Regency Mahogany Empire Centre Table c. 1830

This beautiful reclining chair was made by Robert Daws, an English fine furniture maker who worked at 17 Margaret Street, Cavendish Square, London between 1820 and 1839. He first pa...

This beautiful reclining chair was made by Robert Daws, an English fine furniture maker who worked at 17 Margaret Street, Cavendish Square, London between 1820 and 1839. He first pa...

A very fine Regency example, in solid coromandel of a superb colour. The dark brown/black grain highlighted with creams and golds which run in natural stripes all over the box, Coromandel was a much prized exotic timber imported into the London docks and was usually used in small sections of veneer only due to the high cost of this wood. Here it is used in the solid and has developed a good patina. A further high quality detail is that solid brass string inlays have been added – a double band to the top and front – which sets off the Coromandel very well and is all inlaid by hand. The central brass reserve to the top and brass escutcheon are shaped as open flower heads and are original also. The box retains its original working steel key and opens on original hinges to reveal the writing slope. This is inset with a new black leather skiver with gold tooled border. The original skiver was black but was damaged and torn so we have replaced it with an identical skiver and matching gold tooling. The inner writing slope is solid mahogany and it locks into the top of the box with small brass slide bolts. With the bolts released the slope folds and there is a small compartment beneath the slope in both sections of the box – perfect for storing paper and envelopes. There is also a compartment for inkwells and quill pens. A quill pen is designed to rest in an ebonised mahogany curved boat which is removable. It may seem strange to us now that feather and quill...

A handsome and comfortable solid mahogany framed Regency library arm chair with original and substantial brass casters to the front feet. Made by a craftsman and dating from c. 1820 ...

With a well developed rich and warm colour to the elm, this small and original 19th Century Chinese Elm altar table has a boarded, cleated and oversailing top over two front frieze d...

A beautiful Georgian solid mahogany supper table seating six to eight people. Very substantial and heavy and deeply crossbanded in beautifully exotic coromandel. The solid mahogany...

A Regency mahogany centre table in the manner of George Smith with fine detail: the top with inlaid anthemions in satinwood, the frieze with carving and ogee moulding, the standard e...

J01 Superb quality Regency, mahogany centre table, having figured mahogany top with rosewood banding and gadroon edge, standing on turned, ringed and fluted column and trefoil base t...

A fine Regency period tilt-top brass inlaid mahogany and calamander library center table. Raised on a concave-sided triform base, with well-modelled cast-brass scrolling feet. Also referred to as a monopodium (table). All in excellent condition, well figured, and of very good rich color. Typical of designs by Thomas Hope (1769 - 1831). This form of antique table is also associated with work by George Bullock (1777 - 1818) and George Oakley (circa 1765 - 1841). Refs: A similar table with a leather insert, in the manner of Thomas Hope, circa 1800 - 1805, was sold in London for £39,650 - December 2010. This early 19th century table is reminiscent of the ‘Grecian’ style that the pioneering collector and designer Thomas Hope (1769-1831) popularized in Britain with the publication of ‘Household Furniture and Interior Decoration’ in 1807. Thos. Hope (banker, born 1769, d. 1831) The furniture manufacturer George Oakley (circa 1765-1841) was greatly influenced by Hope’s designs, and produced fashionable furniture in this style, using brass and star inlays similar to our table on offer. The firm’s designs and craftsmanship earned them royal patronage, and Oakley worked for the Prince Regent at Carlton House, as well as supplying furniture and upholstery for The Mansion House and The Bank of England. His work for the Cheere family - of Papworth Hall, Cambridgeshire, UK - is well documented. The reference to Geo. Oakley relates to a known table of this pattern in calamander wood and brass marquetry of starred-ribbon guilloche, which corresponds to the brass marquetry in a table supplied by Oakley in 1810 to Papworth Hall. Lit: Parker, R. 'History of Papworth Everard...

Regency Style Mahogany Centre Table. The Mahogany Top of the Table Being of a Segmented Form and Features Wonderful Mahogany Timbers, Satinwood Crossbanding and Ebony and Boxwood Lin...

Biedermeier Mahogany Centre Table, Workshop of Johannes Klinckerfuss, 1830 Mahogany veneered with lightwood banding, with gabled frieze, on three scrolled legs and a trefoil base. ...

An Italian mahogany and parcel-gilt center table with a circular top above triple addorsed dolphins on a triform base, Tuscany, 1830.