Table in Semiprecious Stone, Tuscany, England, Mid-19th Century

English console resting on a shelf and equipped with two monopod griffins shaped uprights; the rear panel consists of three mirror plates. Entirely veneered in amboina briar, it has ...

Briar lady's casket with brass inserts. Inside compartments with coeval glass flasks and compartments in velvet and purple silk. The opening front reveals two drawers. The lids of th...

Lombard-Venetian extensible table supported by four refined walnut legs that originally had wheels. Walnut veneered top surface with olive edges and d...

Gilded and chiseled bronze clock. On the large rectangular base there is a scene with mythological divinities in relief on a finely chiseled background. Decorations with plant motifs...

Pair of wooden vase holding columns, entirely lacquered in chinoiserie style. Shaped, the base has a tall painted plinth with red and black cheque...

Center table, ebony-stained wood, glass. Good conditions.

This 19th century handmade round coffee table wit turned legs is in fine and sturdy condition.What a great Size for a coffee table or side table. Wonderful aged patina.

Cherry center table on three curved legs with carved stud decoration and a conical central column with grooved decoration. The round table top is veneered in segments and profiled at...

A good centre table by Johnstone & Jeanes of London   Constructed in amboyna, with extensive marquetry inlays in specimen woods, and enhanced with parcel-gilt highlights. Rising from a cruciform platform base adorned with knops and having concealed castors, supporting the inlaid, and gently stepped and tapering centre column with stylized 'c' form brackets bracing the octagonal top, the outer guard band having English roses inlaid at the angles, with foliates with the national emblems of Scotland and Ireland, thistles and shamrocks. Stamped by the makers to the underside, 'Johnstone & Jeanes 67 Bond Street'. circa 1845 Published in “British Furniture 1820 to 1920” by Christopher Payne, 2023, p. 131, illustrated fig. 3.21. Johnstone, Jeanes & Co John Johnstone of Bond Street came to prominence after his collaboration with Robert Jupe, an 'upholder' of 47 Welbeck Street, Cavendish Square, London, who patented a remarkable design for a circular expanding dining table with a segmented top in 1835. After Jupe's death, the firm traded as 'Johnstone and Jeanes' from 1842 until 1880, having moved to 67 Bond Street and continuing the tradition of producing high quality furniture. After 1880, the company was re-named Johnstone & Norman. They exhibited at the Great Exhibition 1851, The International Exhibition of London in 1862, and The Paris Exhibition of 1878. Both the Royal Collection Trust and the Victoria & Albert Museum own stamped pieces of furniture in their collections. The company of Crace were designers and decorators to the Royal household from 1768 until 1899, working for every monarch from George the Third...

The circular top with striking geometric inlay in three different woods creating an almost optical illusion of depth. The top rests on a turned inlaid column terminating in three spl...

Sn4900, 19th century mahogany centre table of small proportions, having original marble top (with a historic repair, solid) above a mahogany frieze and five turned legs with brass ca...

A large scale, hand-carved, veneered and inlaid, walnut and fruitwood center table with a book matched top centered on a  radiant medallion. The base featuring a central, turned colu...