English 19th Century Georgian Oak Centre Table with Leaf Inlay

Constructed in Cuban mahogany, with holly and bois Clair inlays; the circular tilt top having radially laid flame Mahogany veneers of magnificent figuring and colour, with a ‘starbur...

An Antique Shaped Centre Table by Gillows Constructed in Circassian walnut, with specimen woods inlays, and gilt metal adornments; rising from a castor sho...

A good centre table by Johnstone & Jeanes of London   Constructed in amboyna, with extensive marquetry inlays in specimen woods, and enhanced with parcel-gilt highlights. Rising from a cruciform platform base adorned with knops and having concealed castors, supporting the inlaid, and gently stepped and tapering centre column with stylized 'c' form brackets bracing the octagonal top, the outer guard band having English roses inlaid at the angles, with foliates with the national emblems of Scotland and Ireland, thistles and shamrocks. Stamped by the makers to the underside, 'Johnstone & Jeanes 67 Bond Street'. circa 1845 Published in “British Furniture 1820 to 1920” by Christopher Payne, 2023, p. 131, illustrated fig. 3.21. Johnstone, Jeanes & Co John Johnstone of Bond Street came to prominence after his collaboration with Robert Jupe, an 'upholder' of 47 Welbeck Street, Cavendish Square, London, who patented a remarkable design for a circular expanding dining table with a segmented top in 1835. After Jupe's death, the firm traded as 'Johnstone and Jeanes' from 1842 until 1880, having moved to 67 Bond Street and continuing the tradition of producing high quality furniture. After 1880, the company was re-named Johnstone & Norman. They exhibited at the Great Exhibition 1851, The International Exhibition of London in 1862, and The Paris Exhibition of 1878. Both the Royal Collection Trust and the Victoria & Albert Museum own stamped pieces of furniture in their collections. The company of Crace were designers and decorators to the Royal household from 1768 until 1899, working for every monarch from George the Third...

A Remarkable Late Georgian Circular Table Of a size most unusual in circular tables, constructed in various specimen woods on a San Domingo ma...

A fine quality astrological centre table firmly attributed to Maple & Co Constructed in very finely figured mahogany and satinwood, and having marquetry inlay of superior quality...

A Grand Tour Centre Table The Top Attributed to Cesare Roccheggiani The carved gilt wood base in the manner of George Smith having four monopedia supports, each depicting leopards heads atop, with paw feet below, and conjoined by an incurved stretcher base having carved stiff leaf decoration, and raised on castors; the circular platform of marmoro nero, with a stylised Greek Key border within double Malachite reserves; the central micromosaic roundel depicts The Vatican from St Peter's Square, surrounded by eight separate roundels of The Pantheon of the Gods; the smallest of Rome's seven hills, the Capitoline; The Mauseoleum of Hadrian on the Tiber; The Roman Forum, with the remnants of the Temple of Vespasian; The Colosseum; the Temple of Vesta; The Arch of Titus, and the Tomb of Cecilia Metella. English / Italian, Circa 1875 The attribution to Cesare Roccheggiani is supported by Jeanette Hanisee Gabriel, former curator of the Gilbert Collection and Honorary Curator for the Gilbert Collection at the Victoria & Albert Museum. Provenance: From a Noble family, the 6th Earl of Macclesfield (1811-1896) then by descent. The base is similar in design to designs published by George Smith's A Collection of Designs for Household Furniture and Interior Decoration, 1808. The taste for monopedia supports was of fashion, in the Regency period and models of such were displayed in the 1851 Great Exhibition. The Macclesfield coat of arms depicts a shield with a central chevron and three leopard's faces. Views of Roman monuments was the most popular theme used by mosaicists in Rome in the beginning of the 19th century, supplying the flow of wealthy Grand tourists from Northern Europe. From small gold boxes...

A fine quality, elegant and sophisticated antique European oval centre table from the second half of the 19th century. Hand-crafted and carved from solid rosewood, finished in th...

Fabulous mid-19th century fruitwood centre table in exceptional condition. The round top, with a rich chestnut colour, sits on three scrolling cabriole legs joined together by confor...

Produced in Germany during the early 17th Century, this table is Baroque in style and period. The table stands on four rectilinear legs, their square profiles tapering from top to bo...

The circular top decorated with various specimen marbles including Rosso antico, serpentino, Giallo antico, Palombino, Malachite , Granito, Carrara .. ecc. Masterpiece of Italian c...

An exceptional marquetry and ormolu centre table of exhibition quality attributed to Edward Holmes Baldock. English, circa 1840. Finely co...

Finest quality antique Victorian burr walnut shaped centre table with a tilt-top having exceptional matched burr walnut veneers. It has a thumb moulded edge and a solid walnut base w...