Satinwood Demi-lune Tables

Very Fine George III satinwood card table, the top with unusual swirled fan marquetry and black rosewood banding, purpleheart, sabicu,...

Featuring charming polychrome hand painted decoration of various flowers from the garden. The top centered by a hand painted basket of flowers including roses, hydrangea, and auri...

This extraordinary pair of demi-lune, or half-moon, side tables is exactly the kind of furniture to which Thomas Sheraton devoted his career. The surfaces of these tables are beautifully detailed with walnut and satinwood marquetry, inlaid with a floral geometric design and radial veneered semi-circle executed with the greatest precision and craftsmanship. Each is set upon elegant, foliate carved giltwood legs. Sheraton believed that furniture should only be created to be fashionable, but it should be designed with more permanent scientific and geometrical principles in mind in order to impart a more lasting quality. This superb pair of tables is a fine example of the principles set forth by this incredible designer. Circa 1780 38” wide x 18” deep x 31” high Thomas Sheraton was born in 1751 in Stockton-on-Tees, England, and though very little is known of his early life, it has been deduced that his was a poor upbringing. He moved to London in 1790 where he supported a wife and two children. For a man whose name is synonymous with the finest furniture of the late 18th-century, he did not support his family as a cabinetmaker. Though he is often credited with introducing the "Sheraton" style of furniture, Thomas Sheraton only worked as a cabinetmaker for a very short time. Though he was well versed in the techniques of cabinetmaking and may have even been trained as such, Sheraton devoted most of his time to the innovation of furniture design and, after 1793, indicated his profession as a teacher of perspective, architecture and cabinetmaking. For the most part, he was a designer of furniture and it was his immensely popular pattern book, The Cabinet-Maker and Upholsterer's Drawing Book (1791) that influenced an entire generation of English cabinetmaking. Even with that in mind, Sheraton's primary source of income came from his writings on various subjects, his favorites being furniture design and theology. He spent quite a bit of time, in fact, traveling as a Baptist preacher. Sheraton would continue to write two more important books on furniture design, The Cabinet Directory (1803) and a second and third addition of the Drawing Book (1794 and 1802). Unlike his contemporaries, Chippendale and Hepplewhite, who were practical craftsmen, Thomas Sheraton was more a man of ideas, a visionary of how furniture styles should evolve. These more scholarly pursuits, however, left him in poverty later in life, while those who had a better head for business would go on to profit from his designs. Today, Thomas Sheraton is considered among the greatest furniture designers in history and his influence over the past 200 years has been far reaching. References: The Sheraton Director, The Furniture Designs of Thomas Sheraton, 1990, J. Munro Bell Sheraton Furniture, 1962, Ralph Fastnedge Discovering Antiques...

A Hepplewhite mahogany demilune fliptop game table, the satinwood crossbanded top, the inside lined in green felt, on square tapered legs ending in spade feet.

A fine pair of English Hepplewhite style mahogany satinwood inlaid flip-top demi-lune game tables with felt-lined interiors, the tops with elabora...

A pair of English Adams style satinwood demilune tables, the rosewood crossbanded tops with well-painted floral decorated musical instruments,...

Early 19th century satinwood demilune console table with brass banding and decorative inlay on top on square tapering legs.

Superb 18th century satinwood demilune console table.

Early 19th century Georgian satinwood demilune console table with inlaid and painted top and brass banding. Circa 1830