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Glenn of California Gentleman's Dresser by Richard Thompson

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Greta Magnusson Grossman Dining Table for Glenn of California
By Greta Magnusson Grossman, Glenn of California
Located in San Diego, CA
Rare Rectangular dining table by Greta M. Grossman for Glenn of California, circa. 1950s. The table features a solid walnut wood frame with a black laminate top and iron stretchers s...
Category

Vintage 1950s American Mid-Century Modern Dining Room Tables

Materials

Laminate, Walnut

George Nelson Rosewood Thin Edge 4 drawer Dresser by Herman Miller #1
By George Nelson
Located in San Diego, CA
A rosewood Thin Edge dresser designed by George Nelson for Herman Miller with exquisite rosewood grain and early original white porcelain handles.  The George Nelson Rosewood Thin Edge 4-drawer Dresser, crafted by Herman Miller, epitomizes the timeless elegance and functional sophistication synonymous with mid-century modern design. This dresser stands as an iconic piece within the George Nelson collection, renowned for its clean lines, minimalist aesthetic, and impeccable craftsmanship. This particular example boasts exquisite rosewood grain and early original white porcelain handles. Constructed from rich rosewood veneer, the dresser boasts a warm, organic hue that exudes luxury and refinement. Its slender profile and thin edges create an illusion of lightness, enhancing the overall sense of modernity and grace. The 4 spacious drawers feature seamless integration of hardware, maintaining the dresser's sleek appearance while providing ample storage space for clothing, linens, or personal belongings. Each detail of the George Nelson Rosewood Thin Edge series reflects an unwavering commitment to both form and function. Its timeless design transcends trends, making it a versatile addition to any interior decor scheme, from minamalist to post-modern. Whether used in a bedroom, living area, or office space, this dresser elevates the ambiance with its understated elegance and unparalleled craftsmanship, showcasing the enduring legacy of George Nelson's visionary design ethos. About the Designer: Not everyone thinks of George Nelson when they think “Modernism”—but they should. Here’s why: Looking at the outset of George Nelson’s career, few would have guessed that his legacy would crown him as one of the most influential individuals in Modernism—story has it that the young Ivy Leaguer stumbled into the Yale School of Architecture seeking shelter from the rain, and only then did he consider studying design. His legacy, though, would be one that touched nearly every corner of American Modernism as we think of it today. As an architect, author, furniture designer, graphic designer, exhibition designer, teacher, amateur photographer, and general provocateur, George Nelson shaped the course of design in America for over four decades. After completing his two Bachelor’s degrees (one in architecture, the other in fine arts), Nelson went on to accept a traveling fellowship in Rome, which interfaced him with figures like Ludwig Mies Van Der Rohe, Walter Gropius, Le Corbusier, and Gio Ponti all of which he interviewed forPencil Point, bringing the European vanguard to the attention of the magazine’s American readership. At this point in his career, Nelson had devoted himself to writing, joining Architectural Forum as its first associate editor in 1935. For nearly a decade, Nelson’s post as an editor brought him face-to-face with many of the leaders of the Modernism movement in the U.S., and through these exchanges, his own stance in the design world began to solidify. For Nelson, the purpose of design was to improve the world in accordance with the laws of nature—and while he hadn’t yet done much designing himself, he was busy teasing out the theoretical details of architecture. In 1940, Nelson co-authored Tomorrow’s House with Henry Wright, and the book went on to be a great commercial success, introducing concepts like the “family room,” and more broadly assuming a solutions-based perspective for architectural design. It wasn’t long before the book earned him the favorable attention of D.J. Depree, the chairman of Herman Miller the American furniture manufacture. Despite Nelson’s inexperience in furniture design, Depree saw potential in the writer’s approach to the industry: solutions-oriented design with a practical lean. Nelson became the company’s Director of Design in 1947, under the condition that he be allowed to continue his work outside of the company.  From 1947 to 1972, Nelson oversaw the design department at Herman Miller, bringing in the icons that would shape some of the most memorable pieces of mid-century design, from such people as Ray and Charles Eames and Harry Bertoia to Richard Schultz, Donald Knorr, and Isamu Noguchi. 

