Art Deco Extending Pedestal Dining Table, 1920s

Art Deco Revival Macassar Extendable Dining Table, maple inlay, with two leaves. Dealer: S138XX

Louis XVI style extending white-painted dining table, the shaped rectangular top above an apron decorated with Meander or Greek key motif, with paterae headed corners atop tapering s...

Vintage light emperador marble dining table raised on pedestal base. In good vintage condition. Wear consistent with age and use. Dealer: S138XX

French Art Deco wrought iron mirror, circa 1920s, and in the manner of Edgar Brandt (French, 1880-1960), of shield shaped decagonal form with floral geometric crest rail supporting t...

Faience de Gien Art Deco period "Orchidee" or Orchid vase, with tapering square neck above a polyhedral base, the sides decorated in polychrome enamel ...

Angelo Donghia (American, 1935-1985) post modern style square granite and ash wood pedestal table, 1980s, the square gray granite top above an ash top on an ash pedestal base. Deal...

Imposing oval Art deco table in solid rosewood. The base is shaped and covered in flamed portions in solid rosewood, the oval columns are grooved, where three arms support the top, a...

Art Deco dining table 1920s, Belgium. wood and brass. H. 75, W. 150, d. 95 cm Good, age-related condition. Partly smaller scratches on the plate,...

Extendable folding dining table Period: 1920-1929 Material: Walnut Dissociative: 198,5cm It has been re-polished with polyutherane piano lacquer by our professional refurbishing tea...

- Made in Czechoslovakia - Made of wood - Heavy, circa 50 kilograme - Very good, original condition.

A European Art Deco inspired center table with striking sunburst Amara veneered top with Amara finish expanding with six radial leaves. The pedestal is a series of four square revers...

1930s Art Deco extendable table by Atelier di Varedo, Gaetano e Osvaldo Borsani, in burl walnut polished to wax Measures in cm: W 140+80 D 92 H 80. About Osvaldo Borsani Osvaldo Borsani (born 1911, Varedo, Italy–died 1985, Milano, Italy) was an Italian designer and architect, born into a family of furniture makers with along and well established artisanal tradition. His father, Gaetano Borsani, owned his own furniture shop, the Atelier di Varedo, where the 16-year-old Osvaldo received his first training. At that time, the designer of the atelier was the architect Gino Maggioni, who brought with him influences of the early 20th century Jugendstil movement from Vienna and who instilled in the young Borsani an appreciation for the arts and crafts and furniture making. Osvaldo Borsani first studied fine arts at Accademia di Belle Arti di Brera in Milan, graduating in 1931, and then pursued studies in architecture at Politecnico di Milano, where he graduated in 1936. In 1933, two years before graduating as an architect, Borsani designed the Casa Minima project for the V Triennale di Milano (Milan Triennial), along with architects Cairoli and Varisco. This project earned him a silver medal for its Rationalist code and geometries, and he received positive reviews from the critic Edoardo Persico of Casabella magazine. Villa Borsani And Other Prominent Architectural Work In 1937, Osvaldo Borsani designed Villa Presenti in Forte dei Marmi, a sea town in Tuscany where the Italian aristocracy and industrial elite would build their houses, a project that displayed the same rationalistic rigor displayed in Casa Minima, but softened by the use of mediterranean finishes and materials. Villa Borsani designed by Osvaldo Borsani. Varedo, Italy Villa Borsani. Varedo, Italy In 1943, Osvaldo designed and built his own house, the Villa Borsani, in Varedo, which, despite being conceptualized under strict Rationalist principles, incorporated objects and art of younger artists that communicate a freer approach to the human expression. The Villa Borsani project involved artists such as Adriano Spilimbergo, Fausto Melotti, Lucio Fontana (who made the ceramic fireplace and the ceramic Madonna), and Agenore Fabbri (who made the bronze statue in the staircase). To this day, Villa Borsani has been preserved with most of its original furniture and it remains with Osvaldo Borsani’s family along with the extensive archives of his work. Osvaldo Borsani As a Successful Product and Furniture Designer After Villa Borsani, Osvaldo continued to develop many projects for the Milanese bourgeoisie, frequently with many of the same artists whom he employed for his villa. A particularly strong relationship was the one that Osvaldo developed with artist Lucio Fontana, a close friend since the time of the Accademia de Belle Arti di Brera, and whom Borsani assigned to make a large metal...