Mid-Century Italian Bar Cart

Compendium of model houses constructed for the Home and Industrial Arts Group at the Chicago Century of Progress Exposition of 1933-34. Published by M.A. Ring Co. (Chicago) in 1934. Featuring two projects by George Fred Keck--the Crystal House...

Spare and architectonic brass cocktail table with gently sinuous curves and original glass top. A Bertha Schaefer design for M. Singer and Sons, circa 1954. Rare to the market. Docum...

“Jason” cocktail table in stainless steel and glass by New York City designer and interior decorator Gary Gutterman. An exceptionally well-executed continuous form with the unusual f...

Rectangular cocktail table of cut laminated plywood with solid wood supports. A well-constructed circa 1940s design with an architectural bearing, likely a one-off commission. The top sits within two lateral struts, giving the appearance of bridge architecture. . A design in the manner of Nathan Lerner...

Up-and-down "Versitable" by Tepper-Meyer Associates of San Francisco, produced by Fred Meyer circa 1954. The two-position design can function as a dining or writing table in the high...

Table lamp composed of an enameled steel tube with a tiltable Fiberglas reflector shade, designed and produced by Asian/American designer and educator Bill Lam in 1952. William M.C. (Bill) Lam (1924-2012), a pioneer in architectural lighting, was born and raised in Hawaii, entering MIT in 1941 and graduating with a degree in architecture in 1949 after serving as a pilot in the Army Air Corps in WWII. Influenced by Alvar Aalto and Charles Eames, both visiting professors at MIT, Lam established a small atelier, Lam Workshop, outside Boston in the late 1940’s, producing a series of his own lighting designs and a two-level cocktail table that gained widespread recognition in the national design press, earning MoMA Good Design selections in 1950 and 1951 as well as inclusion in close to 50 museum collections and exhibitions throughout the United States and distribution through Lightolier, Richards-Morgenthau (Raymor), Bloomingdale’s, Carroll Sagar, and numerous other showrooms and shops offering and promoting modern furnishings. His designs were merit specified for California Art & Architecture’s Case Study House program in 1950, featured in the Boston Institute of Contemporary Art’s Current Design quarterlies and in Furniture Forum, and chosen by General Electric and Westinghouse for model homes to demonstrate how to use light to best advantage. Lam would cease producing these designs in the later 1950’s, shifting his attention to the design and manufacture of prefabricated architectural lighting systems along with consulting, teaching, and writing—he taught lighting design at Harvard and MIT and authored two influential books for the lighting design profession. His 1950 drum-shaped lite-table was one of the first consumer products made of fiberglass reinforced plastic—it was shown alongside the Eames/Evans plastic shell chair in period ads for the material. He designed a fiberglass clip-on light diffuser fixture around the same time; it appeared in the Winter 1951/52 issue of Current Design with a date of design of April 1951. With a 14” diameter, it was pitched as a ceiling fixture or sconce and was intended to be “almost unbreakable and absolutely washable.” This element was then included in two pivoting armature wall lamps—one a Good Design selection--and a gooseneck floor lamp. All these designs emphasized functionality, flexibility, and economy and emitted light with a soft intimate glow. The present design was clearly to be part of this series—a steel cylinder using the fiberglass fixture to diffuse and throw light. The lamp was included in a lighting survey in Interiors in June, 1952. The description—"a tiltable Fiberglas reflector on a steel tube in enameled white, black, red or gray”--suggests that the lamp was intended for serial production and indicates that the tilting mechanism was integral to the design (the tilting finial on the lamp shows a patent date of 1942). Tilting the fixture through a range of motion to change how light is thrown locates the lamp in dialogue with several winning entries in the MoMA 1951...

A walnut and brass bar cart in the mid century taste by Cesare Lacca Italy Circa 1950.

Midcentury Italian brass bar cart - two levels and three large wheels - two larger and one caster... great for any room with spirits that can travel! We have added new glass on both ...

A Mid-Century modern Italian brass bar cart with mahogany handle and glass shelves with bottle rack. Nice patina, as found, but may be polished to a high shine if desired. Rolls smoo...

Tall mid century Italian brass bar cart, Italy, circa 1950s. We have had several of these Italian brass bar carts in the past, but never one with three tiers! It offers a voluminous ...

Italian Mid-Century Modern brass bar cart. Italian Mid-Century Modern seamless brass bar cart, serving cart, drinks cart or cocktail trolley. Thi...

Beautiful Italian bar cart made in Italy 1980s. The cart is composed from 2 glass shelves , iron base and wood tires. The shape is very elegant and present minor uses.