Birch Table, Northern Europe, circa 1920

Coffee table, Northern Europe, circa 1930. Currently under renovation. Wood: mahogany Dimensions: height 75 cm, diameter 94 cm.

An antique round table from around 1900. Dimensions: height 71 cm / diameter 84 cm.

Coffee table with ceramic top, Northern Europe, circa 1930. Very good condition. Wood: oak Dimensions: height: 62.5 cm, width: 9...

Antique table from the late 19th century. Furniture currently under renovation. Dimensions: height 70 cm / width 110 cm / depth 64 cm.

Dressing table from the beginning of the 20th century. The furniture is preserved in very good condition, after professional renovation. Dimensions: height 159 cm / width 142 cm /...

Antique armchair made of walnut wood. Produced in Scandinavia in the early 20th century. Very good condition, no objections. New beige upholstery. Dimensions: height 85 cm / seat...

Northern European mid-century wood, yellow and black formica coffee tables, 1960s Pair of coffee tables with triangular top with rounded corners, in yellow formica and black profile...

Northern European yellow coffee table with original solid beech legs, 1960s Yellow coffee table of northern European origin, with yellow Formica t...

Witness the epitome of exquisite craftsmanship and timeless design embodied in this solid birch coffee table. Carefully handcrafted with precision and meti...

A French organic wooden occasional table with three impressive natural knotty rustic wood legs circa 1920.

In European midcentury design, there are some common elements that define the continent’s furniture design of the era. Most importantly, there was an early emphasis on wood as it connected everyday objects, such as furniture to nature. This rustic, solid wood coffee table is a perfect example of this sentiment, and the visual benefits of an understated, organic design. Mid-Century Modern represented a break with the traditional past: design-wise, furnishings were often a rejection of Victorian, Colonial, and other historical influences, especially the pseudo-historical use of ornamentation. In comparison, furniture of the 50s and 60s are generally more pared-down, smaller in scale, and uncluttered with unnecessary ornament: on this front, the movement shared qualities with the efforts of the Bauhaus designers’ vehement rejection of ornamentation. This coffee table has a strong elemental feel to it, which is a result of its thick table top and sturdy legs. The focus is on the Material, letting the beautiful qualities of the wood stand out. The circular pattern of the wood is the result of the trunk being used without cutting it into pieces, thus showing the tree’s year rings...

Set of three English nesting coffee tables made from oak. the top is beveled on all three of the tables, following down to a hand carved decorated apron on the largest table, and sim...