MidCentury Art Glass and Brass Black and White Dry Bar, 1990

Very special Austrian sideboards with a very rich and rigid taste. Note the patina of the briar ashwood, and the particular manual processing of the central door. All veneered in as...

A unique sideboard of its kind for originality and for the choice of materials. Simple but refined design, the inside is completely covered with small mirrors, a real miniature mosaic. Note the rich design of the doors, with smooth colored glass surrounded by a black lacquered frame. The sideboard has a wooden structure, which has been covered with cream colored glass. Frontally, the sideboard has a black frame that has been placed all around the two doors; these can be opened using two special brass pendant handles. The body of the sideboard rests on four legs in black lacquered wood. The design of the legs is very elongated and narrow in the final part that touches the ground. Internally the sideboard is covered with a micro mosaic mirror...

Precious design for a very nice and refined bar cabinet also for the use of uncommon materials. The cabinets is completely veneered in walnut wood, while on the inside it is finishe...

A one-of-a-kind sideboard for its originality and choice of materials. Simple but refined design, note the walnut veneer that covers the body of the sideboard. Note the rich design o...

The body is very square and linear but its appearance is of a luxurious sideboards, due to the realization with precious materials such as brass and glass. The structure of the side...

The piece of furniture is made up of square and sharp lines, with the use of patinated colors and the expressiveness of elegant materials such as marble, brass and glass, its express...

Dry bar, Bytom furniture factory, Poland, 1960s Very good condition, after professional renovation. Wood: walnut Dimensions: Height 79 cm width 80 cm depth 42 cm.

Very elegant Italian Art Deco Mid-Century Modern dry bar cabinet cart characterized by its original Asian themed painted front wood pull-out tilt door with interior part in mirror glass, standing on its antique brass wheels...

Very elegant Italian Art Deco Mid-Century Modern dry bar cabinet, in beautiful veneer wood, central decoration with antique temple columns, two typically design shaped side doors, in...

CRAZY BAR: Troy Smith Studio Contemporary and timeless with a touch of Art Deco. The Crazy Bar is handmade and designed by Troy Smith. Crazy Glass is an extraordinary process; a mic...

Oak wooden cabinet, destructured lines, nice work pattern and finish of the brass feet.

Unique midcentury cubic dry bar in lacquered ash wood, mirrored steel and glass dry bar with hidden wheels. Willy Rizzo probably produced this incredible piece of barware in Italy during the 1970s. The wheeled bar cart's four sides are in mirrored chromed steel, while the top is in dark smoked glass. It moves thanks to four hidden wheels, and the structure is veneered black lacquered oak. A design masterpiece that will become a cult furniture element in a midcentury bar or living room. Italian designer and photographer Willy Rizzo (1928-2013) first came to prominence in the 1960s as both a chronicler of and participant in La Dolce Vita, the glamorous, jet set lifestyle enjoyed by many international celebrities and socialites in the postwar era. While photography was Rizzo's first love, in the 1970s he developed a passion for interiors and launched a second successful career as a luxury furniture designer. Rizzo was born in Naples in 1928 but moved to France early. After expressing an interest in photography at the age of 12, Rizzo's mother gifted him an Agfa Box camera; soon he was shooting portraits of his classmates at Paris's Istituto Statale Italiano Leonardo Da Vinci. In the 1940s, Rizzo began his career as a photojournalist, working for several French publications, including Ciné Mondial, Point de Vue, and Image du Monde. In the aftermath of the Second World War, Rizzo notably covered the Nuremberg Trials and travelled to Tunisia for Point de Vue to photograph the conflict in North Africa, later published in Life Magazine. As his reputation grew, he was hired by France Dimanche to take portraits of the rich and famous at flashy events like the Cannes Film Festival. Rizzo's charm won the trust of royalty, dignitaries, and movie stars, allowing him to capture these public figures in unusually candid moments. Hoping to advance his career further, Rizzo travelled to New York with Black Star Agency in 1947 to photograph American starlets. When he returned to Paris two years later, he was invited to join Jean Prouvost’s newest publication in colour, Paris Match, as head photographer—a position that he held for 20 years and, along the way, sparked a new culture of celebrity photographers who were as intriguing and fashionable as their subjects. In 1959, he became the artistic director of Marie Claire and collaborated with other fashion magazines, such as Vogue. Throughout his career, Rizzo photographed dozens of stars, including Brigitte Bardot, Maria Callas, Salvador Dalí, Marlene Dietrich, Jane Fonda, Gene Kelly, and Gregory Peck, as well as striking up close friendships with famous personalities like Coco Chanel, Christian Dior, and Jack Nicholson. In 1962, Rizzo famously captured some of the last moments of Marilyn Monroe’s life on film before tragically committing suicide a few weeks later. In 1968, Rizzo married Italian actress Elsa Martinelli, and the pair relocated to Rome. It was here that Rizzo began his work in furniture design, starting with his newly-leased, run-down Roman apartment. Just for personal use (at first), Rizzo created a series one-of-a-kind pieces inspired by modernist icons, such as Mies van der Rohe and Le Corbusier. But as his glitterati friends—Rodolfo Parisi, Gigli Rizzi, Franco Rapetti, Salvador Dalí, Brigitte Bardot, and the like—became admirers of his work, Rizzo was flooded with design commissions. Rizzo went on to furnish apartments for Italian aristocracy in the Palazzo Borghese and Palazzo Ruspoli that same year and quickly earned an international reputation as a designer to the rich and famous. In response to ever-growing demand, he launched his own Tivoli-based company dedicated to contemporary furniture design handmade in lux materials such as wood, marble, stainless steel, brass, and wild boar. Over time, his team of eight grew to 150, and he was able to open shops in France and throughout Europe, as well as in New York, Miami, and Los Angeles. With an emphasis on clean lines and geometric forms, Rizzo's tables, chairs, and accessories combined contemporary shapes with traditional materials—in contrast to many of his contemporaries, like Ettore Sottsass and Vico Magistretti, who were popularizing plastic, foam, and other synthetics in furniture production. Rizzo's most successful designs are many low, box-like tables in granite, metal, glass, or burled wood, often embellished with brass or chrome accents or built-in liquor cabinets or trays. Two examples of his most celebrated designs include the Alveo Coffee Table (1970s) for Mario Sabot and the circular Yin Yang Coffee Table...