Gilt Commodes and Chests of Drawers

Dimensions - H: 33 3/4 in W: 57 1/4 in D: 21 in An extraordinary French Louis XVI style bronze-mounted commode by the renowned Parisian maker Maison Forest, one of the most respect...

Elegant 19th century Louis XVI style demilune commode, finely crafted in marquetry and adorned with a richly colored breccia marble top. This refined piece beautifully reflects the n...

20th Century Louis XV style rococo marquetry bombe commode with Sienna Marble top, floral and leaf marquetry, gilt bronze ormolu, two drawers and keys.

A fine quality antique French Louis XV style marble top & ormolu mounted tulipwood & kingwood bombe shape commode chest, circa 1900. The serpentine shaped top having the original var...

This exquisite antique commode embodies the elegance of mid-19th century Italian craftsmanship, designed in the sophisticated Louis XV style. Featuring rich kingwood veneer, the piec...

Fabulous three drawer Florentine nightstand with orange/rust colored banded drawers, as well as gold gilded accents and cabriole legs, marked Mad...

A stunning, rare, and very fine quality French Transitional Louis XV - Louis XVI style mahogany inlaid marble-top chest after Jean-François Oeben / Jean-Henri Riesener. Exquisitely hand-crafted in France, born in the late 19th / early 20th century, exceptionally executed Parisian work, retaining the original shaped marble top with contoured molded edge, over conforming solid mahogany case extensively inlaid with rich floral decoration and geometric trompe l'oeil marquetry-work. Embellished with finely sculpted and chisled gilt bronze ormolu mounts, the case fitted with three high quality locking bar mounted cabinet doors, each adorned with matched ornate escutcheon and opening thanks to the original keys, revealing a mahogany finished interior with single shelf. Featuring rare and exotic woods inlaid, all rising on bronze mounted transitional cabriole legs, ending in the finest quality patinated bronze sabots. Its three doors do not interfere with its delicate marquetry with decorations of geometric cubes and beautiful flowers on gilt gold ground, its two flat uprights with cut sides inviting finesse and harmony, while its bronzes, with antique motifs indicate the return to refined classic taste. A fine example of the Transition style, this chest subtly combines Louis XV marquetry with shapes that are already more rectilinear. From the middle of the 18th century, certain French artists, at the head of which the architects Blondel and Contant d'Ivry as well as the painter Louis-Joseph Le Lorrain, rose up against the excesses of the rococo style and advocated a calming of lines by the use of classical or even ancient principles. If the "Greek" style was too categorical a response to these requests, the Transition style, soon launched by the Marquis de Marigny, brother of Madame de Pompadour and Minister of the Arts, was much more measured and appreciated. Dutch cabinetmaker Matthijs Horrix was also front and center, a leader a Transition style. Celebrated ebanista Jean-François Oeben was one of the leaders of this new taste, with Jean-Henri Riesener following in the 19th century. Oeben a genius with inlay, he gave birth to several patterns, both sober and elegant, such as the marquetry of bottomless cubes, which was adopted by many of his colleagues including Jacques Dautriche and Charles Chevallier. Jean-François Oeben was particularly known for his "Louis XV or Transition furniture, adorned with leaf veneers, flower inlays or geometric patterns", according to Pierre Kjellberg (Le Mobilier français du XVIIIe, éditions de l'Amateur, 1989). A small secretary in the Transition cabinet...

A fine matched pair of French 19th-20th century Louis XV style gilt bronze-mounted (Ormolu) tulipwood, kingwood and satinwood floral marquetry Bombé his and her's commodes with marbl...

Pair of Incredible Venetian Glass Gilt Commodes or Dressers from Europe. After importing from Europe for over 34-years, you would think you've seen pretty much most designs, that is ...

The top with a carved guilloche frieze over two long drawers with carved panels with high relief foliate scrolls and brass rosette and ring pulls. The center ovals with brass bow and...

A fine quality Louis XV - XVI Transition style breakfront chest of drawers Exquisitely hand-crafted in Genova, Italy in the mid-20th century, the important Mediterranean port city ...

Step into a realm of unrivaled grandeur with this extraordinary 19th century French petite commode sideboard cabinet, masterfully crafted in the esteemed Louis XVI style. Every deta...

