Pair Napoleon III Gilt-Bronze and Porcelain-Mounted Ebonised Cabinets

A Napoleon III Gilt-Bronze and Hardstone Inset Ebonised Pier cabinet. The bronze mounts stamped to the reverse 'PA'. This impressive side cabinet has fine gilt-bronze mounts set against an ebonised case, further enriched with hardstone panels...

A Rare and Important Napoléon III Gilt-Bronze and Sèvres Style Porcelain-Mounted Mahogany and Lemon Wood Bonheur Du Jour, Attributed to Édouard Kreisser, This magnificent bonheur d...

A Napoleon III gilt-bronze mounted Ebonised pedestal. The circular top above a guilloche band and a cylindrical body set with floral garlands, rai...

A Gilt-Bronze Mounted Credence, Designed By Edouard Lievre, Attributed To Paul Sormani, In the neo-Renaissance style, the spreading pediment with Vitruvian scroll-fitted frieze, c...

A pair of French gilt-bronze mounted and ebonised meubles d'appui, by Mathieu Béfort dit Béfort Jeune. Each has a vert maurin marble top above a cup...

A fine Napoléon III gilt-bronze mounted porcelain clock garniture. French, circa 1870. The movement stamped with the 'Japy Frères ' cachet. This fine porcelain clock set is...

Gervais Durand was an exceptional furniture maker of the later 19th century, known especially for his reproductions of 18th Century works, but also responsible for some strikingly or...

Napoleon III period gilt bronze and porcelain mounted cabinet by Louis Grade French, circa 1860 Measures: Height 160cm, width 82cm, depth 4...

A very fine quality French cabinet referred to as a Meuble d'Appui. The piece was made in Paris during the reign of Napoleon III circa 1870. The ebonized cabinet is inlaid with brass...

A rare and palatial late 19th century gilt bronze-mounted Louis XVI style marquetry and parquetry cabinet. A heavy marble-top above a bronze frieze with three paneled doors decorated with inlaid floral marquetry designs. The center door with gilt bronze bearded men faces, the bottom is centered by a mask of a beautiful woman with two lion paws on her sides and a pair of floral cornucopia above her. The sides of the cabinet are quartered veneered, standing on six spiral bronze...

A wonderful late 19th century gilt bronze mounted Louis XVI style inlaid Marquetry and Parquetry cabinet by Theodore Millet By Theodore Millet Th...

A very fine late 19th century gilt bronze-mounted Louis XV style Vernis Martin cabinet. By Joseph Zwiener. The central section finely decorated door panel displaying an allegorical 'Vernis Martin' scene, within a gilt bronze banded frame. With finely cast acanthus and figurative gilt bronze mounts. Stamped ‘NZ’ for Zwiener on the back of the escutcheons and reverse of the bronze mask to the base. Born in Herdon, Germany, in 1849, Joseph Emmanuel Zwiener followed the tradition of some of the best ébnistes of the 19th century. He moved to Paris establishing a workshop at 12, rue de la Roquette, between 1880 and 1895. He produced a wide array of the very finest furniture, modelling in his own interpretations of the 18th century Louis XV Rococo style, veneered with the highest and finest quality marquetry and 'Vernis Martin' panels. Exhibiting at the Exposition Universelle, Paris, in 1889, Zwiener was awarded a Gold Medal for what the jury reported as 'dè ses dèbuts à une Exposition Universelle, [il] s'est mi au premier rang par la richesse, la hardinesse, et le fini de ses meubles incrustés de bronze et fort habilment marquetés.' Zwiener was closely associated with François Linke and the two houses produced work which, at first glance, is remarkably similar and with occasionally identical mounts. The similarities are made more likely by the fact that the brilliant sculptor, Léon Messagé, worked initially for Zwiener and subsequently, upon Zwiener's departure for Berlin to work on furniture commissioned by Freidrich Wilhelm II, he was employed in the workshop of François Linke. It appears that Zwiener, unlike Linke, did not sign all his work, although some stamped pieces with his name and/or his "Z" initial are documented. There is some uncertainty between the recorded stamp E. Zwiener and the work of a Julius Zwiener...