Gold plated etagere / sideboard

a solid oak etagere from France from the 80s. This etagere has a very elagant abd rustic feel and look. It is a perfect rack that can be placed in a modern interior. The rack can be...

A nice italian cabinet from the 1960s. This cabinet was designed by Claudio Salocchi for Sormani It is a nice example of elegant italian desgin but also functional. You can use it as...

Belgian high quality bar cabinet, 1980's. A high quality bar cabinet made in the 1980's in Belgium. Although the designer or manufacturer are unknown, it is probably made by a Bel...

Willy Van Der Meeren desk in wooden edge and formica top A true icon in belgian design by Willy Van Der Meeren, one of Belgium's most famous designers. He designed this desk in th...

XL brown brutalist credenza Gorgeous brutalist credenza made in Belgium 1970. This is one is an good quality example with solid wood doors and parts. This one is in very nice w...

Elegant Italian floor lamp Very elegant and stylish Italian floor lamp. This lamp was made in the 60's in Italy by an unknown manufacturer. Nevertheless it is a beautiful quality floor lamp! The stylish floor lamp...

Belgo Chrome etagere, vitrine, shelves or showcase with light. A Hollywood Regency open vitrine with glass shelves made by Belgo Chrome, Belgo C...

23 KT gold -plated showcase - etagere by Belgo Chrome. A Luxurious illuminated console - open showcase - open vitrine - little shelves made in Belgium by Belgo Chrome in the late 20th century circa 1970 - 1980. It has 23 KT gold -plated pillars and surrounding, black laminated wood, 2 smoked glass shelves in the etagere, a light above and a smoked glass on top. This black and gold vitrine...

Chrome-plated tubular steel étagère made in the 1930s with glass shelves. Chrome plating is in original condition.

Chrome etagere, each shelf has removable glass with brass accents.

Stunning vintage Modern brass plate & glass etagere in the style of Design Institute of America or DIA. Comprised of a brass plated aluminum frame and four brass plated plastic trimmed glass shelves. Beautiful condition, keeping in mind that this is vintage and not new so will have signs of use and wear. There are some minor nicks in the brass plate. Please see photos and zoom in for details. We attempt to portray any imperfections. Circa, 1960-1970’s. Brass, Glass and full of Modern SASS!!! This fabulous etagere is comprised of a brass plated frame and four sections holding glass shelves which are gorgeously trimmed with brass plated plastic edges. It’s going to be the perfect touch mingled with your Hollywood Regency or Modern style furnishings adorned with foliage, artwork, and books or it could be equally as fabulous in an entry or hallway, dining room, or sitting room. It would also be wonderful inside or right outside your bathroom holding decorative towels...

"Segment Étagère” a sculptural work in torch-cut and polychromed steel with fused bronze, solvent dyes, and glass enamel, with four glass shelves. By American artist James Bearden. The rectangular étagère, with its dramatic yet delicate composition and juxtaposition of shapes and colors drawn from Bearden’s evolving vocabulary, is perched atop four slender legs. Bearden's work was featured in a 2020 solo exhibition at the NY Design Center titled "James Bearden: Technical and Aesthetic Revelations," in an article in the January 2017 Interior Design Magazine; in an introspective feature on 1stdibs; and in a feature article in DSM Magazine. The étagère is part of a group of case pieces being offered individually--see the photo of three cabinets below. Custom sizes and colors are available upon request. In an introduction to the 2020 exhibition, curator Kartrina Weinberg wrote: "In the two years after the artist’s last solo exhibition — where the material reality of steel was evident in both its title and monochromatic appearance — Mr. Bearden sought to break free from pre-conceived judgment of his medium, as well as the persistent misnomers applied to his art. While subtle color play has always existed in his previous works, the development in his coloring technique — from painted polychrome to dyed glass enamel — allowed for dramatic saturation and stunning complexity in his new palette, bringing heightened immediacy to his biomorphic and anthropomorphic imagery. The artist had always challenged the gravitational reality of steel, but he has found new expressions towards verticality and delicacy, transcending material and elevating function. The open compositions, ranging from ornamental tracery to dynamic use of negative space, allow for the interplay of light and air, animating the environment with ever-changing viewing possibilities. This exhibition took inspiration from the naturalist traditions and fantastical imagery of Early Netherlandish paintings...