furniture. Late 16th century, Northern Italian furniture often had the sides, legs or angles, 'a Bambocci', incorporating carved figures which were unique sculptures in their own right. The putti on this cassettone are beautifully carved and of sculptural quality. Each angel has one arm raised to heaven, a poignant touch. Showing customary signs of wear from time, the lion’s paw feet make a great statement. This cassettone was conceived to have visual impact through the quality of the carving, as well as being very practical with the writing compartment fitted in the top part. It has survived in very original condition with a few small repairs and losses, and the color and patina are warm and lustrous. This cassettone was illustrated in one of the seminal works on Lombardy furniture in the 1969 and has been in two renowned collections. The hinged top in two sections faced with a solid moulded edge. The front part has a fall front and opens to reveal a writing compartment. The fall front retains its original lock and is concealed with a false drawer which is above three drawers. All with moulded panels, escutcheons and retaining the original iron handles. The front ends have exceptional, bambocci, carved putti raising their arms to heaven above trailing foliage. Standing on magnificent lion...

A very impressive Westphalian Gothic chest or ‚Stollentruhe’, Westphalia, Germany, circa 1500-1550. Wrought iron mounted oak, partially carved. The monumental rectangular standing ch...

Three-drawer chest of drawers with slightly curved front, standing on tapered feet. The slanted corners as well as the skirt and the edges are decorated with filet marquetry.