Danish late 18th Century pair of period empire chest of drawers. This rare pair was recently found here in the USA, which makes them very attractive because of the new UN/US import restriction of rare and protected wood sorts. More to the point, it is highly unlikely to locate a pair of chests...

LOUIS XV STYLE GREEN-PAINTED CHINOISERIE MARBLE TOP COMMODE Probably French, late 19th to early 20th century 34 3/8" H x 17" D x 34 5/8" W Executed in the Louis XV taste, this fine...

Exceptional diminutive three drawer dresser by The Florentine Furniture Co, Made in Italy c. 1970's. The chest features a shapely Bombay sided case with incised and gilt surfaces, ca...

A French Louis XV Style bois satiné, kingwood and amaranth - Ormolu Mounted Two-Drawer Bombé Commode with mottled marble top. The bowed front and sides with floral marquetry and flor...

A Fine and Impressive French 19th Century Louis XV Style Ormolu-Mounted Mahogany and Parquetry Commode a Vantaux, after the model Antoine Gaudreaux's 'Commode Médallier du Roi Louis ...

A French 19th/20th Century Louis XV Style Gilt-Bronze Mounted Kingwood, Amaranth, Satinwood and Tulipwood Bois Satiné and Bois de Bout Floral Marquetry Two-Drawer Commode of bombé serpentine...

A Very Fine and Impressive French 19th century Louis XV style gilt bronze-mounted tulipwood, kingwood and fruitwood marquetry bombé two-drawer commode with marble top, by Maison Boud...

A fine French 19th-20th century Louis XV style gilt bronze-mounted kingwood, amaranth, satinwood and Tulipwood Bois Satiné and Bois de Bout Floral Marquetry Two-Drawer Commode of bom...

Chic Louis XVI style neoclassical commode by Maison Jansen. Elegant and simple. The last picture gives an example of how this commode could look in situ.

An extraordinary fine and Palatial French Louis XV style 19th century ebonized lacquered Chinoiserie style and finely chased gilt bronze-mounted two drawer Serpentine commode with ma...

A very fine and impressive pair of French 19th century Louis xv style gilt bronze-mounted kingwood, satinwood and tulipwood floral marquetry two-drawer bombé commodes attributed to François Linke, index number 1810, Paris, late 19th-early 20th century with a brêche d'alep marble top. Unsigned and unmarked, circa Paris, 1890-1900. François Linke (d. 1946) was awarded the gold medal for his Grand Bureau...

A very fine pair of French 19th century Louis XV style gilt-bronze mounted floral marquetry Bombé commodes with marble top. The serpentine two-drawer commodes, with rosewood, king-wo...

An impressive pair of Napoleon III Empire Revival mahogany, gilt-bronze and patinated bronze-mounted server buffets, after Pierre-Philippe Thomir...

A large 1940s Art Deco sideboard credenza features a remarkable gilt work and a black varnish rework. It has a spacious cedar interior with two doors and four drawers for dinnerware ...

A stunning French Provincial crème painted chest of drawers commode with beautifully aged original patina and interesting provenance! Exquisitely hand-crafted in France in the late 18th / early 19th century, exceptionally executed in elegant, sophisticated and luxurious King Louis 15th taste, topped with the original rouge red Pyrenees marble top with striking white veining, serpentine-shaped front and molded edge, over a conforming solid wood case fitted with a secret hidden storage compartment and four dovetailed drawers, each with ornate gilt-bronze handles and escutcheons. When you remove the top left drawer, the center panel with faux escutcheon can slide over and reveal a concealed wooden drawer for valuables. Elegantly decorated, the drawer fronts and rounded corner posts adorned with subtle carvings, paneled sides, scalloped apron with hand carved Rocaille shell and scroll motif, rising on short cabriole legs. In the original cream paint finish with distressed chippy paint patina perfection! PROVENANCE / ACQUISITION: Private collection of Floyd and Beverly Sherman (1939-2024) who purchased it for $35,519 in 2001 (paperwork included) Beverly was an iconic owner, exhibitor and breeder of the Tennessee Walking Horse...

