Cabinet, double Body Floral Painted, 1752

Green Floral Painted Wardrobe Dated 1776 Measurements: H.165 cm – W.130 cm (142 at the frames) – D.42 cm (50 at the frames) Essence: Fir Period: 1776 Origin: Tyrol Tyrolean wardrob...

Blue Painted Cabinet dated 1839 Measurements: H. 177 cm – W. 120 cm (129 at the frames) cm – D. 40 cm (45 at the frames) cm Period: 1839 Origin: Tyrol Essence: Fir Description Anti...

Sideboard, antique Tyrolean red painted cabinet - 19th century, Central Europe Measures: H. 192 cm – L. 87 cm – P. 50 cm (82 cm to the frames) ...

Blue Painted Cabinet Circa 1810 Circa Measurements: H. 185 cm – L. 120 (129 at the frames) cm – D. 46 (51 at the frames) cm Period: approximately 1810 Origin: Tyrol Essence: Fir De...

Blue Painted Wardrobe with Flowers and Fruit Measurements: H. 163 cm – W. 100 cm (107 at the frames) – D. 44 cm (47 at the frames) Period: approximately 1815 Origin: Tyrol Essence...

Green Tyrolean wardrobe dated 1782 H.185 – L.142 (160 at the frames) – P.50 (59 at the frames) Tyrolean painted wardrobe with two doors, entire...

A attractive Primitive cupboard with original faux bois paintwork. This decorative technique was used to imitate more expensive woodspecies or, as in this case, for decoration and pr...

19th Century super rare original painted two-piece corner cupboard from Pennsylvania. Amazing dental crown molding and dovetailed case. This folky spotted undisturbed surface corner ...

This is a antique Scandinavian cupboard made in 1831 from pine wood. This cupboard has a step-back design where the upper section is set ...

A truly American Southern piece, this rustic wooden pie safe features pierced tin inserts in the double doors and on the sides. Other features include two ...

Very rare and interesting paint decorated bookcase with cabinet below and shelves above. Early 19th century or late 18th. Original lock and key and early paint. A very useful proport...

Former collection Altounian At the beginning of the reign of Henri II (1547-1559) the furniture’s ornamentation evolves. The few medieval motifs that were still used are eventually relinquished. Furniture becomes more sober showcasing moulded panels and perfect architecture. Cabinet-makers use ornaments such as curved fluted or plain columns, feather quills, roses or winged putti heads. High-relief carving becomes more scarce and compositions lighter. To that end cabinet-makers draw inspiration from Fontainebleau motifs filtering them and adapting them to French taste. During this period cabinet-makers turn into a kind of architects. Indeed the architectural balance of furniture is the centre of their concerns. The study of Antic formulas is then a necessity. From this care given to proportions appear refined cabinets with pure lines. This style is characteristic of the reign of Henri II and disappears soon after under the regency of Catherine de Medici (1560-1574) when an abundance of high and low-relief ornaments comes back on furnitures. This two-bodies cabinet...