Pair 'Neo-Grec' Torchère Stands, Attributed to Barbedienne

A large and finely cast neo-grec gilt and patinated bronze jardinière by Ferdinand Barbedienne. Signed 'F. BARBEDIENNE'. This rare Jardinière or ...

A Neo-Grec gilt and patinated bronze Tazza, designed by Ferdinand Levillain and cast by Ferdinand Barbedienne. Marked 'F. Levillain' to the decoration and stamped 'F. Barbedienne' to the underside. This rare tazza is a fine example of the collaboration between the gifted designer Ferdinand Levillain and the highly acclaimed bronzier Ferdinand Barbedienne. It is decorated with a bas-relief in the 'Neo-Grec' or ‘Pompeian’ style with classical figures herding animals...

A Large And Rare Pair of ‘Neo-Grec’ Style Multipatinated Bronze Amphora Vases by Ferdinand Levillain and Ferdinand Barbedienne. Signed to the cast ‘F. Levillain Fecit 1880’ and ‘F. Barbedienne’. This large pair of multipatinated vases are of amphora form modelled in the ‘Neo-Grec’ style with trumpet shaped necks and scrolling handles terminating in masks; the vases are raised on circular spreading bases put down on plinths. Each vase is finely ornamented with laurel leaves and garlands to the neck, the main body with a superb banded frieze cast in low relief depicting the Centauromachy. In the Centauromachy, the Lapiths battle with the Centaurs at the wedding feast of Pirithous. An enduring classical theme linked with the idea of culture versus nature, the Centauromachy was widely depicted in ancient Greece from the Southern Metopes of the Parthenon Freieze to the Temple of Apollo Epikourious at Bassai, it also appears as a subject on numerous Attic vases such as the Ilioupersis krater. A popular theme for artists from the Renaissance onwards it was depicted by amongst others, Michelangelo, Piero di Cosimo, Luca Signorelli, Sebastiano Ricci...

A pair of bronze and Belge Noir marble porte-torchères in the manner of Barbedienne. French, circa 1870.

A Louis XVI style gilt-bronze and polished steel pedestal table. The circular white marble top with bead cast surround, on athenienne tripod support with central spirally-fluted ste...

An unusual neoclassical style gilt bronze Gueridon with an inlaid black marble top, in the manner of Ferdinand Barbedienne and Louis-Constant Sévin. This unusual Gueridon has a ci...

A pair of painted hardwood neo-classical torcheres in the manner of Robert Adam. With tripartite Corinthian supports, stylised ram’s heads and cloven hoof...

Mahogany torchere or lamp stand This is a fine quality piece made in mahogany, the torchere has a 10”scallop shaped top with a raised moulded rim. It ...

A very attractive and good quality late 18th century Georgian mahogany torchere, or candle stand, having well figured detachable circular top with moulded rim, over elegant turned stem with fluted decoration, terminating on three splayed tripod legs. The actual definition of a torchere is a lamp on a tall stand made of wood or metal. However these days any kind of tall antique table...

An Extremely Attractive And Very Good Quality Late 18th Century, George III Period, Mahogany Torchere, or Candle Stand, Having Well Figured Octagonal Top With Elegant Wavy Gallery, R...

Beautiful tall Antique Torchere stand. solid Mahogany . Especial for Oil lamps because its height . Very nice elegant model . Very good condition.

Due to their utilitarian nature, surviving pairs of 17th century candle stands/torchères are extremely rare and generally only seen today in great houses. The quality of the marquetry decoration and the attention to detail indicate that these candle stands were probably made for a substantial household. The turned stems displays the skill of the turner, and create fluidity, variety of form, emphasing the quality of the solid walnut grain and the floral inlay as well as holding and balancing the form of the top. The sweeping, scroll feet balance the proportion and fluidity of the candle stands/torchères, giving them presence. They are sturdy and in excellent condition. Virtually identical turnings and form. Both with octagonal tops, one with a central marquetry floral spray, the other plain. The upper sections with solid walnut baluster and ring turnings leading into lower octagonal sections decorated with marquetry floral sprays repeated 3 times. The stems supported by octagonal blocks with a repeat of the floral spray and scroll tripod bases with two floral sprays on the upper facing sections. Excellent original colour and patina. English. Height 96cm, Top diameter 29cm Moveable stands to support a candlestick or lamp were intended to supplement the fixed lighting arrangements of rooms. The evidence of inventories suggests that they did not become common in France until about 1650 when they accompanied fine tables and cabinets. Such stands, being sometimes in the form of gueridons. The fashion for decorative candlestands spread rapidly after the Restoration, when they were often made en-suite to flank a sidetable with a mirror above. Such sets are mentioned in lists of household goods and by contemporary writers. In 1664, for instance, Mary Verney is anxious to obtain “a table and stands of the same coler”. The Academy of Armory, published in 1688, defines a candle-stand as a “little round table...