A Very Fine French 19th Century Louis XVI-Louis XVI Transition Style Ormolu-Mounted Mahogany, Birdseye Maple, Fruitwood and Sycamore Marquetry and Parquetry Commode with a Brèche d'Alep Marble-Top, after the model by Jean-Henri Riesener (1734-1806). Circa: 1870-1880. The finely detailed commode with rounded sides, finely chased ormolu mounts with their original mercury gilt, a single center apron drawer with wreath ormolu pulls and an acanthus plate...

A French Empire three-drawer commode from the 19th century with its original marble top. A more recent artistic update with a Caribbean-blue painted finish compliments the gilt bronz...

19th century Louis XV style marble top, serpentine and bombay form chest. Marquetry commode with bronze ormolu mounts. Features 2 drawers.

Pair of French commodes with conforming specimen marble tops and two drawers with large cartouche form bronze mounts with trailing leaves and vines and handles that are part of the v...

A pair of Italian 18th century walnut commodes with bookmatched veneer, four drawers and petite carved feet. Immerse yourself in the historical grandeur of this pair of Italian 18th-...

Rare and dramatic set of three matching lacquered España chest or bunching chests designed by Dorothy Draper. Mid-century chests of drawers made in the glamorous Hollywood Regency pe...

A fine antique Austrian early Biedermeier walnut & ebonized chest of drawers/ commode, circa 1820. This very handsome antique Biedermeier commode is in excellent condition, it is mad...

A Louis XVI (Possibly Transitional LXV/LXVI) commode, French in origin and dating from the 1780s. The marble top a beautiful blend known as "Rouge Lanquedoc". The body composed of Ki...

Louis XV chest of drawers with fire-gilt fittings France (Paris) Rosewood Louis XV around 1730 Dimensions: H x W x D: 85 x 137 x 66 cm Description: Early Louis XV commode, so-call...

The desk body is made of pine and oak with a Karelian birch veneer and the mirrored base is supported by four curved feet, embellished by an entwined patinated bronze snake with a gilt head and tail. The pad feet are supported by ebonized mahogany floor plates. The middle portion consists of five small drawers and a large desk drawer and within a manufactured mahogany interior with seven compartments and eight secret compartments as well as two movable elements, one of which is covered with velvet. The lower drawers have gilt gooseneck fittings. The mirror attachment includes a mechanism for taking the mirror plate vertically out and up to 180 degrees, which can, in turn, be fixed in almost any position. This mirror is flanked by two carved mahogany phoenixes with gilt heads and feet, and on the reverse side there are two more secret compartments in the lower area of the right as well as the left foot of the base. The Poudreuse Secretary is an exceptional example of Russian furniture of the first quarter of the nineteenth century. The depiction and symbolic arrangement of the remarkable bronze snakes and the carved phoenix is typical of the style of the important Russian architect Andrey Voronikhin (1759-1814). As well, this Poudreuse Secretary Desk has as well a similar structure to a dressing table made by the celebrated cabinetmaker (ebéniste) Heinrich Gambs...

A magnificent large and richly carved 18th century walnut commode with a shaped top. This chest of four drawers, is standing on elegantly carved feet. Distributed over three rows, ea...

A very fine pair of French 19th/20th century Louis XV/XVI style Transitional Style Satinwood Parquetry and Gilt-Bronze Mounted Commodes with Brêche d'Alep marble-tops, in the manner of François Linke (1855-1946), inspired by models by Léonard Boudin (French, 1735-1804), Gilles Joubert...

A very fine French 19th century Louis XV style ormolu mounted plum pudding mahogany veneer, mahogany and Vernis Martin decorated vitrine à Deux Corps, probably by François Linke (1855-1946). The lower structure fitted with finely chased gilt-bronze mounts with female masks, musical instruments, floral drapes, bows and acanthus, centred with a frieze drawer and a cupboard door with three painted panels. The centre front painted panel with a Romantic courting park setting scene amongst sheep and a sculpture fountain of Putti; the side panels both with parks scenes of a resting lion sculpture and fountain flanked by grassing sheep. The lower cabinet interior with three drawers, the upper vitrine case with two glass shelves, a bowed beveled front door and sides, crowned with a fine gilt-bronze wreath mount with ribbons, all raised on four cabriolet legs with cast lion paw mounts. Unsigned, Paris, circa 1890-1900. The style of this cabinet is closely related to those produced in the Paris furniture making trade in the Faubourg Saint-Antoine in the 1880s and as such, without a signature or identifying mark, is unattributable. However, there are similarities with the firm Raoux et Brunet, some of whose mounts were designed by Léon Messagé and later used by François Linke. Indeed many of the mounts on this cabinet, whilst not exclusive to him, are very similar to the work produced in his early years in Paris in the 1880s. At this time Linke was making furniture to order...

