Black Writing Desk

Louis XV style writing desk made by La Maison London. Painted in a French grey with gold highlights. mounted on Serpentine legs with decorative bronzes ornaments . there is two dr...

French, Napoleon III period, writing desk. Handmade in ebonized wood and cased with brass, ormolu.The top is covered with bevelled glass.

A charming, hand-painted, Louis XV style, Italian writing desk or dressing table from the early 20th century depicting floral motifs with Rococo flourishes and gilded highlighting.

Pair of Louis XV style chest of drawers,Night stands made by La Maison London Black lacquered with bronzes handles and filigree. Serpentine legs 2 x drawers per commode.  

Louis XV console, hand carved in solid wood. Black lacquered finish with bronzes ornaments with French polished natural wooden top 3 x drawers available. Made by La Maison London. ...

a very elegant French Mahogany dressing table from the restauration period (early 19th Century). Seating on 4 Shapely feet has a Marble top with a Psyche Mirror. the drawer has ...

A thin, elegant and light desk that can be customized to any color desired. This handcrafted item perfectly blends industrial hairpin legs with a beveled wooden top. The irregular be...

A beautifully designed and extremely well made antique French writing desk. This was made in France, it dates from around the 1930’s. The quali...

We present a beautifully finished desk made in Italy by Selva in cherry wood, with a leather writing surface. This item has been recently re-stained by our expert team in a black lac...

A thin, elegant and light desk that can be customized to any color desired. This handcrafted item perfectly blends industrial hairpin legs with a beveled wooden top. The irregular be...

Elegant French style writing desk with Louis XV lines in blond wood with silver leaf-painted table edge and feet. 3 drawers. Fitted g...

A magnificent and very rare Régence style marquetry inlaid grand bureau plat or writing desk. Inscribed to the carcass 'Moreaux 72'. Dating from the second half of the nineteenth century this magnificent and very rare bureau plat has finely cast rocaille gilt-bronze mounts and is decorated overall with truly breath-taking seventeenth century marquetry, depicting fantastical townscapes, knights, soldiers, hunting and architectural-scenes. Of serpentine rectangular form the top is veneered with superb marquetry panels within a foliate scrolled border and a rocaille shell-cast gilt-bronze surround, both sides featuring a recessed central drawer flanked on each side by a drawer applied with male and female terms, scrolled handles, and reserves with conforming drawers; the bombé sides are centred by foliate scrolls, and the whole raised on cabriole legs headed by cartouches with foliate entwined chutes terminating in scrolled sabots. Of impressive scale this fine bureau plat, in the manner of a partners desk, features working drawers to each side. This model of bureau plat was made by a small number of celebrated Parisian cabinet makers in the second half of the 19th century including Beurdeley, Cremer and Befort Jeune. It is incredibly rare to see this model of bureau plat inlaid in marquetry. The exceptional quality and style indicate the use of older reused marquetry, almost certainly dating from the late 17th century and originating from the Augsburg region of Germany. Similar models but lacking the exceptional marquetry inlay can be found in the collection of the Duke of Buccleuch at Bowhill, and the Earl of Normanton at Somerlely. Christopher Payne notes that the latter was part of a pair sold by the London dealer Toms & Luscombe in 1871. He illustrates the present bureau plat in his book ‘European Furniture of the 19th Century’ (p. 88-89), along with two related desks minus the marquetry inlay (p. 92 -93). The exceptional and highly complex marquetry inlay and intarsia work, that sets this important bureau plat apart from other extant examples, would originally have formed the decorative panels of a late 17th century table cabinet, almost certainly ascribable to the Augsburg region of Germany. Augsburg emerged from the middle of the 16th century as the German centre of luxury cabinet making for the international market. In particular, the development of marquetry contributed to this prominent position, favoured by the ready availability of indigenous woods and the reputation that Augsburg had the best craftsmen able to cut thin layers of veneers in the most intricate motifs (C.S. Wood, ‘The Perspective Treatise in Ruins: Lorenz Stöer, Geometria et perspectiva, 1567’, Studies in the History of Art, no. 59, p. 246). Table cabinets, conceived as a form of Wunderkammer or cabinets of curiosities, were intended as repositories for all manner of wondrous and exotic objects and by the 1550s the grandest cabinets in Europe were being made in Augsburg. Decorated almost entirely with sumptuous marquetry, often depicting perspective views of ruins and fantastical townscapes, they become by the 1590s highly regarded as important diplomatic gifts. Fine Augsburg marquetry panels remained popular throughout the ages and were frequently re-used to create or embellish new items of furniture, such as this magnificent bureau plat. Their inclusion was not only for their highly decorative appeal, but to contemporary eyes, a means by which to imbue a new creation with a sense of true historical authenticity. The importance of such panels is often reflected in the high cost involved in repurposing them. A fine example of this is the celebrated 17th century cabinet on stand...