Art Nouveau Vienna Serving Trolley Massive Oakwood Black Stained, circa 1915

Viennese Art Nouveau flower container, circa 1915-1920 High quality handwork / beechwood / dark mahogany stained / shellac hand polished Elegant V...

Art Nouveau table, made of mahogany wood: Mahogany massive and veneer (table's plate) / high quality handwork. It is of most elegant appearance: The oval table's plate is attached t...

Elegant saloon table with a round, original table top with edging to prevent rolling, decorative and elaborate bentwood struts and applications with volutes on the three-sided foot. Beautifully designed, handcrafted furniture with bentwood elements, beech, stained mahogany, shellac hand-polished. Manufactured by Thonet Brothers...

High-quality handcrafted placemat, beech bentwood, stained mahogany, shellac hand-polished: Four nesting side tables in different sizes with an elegant design, the largest of the tables with a smoked glass inlay on top. Manufactured by Thonet brothers, Vienna, around 1900 Model number 9110 Measures of largest: Height: 69.5 cm / 27.36 inches Width: 60.0 cm / 23.62 inches Depth: 40.0 cm / 15.74 inches Bibliography: Illustrated Catalogue of Michael Thonet, Vienna 1904, page 68, number (91)10 Original vintage furniture...

Art Nouveau game table (vintage), Vienna, made circa 1900. Rosewood veneer / refurbished by hand / copper fittings existing. The table's plate is of octagonal form type / additiona...

Michael Powolny Art Nouveau centrepiece with three cherubs - most lovely ceramics item! Modelled by Michael Powolny (1871 - 1954), circa 1907. Hallmarked: Manufactured by Wiener Keramik (Vienna Ceramics) (WK / hallmarked). Material is ceramics (multicolored painted / glossy finish). Model 113 (model number is impressed / bottom glazed) Monogram of "Michael Powolny (MP)" is impressed, too. Made 1912. ________________________________________________________________________________ Subject: Most lovely three naked male cherub's figurines holding a round plate attached to their heads / the mentioned plate is blue painted at bottom side / the surface of tiered round socle is partially moss green shaded. ________________________________________________________________________________ Height: 21.0 cm (= 8.66 inches) Diameter of platter: 24.5 cm (= 9.64 inches) ________________________________________________________________________________ Bibliography: Waltraud Neuwirth, Markenlexikon für Kunstgewerbe (3), Wiener Keramik / Modelle 1906-13; pages 100-101 Elisabeth Frottier, "Michael Powolny, Keramik und Glas aus Wien 1900-1950", Vienna 1990, page 200, List of Work (= Werkverzeichnis) number W 113 (WV 61), Model 113 ________________________________________________________________________________ Experts of Fine Arts assess Michael Powolny's work nowadays as result of activity of one the most important ceramics sculptors / designers of Austrian Art Nouveau. Most of Powolny's successors were strongly under his sway since Powolny had left 'large steps' in Viennese Art of Ceramics. Excellent condition. ____________________________________________________________________________________ About Michael Powolny (Sculptor). As both a designer and a teacher, the Austrian ceramicist and glassware designer Michael Powolny was an important figure in the development of modernist aesthetics in Vienna at the turn of the 20th century. His romantic sculptural pottery figures embrace the lush, dynamic stylings of Gustav Klimt and other progressive artists, while his functional pieces — such as glass bowls and vases — employ the simple linear and geometric ornamentation that marked the work of Josef Hoffmann and other members of the Wiener Werkstätte Community of designers and craftsmen. Powolny received classical training in ceramics from his father, a potter, and at the Vienna School of Applied Arts, but later joined in the modernizing movement in the Austrian arts at the close of the 19th century. In 1897, Klimt, Hoffman, Koloman Moser and other artists and architects founded the Vienna Secession, a group that fought for freedom of expression against the city’s tradition-bound arts establishment. Powolny’s work reflects the changing times. He used classical figures in his ceramics — female nudes, cherubs — yet would dress them in modern ornament such as garlands of abstract, geometric flowers. Pieces from Powolny’s ceramics company were sold through the Wiener Werkstätte (Viennese Workshops) founded by Hoffmann and Moser, and Hoffman later hired Powolny to create ceramic ornamentation for his architectural masterpiece, the Palais Stoclet in Brussels. Powolny would go on to design glassware that combines elegant, tapering forms with precise linear decoration. His most influential work may have come as a professor at the School of Applied Arts, where he taught both Lucie Rie, the great Austrian-British modernist ceramicist, and the American potter Viktor Schreckengost, creator of the “Jazz Bowl...

Art Deco Walnut Fold over Cocktail Serving Trolley circa 1930s' Walnut Veneer on tops, Art Deco Circular Bakelite Pull out knob on front to release table tops to hinge up and hinge...

“Looking for lost ideas with a cup in one hand, there came to mind simple solutions with little details of invention, around the ‘bar’ theme. A stool to put personal items...

Wooden slat construction with metal joinery. On two wheels.

Giorgio Ramponi, bar cart, wood, metal, brass, glass, Italy, 1950s This elegant trolley by Italian designer Giorgio Ramponi is executed in bright wood, white lacquered metal and gla...

Vintage Bamboo Trolley and Serving Trolley, 1960s This beautiful vintage rattan/bamboo drinks trolley is typical of the 60s and combines perfectly with both vintage and new designs....

60s 70s teak serving trolley Jie Gantofta String Serving Trolley Sweden 60s Object: Serving trolley Manufacturer: Jie Gantofta Condition: good Age: around 1960-1970 Di...