A large French chest of drawers Louis XVI style, in walnut wood. The chest of drawers is of a simple style, with three large drawers, the sides have ribbed decoration with gilded int...

This elegant chest of drawers exemplifies the grandeur and refined aesthetic of the Napoleon III period in France. The chest showcases a harmonious blend of classical influences, int...

A stunning antique French commode, dating from around the 1910-1920 period. This is of outstanding quality, it is a lovely and useful size. There are fabulous inlaid geometric patte...

French antique Boulle cabinet. Boulle one of France’s leading cabinetmakers, whose fashion of inlaying, called boulle, or buhl, work, swept Europe and was heavily imitated during th...

Unique Italian 18th century hand painted Louis XV "Cassettone" Marchigiano from the Center of Italy region of Marche Italy, circa 1740. Important, unique ...

A Very Fine French Napoleon III Figural Ormolu and Porcelain (Probably Sevres) Mounted Tulipwood Meuble A Hauteur D'Appui, by Mathieu Befort, dit Befort Jeune. The rectangular shaped...

A nice example of a Maitland Smith Georgian style tooled leather wrapped bow front chest with a two over three drawer configuration, brushing slide, gilt star and Greek key accents, ...

This exquisite Louis XV-style chiffonnier is a fine example of 20th-century French craftsmanship inspired by 18th-century design. Elegant and refined, it features five gracefully cur...

We are pleased to offer you this exceptional early Biedermeier walnut chest of four drawers, an extraordinary piece created in Vienna around 1825—a true testament to the golden age o...

A French Louis XVI style mahogany and gilt-bronze mounted "Marie Antoinette Style" Medallion Server Commode, after a model by Benneman & Stökel, The gilt-bronze panels after a model ...

A fine French palatial 19th-20th century Louis XVI style mahogany and ormolu-mounted "Marie Antoinette Style" medallion commode with a Fleur de Pêche marble top, after a model by Ben...

A rare pair of Louis XVI commodes from Altona, crafted in solid mahogany with beautiful grain patterns. Each features three gently curved drawers with original gilt bronze handles an...

A Fine and Rare Pair of French Chinoiserie Lacquered & Gilt Marble Top 2-Drawer Commodes, Attributed to Jansen. These exquisite pieces showcase a scalloped predominantly white varie...

A fine example of a Continental walnut semainier or seven drawer tall chest, each drawer with a decorative dog motif scrolled gilt drawer pull, all supported by short cabriole front ...

This refined French demilune commode is a superb example of late 19th Century Louis XVI revival craftsmanship. Its delicate proportions and graceful curved front make it ideal as a s...

An important French mid-19th century gilt-bronze mounted kingwood, satiné and parquetry bombé commode after the model by Charles Cressent attributed to Maison Millet, Paris the serpentine Brocatelle Violette d'Espagne marble top above two long drawers centred by a flaming urn, flanked to each side by a child holding oak branches and headed by courting doves, the front angles with a bust of a boy and a girl each holding a dove, each bombé side with intertwined oak branches, on oak tree trunk supports and foliate-cast feet. The original model for the present commode dates from the 1730s and is the work of Charles Cressent (maître in 1720; d. 1768). Entering the collection of the Dukes of Hamilton after the French revolution, the commode was sold at the celebrated Hamilton Palace sale (lot 1806) in 1882. It was purchased by Ferdinand Rothschild and is now in the collection at Waddesdon Manor, Buckinghamshire. This impressive Régence style commode is reminiscent of the work of François Linke, however none of the mounts appear to be stamped or recorded in his oeuvre. Maison Millet was an active client of François Linke and it is believed that this commode with its distinctive high quality mounts and construction are characteristic of the production of this celebrated Parisian cabinet maker. Maison Millet was established by Théodore Millet in 1853, and continued until 1902 from premises at 11, Rue Jacques-Coeur, Paris before relocating to 23, Boulevard Beaumarchais. Maison Millet was a highly regarded furniture company that was described as producing 'meuble et bronze d'art, genre ancien et moderne'. The firm won several awards in the series of exhibitions in London and Paris, such as the gold Medal in the 1889 Paris Exposition Universelle. In 1902 Maison Millet was authorised by the director of the Palais de Versailles to replicate Marie-Antoinette's celebrated Grand Cabinet à bijoux. Literature: Sir Anthony Blunt...

