Eglomise Coffee Table

Cocktail Table, having a rectangular top of black portoro marble with squared-corners, on pickled wood base, its apron pierced with stylized guilloche, raised on reeded-brass capped ...

Coffee table, of chrome and brass, having a rectangular top of glass, on base with square-section, open-frame design. Stock ID: D8674

Cocktail table, having a free-form top of glass, centered by tortoise motif eglomise, raised on pedestal base, of pine, each side carved as face relating to a season, on round foot.

Signature arboreal accent table, having a round top of glass, on a base of welded bronze with a verdigris finish, fashioned as a stylized banyan tree. Its central trunk affixed with ...

Cabinet, of carved wood, having a painted finish, its double cupboard doors inset with glass panels, hand painted with heraldic motifs, raised on cabriole legs. Paper tag reads:J.N. ...

A right and left pair of sconces, each having a shield-shaped, mirrored backplate, reverse painted with Nubian figures, S-scroll candlearms, of brass, decorated with pendulum crystal...

Églomisé and ebonized wood table Organic treatment to the image which includes abstracted people and animals Please ignore reflections from the gallery on the glass top.

French Art Deco coffee table, circa 1940s. Beautiful eglomise or reverse painted antiqued mirror top. This came from the estate of a French coup...

A stylish, sexy piece that we picked up in Paris, this petite coffee table is the perfect, chic centerpiece for a small room. With its simple bronze base and mysterious black and gil...

French Forties Art Deco coffee table by Maurice Jallot, circa 1947, in cream lacquer with original verre eglomise glass top and gilt bronze mounts. 40” long x 17” deep x 17” high. Pictured in Mobilier et Decoration, 1947. Maurice Jallot (1900-1971) Maurice Jallot was born in Paris during the 1900 Exposition Universelle – an auspicious beginning for a career in the arts. He studied at the Ecole Boulle in Paris and upon graduating, joined his father’s (Leon Jallot) studio in 1921. He left for a while to gain outside experience and rejoined the firm in 1930. A versatile and imaginative designer, Maurice Jallot exhibited a range of pieces and ensembles at the annual salons, some in partnership with his father and some singly. For the 1925 L'Exposition internationale des arts décoratifs et industriels modernes - the World's fair held in Paris, France, from April to October 1925 the Jallots provided furnishings for the Hotel du Collectionneur (grand salon), Ambassade Francaise, La Societe Noel, La Maison de Bretagne, and Gouffe Jeune. Their furniture in the 1920s was fabricated from woods – palisander, walnut, pearwood, amboyna, camphor. From the mid-1920s the Jallots faced the Challenge common to all woodworkers: whether to adjust to, or fight, the revolutionary introduction of glass and metal. They chose the former, introducing a distinctive range of modern furniture: stainless steel tables, mirrored cabinety, etc. Maurice participated in the interior decoration for A French Embassy...

Bronze based églomisé top coffee table. The bottom bronze or gilt base bamboo form table having a line undercarriage supporting a square églomisé silver gilt tabletop with a geometri...

Pretty iron coffee table, raised on cabriole legs, with a scallop-edged églomisé mirror top. The base is painted in original cream color, with gold accents.