Northern Italian Walnut Commode , circa 1800

The rectangular top with canted angles, the conforming case fitted with four drawers above cupboards enclosed by recessed paneled doors, on bracket feet.

Rectangular top with molding edge above three long drawers and shaped apron below, raised on cabriole legs.

Rectangular top with bowed ends , conforming case fitted with three recessed paneled doors on a molded base with scrolled bracket feet.

The rectangular white-veined grey marble with outset rounded corners over a conforming case with four drawers, flanked by rounded inlaid continuing to turn the legs with cast feet.

Rectangular top with canted angles, the conforming case fitted with three drawers above cupboards enclosed by four recessed paneled doors, on bracket feet.

Rectangular hinged top concealing a fitted interior of three small drawers above a writing surface , raised on shaped trestle supports with underscrolled feet joined by arched iron s...

Northern Italian Baroque walnut commode (17th/18th Century) with 4 drawers pulls carved in the form of busts in Renaissance costume. Resting on ho...

Chic, canted corner, three-drawer, walnut and pearwood commode from Modena, Italy. Striking parquetry surrounds the piece three quarters.

Exceptional, three-drawer, serpentine, commode veneered with pear, olive and fruit woods featuring original hardware and a new, Italian, onyx top.

A petite Italian neoclassical period walnut commode from the early 19th century, with inlaid motifs and two drawers. Born in Italy during the early years of the 19th century, this ex...

Incredible early 18th century Northern Italian 3-drawer walnut commode with ebony and parquetry inlay and bun feet. Wonderful color and patina.  

This mahogany commode has the fluted rails and canted corners typical of case furniture made along the coasts of the Baltic and North Seas around 1800. More difficult to pinpoint, however, is the exact place of its making, since this geographical region stretches from Germany to Russia, and north from Poland to Scandinavia. That said, a strikingly similar, if slightly plainer commode in a private German collection bears an old paper label that identifies it as having been made in the city of Altona. It also bears the seal of King Christian VII of Denmark who reigned until 1808. At the time, Altona was in the independent Duchy of Schleswig-Holstein, located between Denmark and Prussia. Both nations tried to annex the Duchy, and in 1848 it was ceded to Prussia, which became part of Germany in 1871. A North Sea port, Altona was a member of the Hanseatic League, an association of seaports that was established in the 14th century to foster trade and police the high seas. Around 1800, the aforementioned King Christian of Denmark, who was also the Duke of Schleswig-Holstein, allowed Jews to freely settle in Altona to increase the tax base. This allowed them to conduct business in neighboring Hamburg, a larger financial hub that maintained quotas. The prosperous Jewish families of Altona built villas there, and decorated them with furnishings that were made locally and imported. Many of those makers owned copies of furniture-pattern books, which were widely disseminated among these seaports, accounting for the difficulty in determining if a piece was made in Altona, Stockholm, or St. Petersburg. We can’t trace our commode to a Danish king or a known Altona merchant, but we can link it to the New World empire builders...