A fine and large French late 19th century Louis XVI style mahogany, kingwood bandings and fruitwood marquetry armorial commode with Sycamore Marquetry...

This elegant cabinet is a striking example of the refined aesthetic that characterized the Napoleon III period in France. The cabinet showcases a masterful combination of materials a...

A fine antique hand-painted Italian Rococo bombe shaped three drawer commode, Venice, circa 1820. This very finely antique Venetian with a golden ...

An extraordinary Louis XV period (1715-1774) French ormolu mounted tulipwood and kingwood marquetry bombé sauteuse commode by master Parisian ébéniste André-Antoine Lardin. circa late 1740s In our 40+ years we have not came across a chest of drawers that captures our attention like this one! Exquisitely hand-crafted in Paris in the mid-18th century, exceptionally executed in opulent and luxurious period King Louis 15th taste, featuring a curvacious serpentine-front bombe-form solid wood case fitted with two drawers, adorned with finely chased, chiseled and gilded bronze doré mounts, including rare and most distinctive sculptural fiolated scroll Rocaille handles, flanking ornate keyhole escutcheons with original key included. In absolutely stunning rare and exotic precious tulipwood and kingwood veneer work with striking warm rich highly figured grain patterns, elegant floral marquetry inlays and fascinating early sunburst panels. Topped with the original serpentine shaped Brèche de Médous marble-top with stepped molded edge. The Breccia de Médous is extracted in the towns of Médous and Asté, near Bagnères-de-Bigorre in the Hautes-Pyrénées. This dramatic breccia is composed of angular elements of contrasting colors ranging from black to yellow to gray creating a bold but subdued visual display. Signed, retaining the original LARDIN blind stamp to top proper-right rear post underneath marble. André-Antoine Lardin (1724-1790) is a celebrated Master Cabinetmaker, earning maître in 1750, and particularly respected for his extraordinary woodworking veneer - marquetry work. - PROVENANCE / ACQUISITION: From the important collection of Loyd-Paxton, Dallas, Texas. Property from the magnificent Estate of Mr. and Mrs. Robert Morris Graham Sr., El Paso, Texas, but also with homes in Dallas, Texas and Pebble Beach, California. Acquired from the highly reputable auction house Heritage Auctions, Dallas, Texas. 2024 Furniture & Decorative Art Featuring The Collection of Mrs. Henry Ford II Signature Auction Catalog #8167 Loyd Paxton Gallery, Dallas, Texas. With one of the finest collections in the world and prominent customers to match, including Sir Elton John, Truman Capote, Saudi Prince Faisal, and the Sultan of Brunei. Rare French antiques from Loyd-Paxton made their way into Versailles when it underwent renovations, and the Metropolitan Museum of Art in New York purchased furnishings, including a dazzling Louis XIV Boulle desk that had been owned by the Sun King himself. Betty Jo Graham might not hold celebrity status but her remarkable life and many contributions to American history and the arts community of El Paso, Texas, make her deserving of the limelight nonetheless. Affectionately known to her friends as BJ, led a remarkable life that intertwined a deep passion for music with significant contributions to her community and country. BJ embarked on her vocal journey at the age of 12, studying under the esteemed Mini Ferguson Owens at the University of Wichita. Her pursuit of musical excellence continued in the same institution, where she later attended college. BJ's life was not solely dedicated to music; she also played a vital role in American history. During the tumultuous times of World War II, she contributed her skills to the Cessna AT-17 training program, a crucial effort in preparing pilots for combat. She worked as an electrical wiring diagram analyst for Boeing Engineering Development on the iconic Enola Gay project in 1956. BJ's heart always remained with music. She continued to refine her vocal skills with notable figures such as Maude Douglas Tweedy in New York City and John Charles Thomas in Apple Valley, California. Her love story with Robert Morris Graham Sr., whom she married in 1975, was filled with shared adventures and travels across the globe, living in places from Dallas, Texas, to Pebble Beach, California, and El Paso, Texas. As a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica, she played a pivotal role in nurturing the musical landscape of her community. Her support extended to various