Vladimir Kagan "Radius" Cocktail Table

This 1980s Pop Art "Footsie" coffee table features four elegantly arched mannequin legs supporting a textured Industrial steel top.

This Italian coffee table features a rectilinear gilt iron frame supported by dramatically scrolling cabriole legs. This table is an excellent compliment to any Hollywood Regency or ...

Rare Modernist rattan coffee table features 4 3-strand arched "Grasshopper" rattan legs supporting a rectangle dark stained mahogany top almost floating on its legs with rattan trim....

Post-war rattan coffee table with a koa wood top with a decorative "X" base. 1940, United States We only purchase and sell only the best and finest rattan furniture made by the bes...

Mid Century era 2 tier Eiffel Tower sculptural side table made with a black painted solid brass wireframe table base and 2 Formica platforms. Table measures over 4' foot tall. Dimen...

Large 48" diameter woven wicker cocktail table with modern design tropical pole center. Great outer rim perfect for serving and holding brunch cocktails and serving guests.

Fabulous Radius cocktail table by Vladimir Kagan. Three sided curved walnut slabs connected by a chromed steel spoke. Glass top is 30" diameter. Hgt is 14.5 In excellent vintage cond...

Iconic atomic design by Kagan-Dreyfuss. Elegantly articulated and proportioned table with glass top. Works as either a cocktail or an occasional table.

Exceptional and a beautiful table designed by Vladimir Kagan. Created from curved walnut panels connected by a polished chrome tri-star designed spoke. Glass is flawless.

A rare example of the Venetian Mosaic glass boomerang table. An identical table is pictured in the complete Kagan Book, 2004 Branded below- Kag...

This iconic design by Vladimir Kagan of his snail coffee table is handmade. Original unaltered walnut Veneer. Sold by Selig. The coffee table base is shown without the glass top. Not...

Designed by George Greenamyer for Vladimir Kagan. Ceramic base measures 14.5"W x 14.5"D x 15.25"H. Signed. From Greenamyer's web site: In 1964 I was one of 5 artists who founded the Pulpit Rock Artists Community in Woodstock, CT, to create studio space for new graduates. I exhibited my ceramic sculpture and I was commissioned to make ceramic furniture by Vladimir Kagan Associates. My teaching career started in 1968. My welding and foundry background was a key factor in my being offered a full-time position and being told to develop a sculpture department. In 1981 I became a full professor. I had the opportunity in the late 80s to design, with my shop technician, a "state of the art" metalworking and foundry facility. My classes were in welding, blacksmithing, foundry and 3D design. I have also taught workshops at Haystack in Maine, Penland in North Carolina and at other colleges. In 2005, I was designated professor emeritus. I still teach one welding class In the early 70s, I switched from ceramic to metal sculpture, which I exhibited where ever I could. In 1976, I completed my first major public art commission for the Massachusetts Bay Transportation Authority. In 1977, I won an Artists Fellowship Grant from the Massachusetts Arts and Humanities Foundation and a Louis Comfort Tiffany Foundation Grant. In 1979 I was a research fellow at the Center of Advanced Visual Arts at MIT to pursue my interest in kinetics. In the early 80s I had a large solo show at the Lopoukhine Gallery in Boston, the Laumeier Sculpture Museum in St. Louis and the Neil Gallery in New York City, where I was represented for 3 years. My sculpture is in the permanent collection of several Massachusetts museums: the Fuller Art Museum, Brockton; the Art Complex Museum, Duxbury; the DeCordova Museum and Sculpture Park, Lincoln and on the campus of Boston University and Massachusetts College of Art and Design. During the mid 80s to early 90s, I did the ice sculpture component of seven ice sculpture/performances in collaboration with other artists at First Night, Boston, and the Laumeier Sculpture Park in St. Louis, MO. In 1995, I was one of 18 artists who created a miniature golf hole for Strokes of Genius and in 2007, one of 12 artists that created sites for model trains called Trainscapes, both at the DeCordova Museum and Sculpture Park in Lincoln, MA. In the mid-80s I made the choice to focus my career efforts on public art commissions obtained through national competitions. Public art commissions allowed me to produce work in a size I could never afford. I liked the challenge of solving the design problems of the site and selecting a narrative that makes sense to the project and the committees. I could incorporate kinetics (sometimes fiber optics) and hired a mechanical and a structural engineer...