An impressive early 18th century Dutch oak geometric kussen cabinet with integra

An early 18th century Florentine ebonized wood aedicule case with gilt metal embellishments Ambit of Leonard van der Vinne Possibly first decade of the 18th century; Florence, Italy Approximate size: 83.5 (h) x 69 (w) x 23 (d) cm The cabinet’s centralized glass door is flanked by thick spiraling Solomonic columns surmounting a lower drawer. To the rear of the cabinet, the motif repeats in an eloquent display of perspectival treatment. The overall work is supported by a tiered base, elegantly conceived, and the cabinet is topped by a handsome pediment flanked by square plinths crested by gilt metal finials and an openwork frieze. The cabinet’s tempered and moderate form suggests an origin probably during the first decade or quarter of the 18th century. Although utilitarian in concept, the reserved and sublime expressiveness of this cabinet is managed with a quality and care respective of the influence of Florentine ebony cabinetry work conceived in the Galleria dei lavori or Grand Ducal Workshops of the 18th century Medici dynasty. In particular, its base mouldings echo a remarkable Night Clock...

An antique 18th century Walnut Figural Statue of Saint Peter on a plinth Anonymous Northern Europe, probably Belgium; first-half of the 18th century Walnut Approximate size: 17 (h) x 4.25 (w) x 4.25 (d) in. The present sculpture, perfectly suited for a curiosity cabinet or English-European country styled home, was likely realized for a church side chapel or choir stall niche. The serious look of the saint’s face...

A pair of antique decorative plaster and wood Italian candelabras. Italy; early 18th century style, possibly made in the 19th century Approximate size: 81 cm (h) each A pair o...

An impressive early 17th century wood relief carving of the Three Divine Virtues After Jan Pietersz Saenredam and Hendrik Goltzius First quarter of the 17th century; Northern Netherlands Approximate size: 35.5 x 50 cm (without frame); 53 x 67 cm (with frame) The present carving, of Flemish origin and from the first quarter of the 17th century, was executed during the Golden Age of Dutch art. The relief depicts the figures of Pietas, Caritas and Fides: the divine virtues of Hope, Charity and Faith. Each of the Virtues is articulated with exceptional care and the skill of a talented hand. The composition is bursting with energy, emphasized by the active putti surrounding its central protagonist and the emergence of the figures in the foreground, silhouetted against a cityscape with the upper horizon framed by clouds and rays-of-glory. The relief’s design is indebted to late 16th century Mannerist influences shown in the expressive postures of the figures and the billowing hair of Charity. Other Flemish artists approached this theme like the painters, Maarten de Vos, Maarten van Heemskerck, et al. However, our particular carving is an amalgam of three individual compositions engraved by Jan Pietersz Saenredam in 1601, and based on the designs of his mentor and long-time collaborator, Hendrik Goltizius (presumably following inspired Latin prose conceived by the Haarlem Humanist, Cornelis Schonaeus). The relief is set in an elaborate checkered, wood-inlaid frame but its scale and shape suggest it probably once formed part of an elaborate Beeldenkast or impressive Dutch oak cupboard...

Anonymous Mid-18th century; probably Moustiers or Nevers, France Faience and brass Approximate size: 12.25 (h) x 9 (w) x 6.25 (d) inches The present dispenser was either used as a water or wine cooler or possibly for washing hands. The original lid is lost-to-time, yet its provincial beauty remains attractive and sublime. The present example—baked with white enamel and decorated with a lovely hand-painted polychrome lattice and floral theme—is warm, elegant and rustic. The curving linear form of the flowers subtly recall the influence of Japan’s Kakiemon style present in France during the Rococo period yet is still indebted to the earlier influence of Italy’s prolific maiolica workshops. This fountain would serve as an elegant addition for display on an oak or distressed wood console table...

This luxurious pitcher is inspired by models of the early 18th century. Each one-of-a-kind pitcher produced by Arte Italica is a marriage of the highest quality pewter combined with ...

A Swedish 18th century period Baroque "Kas" or "kast" cabinet. This large-sized period Baroque cabinet features a nicely molded and overhung cornice, with pair of chubby-faced putti ...

This wonderfully carved solid oak cabinet was crafted in the 1700s with style and functionality in mind. Thumbnail molded paneling on the front and sides give it fantastic depth. The...

This antique oak cabinet was crafted in the early 20th century in the German state of North Rhine-Westphalia around 1720. The cabinet was entirely built from the finest quality European summer oak. It features two doors and is richly adorned with molding in geometric patterns. The wooden molding was attached to the oanels by the use of pegs. The doors showcase a floral maple inlay. They retain their original hinges, while the lock has been replaced. Inside, on the right-hand side, there are two and a half fixed shelves, and on the left-hand side, there is a hanging section. This cabinet was made from the most exquisite wood available at the time, beautiful European summer oak, displaying a distinctive flame pattern. Due to its age, the wood has acquired a rich, dark patina. The cabinet has been recently cleaned. Like many German oak cabinets...

A stunning and unique baroque early 18th century Swedish Gustavian cabinet that features two doors with shelving inside and sets on ball feet. This piece completely breaks down to he...

This big Baroque wardorbe from Germany is made 1747. This cabinet is made of solid oak with walnut fillings in the doors. All locks, fittings and the key are original. The cabinet i...

18th century English oak display cabinet with originals glasses panels.