Italian Serving Cart with Double Trays in Brass and Wood, 1950s

Serving bar cart in wood and brass details composed of two removable glass trays by the Italian designer Cesare Lacca, 1950s.

Bar serving cart trolley by the Italian designer Cesare Lacca in a mahogany and brass structure and two glass shelves, Italy, circa 1950.

Serving bar cart in a brass structure with bamboo effect and glass shelves, the upper one removable and usable as a separate tray. Made in Italy, circa 1960s.

Serving cart tray composed of two removable teak shelves and metal structure painted black which also serves as bottle holder. Made in Italy in the 1960s.

Serving cart trolley in nickel structure and ice effect Lucite shelves, one of which removable and usable as a tray, attributed to the Italian designer Willy Rizzo, circa 1970.

Bar serving cart trolley in Lucite structure and brass details with two glass shelves. Original from Italy, 1960s.

Fantastic mid century wood bar trolley. It was produced by Cesare Lacca in Italy during 1950s. This wonderful piece comes with two glass removable trays and an ergonomic bottle rack. The lines of this piece make it perfect for a midcentury-style dining room or bar. Born in Naples in 1929, Italian architect-designer Cesare Lacca created modernist furniture and metalwork throughout the 1950s. Though details of his personal life and professional training remain lost to history, there are sufficient surviving primary sources that document his many elegant designs in brasswork for which he is the best know and which fetch high prices from collectors. Like many Italian designers in the 20th century, Lacca moved to Milan after World War II to launch his career. Before he was even 21 years old, his work was selected by a group of American curators for inclusion in the landmark exhibition Italy at Work: Her Renaissance in Design Today that toured 12 US museums between 1950 and 1953—the first major exhibition of Italian design outside of Italy. The exhibition showcased the best and brightest of Italian designers who had embraced modernist principles and rejuvenated traditional Italian crafts, like Carlo Mollino , Franco Albini, and Gio Ponti In the exhibition catalogue, curator Meyric R. Roger’s spotlights Lacca's expert achievements in brass, noting “the variety and quality of his creations,” which “place him high among the architect-designers leading the current [Modernist] movement." Rogers adds, "The quality of his work...provide[s] all the decorative effectiveness needed without strain or exaggeration”. Lacca designed a great many tea carts and serving trolleys in his career—which make up a large proportion of what is available on the vintage market today—as well as magazine racks and coffee tables. Lacca’s most iconic tea cart was manufactured by Italian brand Cassina and features sculpted beech, cedar, teak, or walnut with brass details, a glass tabletop, and a removable glass tray. Lacca also designed high-backed lounge chairs, which were regularly featured in Arredoluce advertisements for Angelo Lelli’s lighting...

Fantastic midcentury oval bar cart in Khaya Anthotheca mahogany with brass finishes and a stunning removable tray. Cesare Lacca probably designed this marvellous piece and was designed in Italy during the 1950s. This wonderful piece comes with a removable mahogany and glass top tray, while the frame is crafted with smooth touch. It has four fantastic brass wheels, two brass handles and a pair of three-bottle holders. The design of this item makes it perfect for a midcentury style dining room or bar. The Bar Cart can be shipped disassembled, to make sure it doesn't get damaged, since the reassembly is very simple. Born in Naples in 1929, Italian architect-designer Cesare Lacca created modernist furniture and metalwork throughout the 1950s. Though details of his personal life and professional training remain lost to history, there are sufficient surviving primary sources that document his many elegant designs in brass work for which he is the best know and which fetch high prices from collectors. Like many Italian designers in the 20th century, Lacca moved to Milan after World War II to launch his career. Before he was even 21 years old, his work was selected by a group of American curators for inclusion in the landmark exhibition Italy at Work: Her Renaissance in Design Today that toured 12 US museums between 1950 and 1953, the first major exhibition of Italian design outside of Italy. The exhibition showcased the best and brightest of Italian designers who had embraced modernist principles and rejuvenated traditional Italian crafts, like Carlo Mollino, Franco Albini, and Gio Ponti In the exhibition catalogue, curator Meyric R. Roger’s spotlights Lacca's expert achievements in brass, noting “the variety and quality of his creations,” which “place him high among the architect-designers leading the current [Modernist] movement." Rogers adds, "The quality of his work...provide[s] all the decorative effectiveness needed without strain or exaggeration”. Lacca designed a great many tea carts and serving trolleys in his career, which make up a large proportion of what is available on the vintage market today, as well as magazine racks and coffee tables. Lacca’s most iconic tea cart was manufactured by Italian brand Cassina and features sculpted beech, cedar, teak, or walnut with brass details, a glass tabletop, and a removable glass tray. Lacca also designed high-backed lounge chairs, which were regularly featured in Arredoluce advertisements for Angelo Lelli’s lighting...

Fantastic midcentury wood bar cart with glass serving trays. Cesare Lacca probably designed this amazing piece in Italy during the 1950s. This ...

Fantastic midcentury wood bar cart with glass serving trays. This piece is attributed to Cesare Lacca and it was designed in Italy during 1950s. ...

Wonderful Italian wood trolley with glass and brass finishes. It has a removable serving tray with brass and chrome finishes. This 1950s production is attributed to Cesare Lacca, ha...

Wooden structure with glass shelf and brass handles. Overall good condition. R. Aloi, L'arredamento moderno, IV serie, 1949. Fig 482.