Vintage French Brutalist polished brass coffee table by Claude SANTARELLI, 1970s

Exceptional vintage Italian teak Sunburst effect coffee table with a satin polished brass base. The sunburst design for table tops can be found in many ...

Unusual vintage Italian Vladimir Kagan style Tri-symmetric Cherry and Satinwood side table. This is a wonderful little decorative side table created in the same style as Kagan’s T...

Vintage brutalist Italian hand carved wooden and glass dining table by Nerone, (Giovanni Ceccarelli), co-founder of Gruppo NP2, Nerone & Patuzzi. Supplied with certificate of authent...

A large and impressive Maison Baguès classic French designed cast oil rubbed bronze and Alabaster centrepiece table or side lamp. A superb and finely crafted original contemporary c...

A beautifully designed and constructed Matteo Grassi cream leather and glass dining, or conference, table with a steel core base that has been upholstered in cream leather and that features a thick glass, floating table top. The table can, depending on the width of the chairs used, seat up to 12 people. Matteo Grassi had a long history of producing high quality and finely crafted saddlery going as far back as 1880, and this shines through in the quality of the construction and stitching on all of their products. Like many of their designs the point of identification is that the metal framework is an analogy for the human skeleton with the leather acting as the ‘skin’ that shrouds the frame. The Matteo Grassi family company first came to the notice of interior designers and retailers when the Korium series of chairs were first introduced in 1978. This was the first design they produced under their own name after they moved into mainstream furniture production. This change was based on their increasing involvement in furniture prototyping in the previous 10 years that saw them create and develop bespoke designs for many leading architects and designers. They have ever since been known for producing quality pieces of furniture including the MG5 cantilever chair. This table is the Gazelle model and was produced from the late 1990s through to around 2010 and features their trademark stitching and thick leather; it really is a rare and beautiful table and one that is almost impossible to find on the resale market. It’s constructed of a heavy metal frame with adjustable pads that support a thick glass, racetrack oval shaped top that simply floats above the frame. Whilst it is a very well made and solid piece, it can still be moved by two strong people. This particular table dates from the late 90s and is in excellent condition with only very light marks to the frame and glass – there are no chips in the glass edge. The table has the Matteo Grassi imprint on leather plaques on the underneath of the main frame. As shown in the photographs, the table can accommodate 12 chairs, but also works well with 10, 8, or 6 chairs too – this is naturally dependent on the width of the chairs used. On this basis you can adapt the seating to your needs and maybe only have all 12 chairs out for larger gatherings and special occasions. Whilst both the chairs and table were designed for the domestic environment the set would work equally as well in an office setting as a funky meeting room or conference table set...

A pair of vintage Italian brown leather Korium armchairs with a steel frame on black castors, designed by Tito Agnoli for Matteo Grassi, 1980s – the price is for both chairs. This pair of chairs date from the 1980s and were part of series of armchairs and sofas designed by Agnoli for Matteo Grassi in 1978. The design bears a close resemblance to the Mario Bellini Cab 413 chair which was released by Cassina in the previous year. Given that both chairs took over a year to prototype it’s difficult to know which took precedence, and although both have a similar look, they feel different: the 413 is softer and more organic and the Korium, firmer and more hard wearing. In a sense both took inspiration from their respective manufacturer’s with regard to the outcome of the designs. Matteo Grassi had a long history of producing high quality and finely crafted saddlery going as far back as 1880, and this shines through in the quality of the construction and stitching. Like the Bellini chair, the point of identification is that the metal framework is an analogy for the human skeleton with the leather acting as the ‘skin’ that shrouds the frame. In a sense the design of the Korium also shares some aspects of the construction of early 20th Century bentwood furniture such as the benches that were created by Jacob and Josef Kohn. Like the wood that was so beautifully embossed in the Kohn’s bench...

Brutalist slate and natural stone top coffee table with inlaid brass The use of different materials and stone types creates a beautiful colour scheme. Good condition. 1970s ...

This Brutalist coffee table is made in a style reminiscent of designs by Paul Evans. It was manufactured in Belgium, circa 1960. The table base is composed of cast aluminum with a ro...

Brutalist coffee table manfuactured by Pia Manu. The table consists of a mixed ceramic and aluminum top with a steel and aluminum base. Beautiful unique coffee table with a str...

Lothar Klute is a German designer active in the 1970s-1990s. His design is Brutalist with a refine elegance. He worked bronze and frosted glass to create furniture in an Artistic way...

This handmade light oak brutalist coffeetable was designed and made by Oisterwijk meubelfabriek in the Netherlands. Produced in the seventies. This table features a 7 cm thick oak ta...

Brutalist slate stone coffee table with a 3D effect. Double wooden base. Signed by 'G.Muhr' Good condition. 1970s - Germany Height: 35cm/13.77" Width: 120cm/47.24" D...