causes, including the El Paso Opera, Holocaust Museum, Museum of Art, and many more, showcasing her belief in the transformative power of art and culture. Betty Jo Graham's journey through life reflects a profound dedication to her passions, community, and the arts. Her legacy, marked by her music, history, and philanthropy contributions, inspires and impacts many, ensuring that her melodious spirit will be remembered and cherished for future generations. After traveling the globe and living in cities across the country, Graham and her husband, Robert Morris Graham Sr., eventually settled in El Paso, where she served as a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica. Though Graham had a lifelong passion for music and played a pivotal role in nurturing the musical landscape of her community, her philanthropy extended to various causes, including the El Paso Opera, El Paso Holocaust Museum and El Paso Museum of Art, showcasing her belief in the power of art and culture. A patron of the arts, Graham was also a collector of fine jewelry, with a particular fondness for eye-catching, statement-making rings, necklaces, earrings and more, and Heritage was honored to present Property from the Estate of Mrs. Betty Jo “B.J.” Graham as part of its Spring Fine Jewelry Signature Auction. Inscription to placard on reverse: FROM THE COLLECTION OF LOYD-PAXTON DALLAS, TEXAS Signatures: Original blind stamped LARDIN to top of rear post. Bronzes not removed to inspect for foundry marks. - DIMENSIONS: (approx) 33" High, 42" Wide, 20.75" Deep - CONDITION REPORT: Overall a superb example, especially considering its nearly 300 years old. Beautifully aged warm patina, antique wood glow and lustrous sheen. Strong, sturdy, stable, structurally sound. Evidence of restorations, likely by Loyd-Paxton, including high-quality bespoke upholstered drawer lining. Typical wear commensurate with age, use, handling and exposure, including minor nicks to edge, age splits scattered throughout body, expected antique character and charm. Marble top is in great shape. Accompanied by two working keys. Overall outstanding presence, delivered cleaned, waxed, with hand rubbed polished patina, ready for immediate use and generational enjoyment! - INTERESTING ADDITIONAL INFORMATION: This elegant commode typifies the fashion for furniture mounted with exotic and rare woods, exquisite marquetry-work, and decadent Rococo bronzes. Andre Antoine Lardin, also known as N.B. Lardin was born in 1724 and died on 10 August 1790. He held his master's title from 1 July 1750 and was particularly respected for the exceptional quality of his veneering / marquetry. A well known and regarded maître ébéniste, Lardin’s career is somewhat thinly documented, most likely due to the upheaval and record destruction during the Revolution, notably when the guilds in Paris and elsewhere were abolished in 1791. Lardin worked for various marchand-mercier (furniture dealers) and probably also for a private clientele. He ran his workshop first in the Rue de Charenton and from 1770 in the Rue Saint-Nicolas. His two sons, André Antoine II and Louis François, worked with him for some time and the second-named became his successor in the Rue Saint-Nicolas. Lardin is known to have worked for the marchands André-François Carré, this superb commode having almost most certainly been commissioned through the intervention of one of these fashionable dealers. The marchand-mercier André-François Carré, is recorded rue Froidmanteau, "Magasin de glaces, porcelaine ébénisterie et curiosités pour les cabinets d'histoire naturelle." Carré also worked with two vernisseurs (vernis Martin): Porchon and Prévost. All of Lardin's furniture is classic in form and decor, well crafted and mostly veneered in rosewoods or violet wood. Lardin worked in the taste of the time with geometric patterns, cartouche fields and simulated fluting. Furniture with elaborate inlays such as birds, trophies, urns, landscapes, or flowers and sunburts such as this stunning example appear more rarely. The stamp JME stands for Jures Menuisiers Ebeniste and notes the guild affiliation of the master. The Corporation des Menuisiers-Ébénistes was a French craft guild which was concerned with the profession of woodworking. Some JME stamps are worn down from the marble slab over the years and no longer apparent, but in this case lacking the JME stamp is likely indicative of work made prior to reaching maître ébéniste (master cabinetmaker), denoting an early and exceedingly scarce example. Eighteenth century French furniture...