Mid-Century Mahogany Pedestal Centre Table

Antique, 19th century, center table features a beautifully carved, rosewood base with cabriole legs, acanthus knees and beveled edge marble top.

Outstanding, midcentury modern, low, mahogany coffee table fearures a thick biomorphic, piano-shaped top with sculptural, v-shaped legs in the style of Paul Laszlo. The table tapers ...

Neatly sized, Mid-Century Modern, mahogany coffee table in the style of Paul Frankl features a thick top atop ladder legs with diamond cut rungs.

Mid-Century Modern, ebonized ash, stepped side table by American of Martinsville features a lower tier with steel inlay at 16.5 inches height.

Mid-century modern bench features a clean, geometric, lacquered mahogany frame with high handled sides and contrasting bright blue wool upholstered seat. It's perfect as accent seati...

Post modern, Memphis influenced, small dining or bistro café table features a 30 inch square travertine top paired with a post-modern, architectura...

A fine Regency period tilt-top brass inlaid mahogany and calamander library center table. Raised on a concave-sided triform base, with well-modelled cast-brass scrolling feet. Also referred to as a monopodium (table). All in excellent condition, well figured, and of very good rich color. Typical of designs by Thomas Hope (1769 - 1831). This form of antique table is also associated with work by George Bullock (1777 - 1818) and George Oakley (circa 1765 - 1841). Refs: A similar table with a leather insert, in the manner of Thomas Hope, circa 1800 - 1805, was sold in London for £39,650 - December 2010. This early 19th century table is reminiscent of the ‘Grecian’ style that the pioneering collector and designer Thomas Hope (1769-1831) popularized in Britain with the publication of ‘Household Furniture and Interior Decoration’ in 1807. Thos. Hope (banker, born 1769, d. 1831) The furniture manufacturer George Oakley (circa 1765-1841) was greatly influenced by Hope’s designs, and produced fashionable furniture in this style, using brass and star inlays similar to our table on offer. The firm’s designs and craftsmanship earned them royal patronage, and Oakley worked for the Prince Regent at Carlton House, as well as supplying furniture and upholstery for The Mansion House and The Bank of England. His work for the Cheere family - of Papworth Hall, Cambridgeshire, UK - is well documented. The reference to Geo. Oakley relates to a known table of this pattern in calamander wood and brass marquetry of starred-ribbon guilloche, which corresponds to the brass marquetry in a table supplied by Oakley in 1810 to Papworth Hall. Lit: Parker, R. 'History of Papworth Everard...

A good centre table by Johnstone & Jeanes of London   Constructed in amboyna, with extensive marquetry inlays in specimen woods, and enhanced with parcel-gilt highlights. Rising from a cruciform platform base adorned with knops and having concealed castors, supporting the inlaid, and gently stepped and tapering centre column with stylized 'c' form brackets bracing the octagonal top, the outer guard band having English roses inlaid at the angles, with foliates with the national emblems of Scotland and Ireland, thistles and shamrocks. Stamped by the makers to the underside, 'Johnstone & Jeanes 67 Bond Street'. circa 1845 Published in “British Furniture 1820 to 1920” by Christopher Payne, 2023, p. 131, illustrated fig. 3.21. Johnstone, Jeanes & Co John Johnstone of Bond Street came to prominence after his collaboration with Robert Jupe, an 'upholder' of 47 Welbeck Street, Cavendish Square, London, who patented a remarkable design for a circular expanding dining table with a segmented top in 1835. After Jupe's death, the firm traded as 'Johnstone and Jeanes' from 1842 until 1880, having moved to 67 Bond Street and continuing the tradition of producing high quality furniture. After 1880, the company was re-named Johnstone & Norman. They exhibited at the Great Exhibition 1851, The International Exhibition of London in 1862, and The Paris Exhibition of 1878. Both the Royal Collection Trust and the Victoria & Albert Museum own stamped pieces of furniture in their collections. The company of Crace were designers and decorators to the Royal household from 1768 until 1899, working for every monarch from George the Third...

A fine quality astrological centre table firmly attributed to Maple & Co Constructed in very finely figured mahogany and satinwood, and having marquetry inlay of superior quality...

Fabulous mid-19th century fruitwood centre table in exceptional condition. The round top, with a rich chestnut colour, sits on three scrolling cabriole legs joined together by confor...

Ornately carved mahogany octofoil centre table with rouge marble top. Turned feet on splayed legs with beaded apron. Upwardly bowed four part stretcher wi...

This vintage table features a laminate oval top with rubber nosing set on top of a pedestal style base. Perfect for dining room or kitchen, fantastic midcentury style. Restoration re...