Early 19th Century Burr Amboyna Centre or Occasional Table, Possibly Russian

A gorgeous early 19th century fruitwood lamp, occasional or centre table of exceptional quality, finely hand carved and with sublimely rich patination and grain. The moulded top of rectangular form above elegantly simple frieze raised over finely carved, ring turned hexagonal baluster column support above quatrefoil platform base, terminating on stylised bun foot...

A good centre table by Johnstone & Jeanes of London   Constructed in amboyna, with extensive marquetry inlays in specimen woods, and enhanced with parcel-gilt highlights. Rising from a cruciform platform base adorned with knops and having concealed castors, supporting the inlaid, and gently stepped and tapering centre column with stylized 'c' form brackets bracing the octagonal top, the outer guard band having English roses inlaid at the angles, with foliates with the national emblems of Scotland and Ireland, thistles and shamrocks. Stamped by the makers to the underside, 'Johnstone & Jeanes 67 Bond Street'. circa 1845 Published in “British Furniture 1820 to 1920” by Christopher Payne, 2023, p. 131, illustrated fig. 3.21. Johnstone, Jeanes & Co John Johnstone of Bond Street came to prominence after his collaboration with Robert Jupe, an 'upholder' of 47 Welbeck Street, Cavendish Square, London, who patented a remarkable design for a circular expanding dining table with a segmented top in 1835. After Jupe's death, the firm traded as 'Johnstone and Jeanes' from 1842 until 1880, having moved to 67 Bond Street and continuing the tradition of producing high quality furniture. After 1880, the company was re-named Johnstone & Norman. They exhibited at the Great Exhibition 1851, The International Exhibition of London in 1862, and The Paris Exhibition of 1878. Both the Royal Collection Trust and the Victoria & Albert Museum own stamped pieces of furniture in their collections. The company of Crace were designers and decorators to the Royal household from 1768 until 1899, working for every monarch from George the Third...

A bold C19th Oak Centre table, the segmented top with well figured burr oak above a shallow frieze, raised on an octagonal column with carved boss and round plinth, raised on carved ...

The circular top veneered in extremely well figured amboyna having a cross banded outer border. The top supported on a octagonal column, similarly veneered in amboyna, resting on a t...

Russian neoclassical boule inlaid centre tilting table. Simply the best one has to offer. This fine late 19th-early 20th century Russian Inspired centre table appears to be solid ros...

A very good quality 19th century Amboyna center table, with Wedgwood porcelain plaques depicting classical scenes, having parcel gilt decoration and ormolu mounts and raised on a fou...