Beginning in the mid-1950s, Nelson’s own design firm began its work in earnest, producing furniture and pioneering a ubiquitous incorporation of design, bringing that same consideration for pragmatism and aesthetics to advertising and marketing materials, image management, and graphic programs. His own firm incorporated in 1955, tapping many of the same designers from the Herman Miller roster for collaborations under George Nelson Associates, Inc. It was during this period of Nelson’s life and career that many of his most iconic designs came onto the scene—many will be instantly familiar furniture silhouettes that perhaps you didn’t know sprung from George Nelson himself.  Designing his first collection in 1945 and appointed design director in 1947, Nelson quickly expanded his purview and transformed the company. Confirming De Pree’s early assessment of Nelson as someone “thinking well ahead of the parade,” he redesigned everything from Herman Miller’s product line to its graphics and marketing and advertising materials. Over the course of his long association with Herman Miller, Nelson designed hundreds of pieces of furniture and recruited other designers, including Charles and Ray Eames, Alexander Girard, and Isamu Noguchi, now all widely acknowledged as some of the brightest talents of the time. Nelson developed his own designs—from furniture to architecture, and exhibitions to graphics—in his New York City studio, known variously over the years as George Nelson, George Nelson & Associates, and George Nelson and Company. The staff included significant designers in their own right such as Irving Harper, George Mulhauser, Ernest Farmer, Gordon Chadwick, George Tscherny...
Category

Vintage 1950s American Mid-Century Modern Dressers

Materials

Aluminum

Arne Vodder Triennale 4 Drawer Dresser by Sibast (2 available)
By Sibast, Arne Vodder
Located in San Diego, CA
An iconic design by Arne Vodder Triennale 4-drawer dresser was produced by Sibast Mobler, circa 1950. Constructed in teak, the 4-drawer dresser i...
Category

Vintage 1950s Danish Scandinavian Modern Dressers

Materials

Teak

Edward Wormley Dresser in Mahogany and Leather for Dunbar
By Edward Wormley
Located in San Diego, CA
Uncommon Edward Wormley Dresser in Mahogany and Leather for Dunbar. Gorgeous restored vintage dresser with contrasting channelled recessed pulls in contrasting wood species. This pie...
Category

Vintage 1950s American Mid-Century Modern Dressers

Materials

Mahogany

Paul McCobb Calvin Group Irwin Collection Dresser with Pink Marble Top
By Paul McCobb
Located in San Diego, CA
Paul McCobb Calvin Group Dresser with dark Mahogany case, wood legs and stretcher and awesome pink marble Top. 2 doors open to reveal 4 drawers and an open cabinet with adjustable sh...
Category

Vintage 1950s American Mid-Century Modern Dressers

Materials

Marble

Rare Milo Baughman for Glenn of California Coffee Table
By Milo Baughman
Located in San Diego, CA
Rare large walnut coffee table by Milo Baughman for Glenn of California c.1950s, USA. This unique table features ample storage with two deep hinged cabinet doors. The cabinets open t...
Category

Vintage 1960s American Mid-Century Modern Coffee and Cocktail Tables

Materials

Walnut

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Mid Century Walnut Dresser by Robert Baron for Glenn of California, c1960s
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For sale is a stunning Mid Century Modern dresser designed by the renowned Robert Baron for Glenn of California, dating back to the 1960s. This exquisite piece measures approximately...
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Richard Thompson Stereo Cabinet or Bar by Glenn of California
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Designed by Richard Thompson for Glenn of California, this walnut cabinet has four doors which conceal an upper and lower cabinet. The upper cabinet is fitted with a vintage McIntosh mac 4100 stereo receiver/ amplifier, an ADS compact disk player, and a dual 1219 turntable. The lower cabinet houses a Sony 400 disk CD player...
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John Kapel Walnut Dresser by Glenn of California
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A great design with several subtle details, this walnut dresser designed by John Kapel for Glenn of California featured eight drawers with sculpted pulls. 29.75"h X 72"w X 20"d
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Glenn of California Rosewood Tall Dresser by Robert Baron
By Robert Baron, Glenn of California
Located in North Hollywood, CA
This stunning mid-century tall dresser is a true masterpiece of design, designed by Robert Baron and crafted by Glenn of California in the 1960s. The dresser features a sleek and ele...
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