Massimo Vignelli Kono Table in Carrara Marble and Copper Casigliani, 1979

Kono coffee table designed by Massimo Vignelli and manufactured by Casigliani in 1980s. Low table with supports in oxidized copper and white Carrara marble and ground glass on top.

Ara console table with a wooden structure and a glass top designed by Lella and Massimo Vignelli and manufactured by Driade in 1974. Licterature: G. Gramigna, Repertorio del Desig...

Low table with a round-shaped table top in white marble and four metal legs from the Parallel Bar series, designed by Florence Knoll and manufactured by Knoll International during the 1950s. Born to a baker, and orphaned at age twelve, Florence Schust grew up in Saginaw, Michigan. Schust demonstrated an early interest in architecture and was enrolled at the Kingswood School for Girls, adjacent to the Cranbrook Academy of Art. While at Kingswood, Florence befriended Eilel Saarinen, whom she would later study under at Cranbrook. Warmly embraced by the Saarinen family, Florence vacationed with them in Finland, enjoyed the company of their accomplished friends, and formed a very close relationship with Eliel’s son, Eero. The connections she made and the skills she developed while at Cranbrook were the foundations of Florence Schust’s incredible design education and pioneering career. With recommendations from Eliel Saarinen and Alvar Aalto, Florence went on to study under some of the greatest 20th century architects, including Walter Gropius and Marcel Breuer in Cambridge, Massachusetts and Ludwig Mies van der Rohe at the Illinois Institute of Technology. In 1941 Florence moved to New York where she met Hans Knoll who was establishing his furniture company. With Florence’s design skills and Hans’ business acumen and salesmanship, the pair, who married in 1946, grew the nascent company into an international arbiter of style and design. Florence also seeded contributions with her friends Eero Saarinen, Harry Bertoia, and Mies van der Rohe. In creating the revolutionary Knoll Planning Unit, Florence Knoll defined the standard for the modern corporate interiors of post-war America. Drawing on her background in architecture, she introduced modern notions of efficiency, space planning, and comprehensive design to office planning. Florence ardently maintained that she did not merely decorate space. She created it. The Planning Unit rigorously researched and surveyed each client — assessing their needs, defining patterns of use and understanding company hierarchies — before presenting a comprehensive design, informed by the principles of modernism and beautifully executed in signature Knoll style. Florence and the Planning Unit were responsible for the interiors of some of America’s largest corporations, including IBM, GM and CBS. As part of her work with the Planning Unit, Florence frequently contributed furniture designs to the Knoll catalog...

Round coffee table realized in walnut wood with metal details, the tabletop presents an elegant circular decorative motif. Attribuited to Gio Ponti, Italian manufacturer from the 1950s Gio Ponti was an icon of the modernist movement: the Italian designer, architect, artist and publisher contributed significantly to the worlds of architecture and design with his extensive work in fine furniture and ceramics, education, office and residential buildings, and everything in between. Giovanni, known as Gio Ponti was born in 1891 in Milan. It was there that he spent his childhood, and in 1921 he began to study architecture at the Politecnico di Milano. From 1923 to 1930 he served as the artistic director of the Richard-Ginori porcelain factory. In 1927, Ponti started his first architectural office, together with Emilio Lancia, and in 1928 he started the magazine Domus, which is still regarded as one of the most influential European magazines for architecture and design. He was also very influential during the period as a curator of the Milan Triennale. After his collaboration with Emilio Lancia had come to an end, upon completion of the Torre Rasini, he began to work as an architect together with the engineers Antonio Fornaroli and Eugenio Soncini...

A Mid-Century Modern style console table with a structure in black lacquered wood and a tabletop in pink marble. The console table presents a single drawer on the frontal part. ...

Platone folding table or desk with structure in chromed steel and die-cast aluminum, table top in black ABS. Designed by Giancarlo Piretti and produced b...

Kono Coffee Table by Massimo and Lella Vignelli for Casigliani, Italy 1979. Kono coffee table for Casigliani. Ref.: G. Gramigna, Repertorio del design italiano 1950-2000, Allemand...

Iconic and rare Kono coffee table by Massimo and Lella Vignelli for Casigliani, Italy 1983. This stunning piece marries contrasting geometrical shapes and materials with great fines...

This Kono table is made out of white Carrara marble base and of an chrome plated metal cone and a clear glass top of 120 cm resting on the chrome cone and t...

Very rare coffee table by Massimo and Lella Vignelli produced by Casigliani in the 1970s in Italy. The table consists of three pieces: a bowl and a base element made out of various s...

Impressive Metaphora coffee table in very good condition. This coffee table is designed by Massimo & Lella Vignelli in 1979 Four forms of the Euclidean geometry, the cube, the cyli...

Designed by Lella and Massimo Vignelli for Casigliani, this iconic statement coffee table features two carved black marble arcs and a single st...