Attributed to Gio Ponti Dismountable Table by Reguitti, Italy, 1950s

Single Gio Ponti Model: 676 chair for Cassina, Italy 1950s Original velvet upholstery.

Italian 1930s Art Deco Two-Tier Round Wooden Coffee Table Attributed to architect Gio Ponti work for Domus Nova at La Rinascente, Milano A ...

A sublime set of six high-back dining chairs in Oakwood and white Bouclè upholstery. Attributed to the work of Gio Ponti. Beautiful construction and wood details. Reminiscent of Gio...

Italian 1950s Circular dining table att. to Ico Parisi. Cream under painted glass top.

Architectural oval two tier serving table with handles, Italy, 1950s.

Italian Art Deco firewood bucket in hammered brass, attributed to Gio Ponti.

Folding and adjustable bed tray. In laminated wood of the Reguitti Brothers. This tray is like new. Made in Italy in the 1950s

Italy Mid-Century Modern occasional table, console, Gio Ponti attributed by Consorzio Mobili di Cantu. In mahogany, wax-polished Measures cm: H 79, W 7...

Italian desk by Gio Ponti attributed, 1950s. Dimensions: H= 78 cm; W= 180 cm; D= 85 cm.

Beautiful table with hexagonal top, edged in solid wood, with brass feet and "X" legs, a motif repeated in many works and designs by the famous architect Gio Ponti. The table has be...

Round coffee table realized in walnut wood with metal details, the tabletop presents an elegant circular decorative motif. Attribuited to Gio Ponti, Italian manufacturer from the 1950s Gio Ponti was an icon of the modernist movement: the Italian designer, architect, artist and publisher contributed significantly to the worlds of architecture and design with his extensive work in fine furniture and ceramics, education, office and residential buildings, and everything in between. Giovanni, known as Gio Ponti was born in 1891 in Milan. It was there that he spent his childhood, and in 1921 he began to study architecture at the Politecnico di Milano. From 1923 to 1930 he served as the artistic director of the Richard-Ginori porcelain factory. In 1927, Ponti started his first architectural office, together with Emilio Lancia, and in 1928 he started the magazine Domus, which is still regarded as one of the most influential European magazines for architecture and design. He was also very influential during the period as a curator of the Milan Triennale. After his collaboration with Emilio Lancia had come to an end, upon completion of the Torre Rasini, he began to work as an architect together with the engineers Antonio Fornaroli and Eugenio Soncini...

Elegant oval table with two highly decorative brass rods surrounding the glass shelves.