Carlos Fernández Pello Contemporary White Tilied Dining Table Model Hard Drive

Carlo Scarpa Dining table model “Quatour” Manufactured by Simon Gavina Italy, 1974 Walnut wood Measurements: 141 cm x 141 cm x 72 H cm 55.9 in x 55.9 in x 28 H in. Litera...

Sam Chermayeff Dining table From the series “Beasts” Produced in exclusive for SIDE GALLERY Manufactured by ERTL und ZULL Berlin, 2021 Galvanized steel, high polished steel Co...

Sam Chermayeff Table From the series “Concept Kitchen” Produced in exclusive for SIDE GALLERY Manufactured by Bagnara Italy, 2020 Pannonia Grün marble Contemporary Design M...

Lukas Saint-Joigny Round Dining Table From the “Ore” series Manufactured by Lukas Saint-Joigny Produced in exclusive for SIDE GALLERY Paris, 2020 Various materials and polyuret...

Important dining table Manufactured by Tenreiro Moveis e Decoraçoes Brazil, 1950 Solid jacaranda ebonized wood and white lacquered formica top Measurements 223 cm x 98 cm x 74h cm 8...

Franco Albini & Franca Helg. Dining table model no. TL22. Manufactured by Poggi, Italy, 1958. Mahogany. Measurements: 180.3 cm x 104.1 cm x 73 H cm. 70.98 in x 40.98 in x 28.74 in. Literature: Giuliana Gramigna, Repertorio 1950/1980, Milan, 1985, p. 123. Franco Albini, was born in 1905 and died in 1977. He spent his childhood and part of his youth in Robbiate in Brianza, where he was born. Albini, as an adolescent moved with his family to Milan. Here he enrolled in the Faculty of Architecture of the Polytechnic and graduated in 1929. He started his professional activity in the studio of Gio Ponti and Emilio Lancia, with whom he collaborated for three years. At the 1929 International Exhibition in Barcelona (where Gio Ponti curated the Italian pavilion and Mies van der Rohe realized that of Germany) and in Paris where, as Franca Helg recounted, he had the opportunity to visit the studio by Le Corbusier. In those three years, the works he carried out are admittedly of the twentieth century imprint. It is the meeting with Edoardo Persico that marked a clear turning point towards rationalism and the approach to the group of editors of "Casabella". The partly ironic and partly very harsh comments of the Neapolitan critic to a series of drawings, made by Albini for the design of some office furniture, caused him a great disturbance. “I spent days of real anguish - Albini recalls - I had to answer all the questions. I also had a fever, a large and long fever. " The meted provoked Albini to openen a professional studio in via Panizza with Renato Camus and Giancarlo Palanti. The group of architects began to deal with public housing by participating in the competition for the Baracca district in San Siro in 1932 and then building the IFACP neighborhoods: Fabio Filzi (1936/38), Gabriele D'Annunzio and Ettore Ponti (1939). During this period, Albini also worked on his first villa (Pestarini), which Giuseppe Pagano, architect and critic of the time, presented as follows: “This coherence, which the superficial rhetoric of fashionable jugglers calls intransigence, and which is instead the basis of understood between the fantasy of art and the reality of the craft, in Franco Albini, it is so rooted that it transforms theory into a moral attitude ". But it is above all in the context of the exhibitions that the Milanese master experienced his compromise between that "rigor and poetic fantasy" of which Pagano speaks, coining the elements that became a recurring theme in his . The opening in 1933 of the new Triennale headquarters in Milan, in the Palazzo dell'Arte, was an important opportunity to express the strong innovative character of rationalist thinking, a gym in which to freely experiment with new materials and new solutions, but above all a "method". "Cultivated as a communication laboratory, the art of setting up was for the rationalists of the first generation what the perspective had been for the architects of humanism: the field open to a hypothesis of space that needed profound reflections before landing the concreteness of the construction site ". Together with Giancarlo Palanti, Albini on the occasion of the V Triennale di Milano set up the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and with the coordination of G. Pagano), for which he also designed the 'furniture. At the following Triennale of 1936, Persico dided, together with a group of young designers gathered by Pagano in the previous edition of 1933, Franco Albini took care of the preparations of the home exhibition. The setting up of Stanza per un uomo, at that same Triennale, allows us to understand the acute and ironic approach of Albini, as a man and as a designer: "Celebrating the beauty of mechanics was the imperative to which, for example, the surprising displays by Franco Albini who managed, in the subtle way of a refined and rarefied style, to sublimate their practical content in the metaphysics of daring still lifes: flying objects which marked in the void refined frames and metal intricacies the nodes of a fantastic cartography where industry finally became art free from purpose ". That same year Albini and Romano designed the exhibition of the Ancient Italian Goldsmithery: vertical uprights, simple linear rods, designed the space. A theme, of the "flagpole", seemed to be the center of the evolution of production and the creative process. The concept is reworked over time, with the technique of decomposition and recomposition typical of Albinian design: in the preparation of the Scipione Exhibition and contemporary drawings (1941) the tapered flagpoles, on which the paintings and display cases were hung, are supported by a grid of steel cables; in the Vanzetti stand (1942) they take the V-shape; in the Olivetti shop in Paris (1956) the polished mahogany uprights support the shelves for the display of typewriters and calculators. The flagpole is found, however, also in other areas. In the apartments he designed, it is used as a pivot on which the paintings can be suspended and rotated to allow different points of view, but at the same time as an element capable of dividing the spaces. The Veliero bookcase...

Vintage dining table with an elongated octagon form top featuring colorful Italian tiles with bold floral designs bordered by a painted wood frame.

Impressive ceramic top dining table, designed by Jane and Gordon Martz for Marshall Studio. Signature inlaid ceramic mosaic in earthy tones with subtle green hues - Marshall Studios ...

Herringbone tile dining table pure white tiles soft black steel by Warm Nordic Dimensions: D203 x W107 x H74 cm Material: Ceramic tiles, MDF, Powder coated steel Weight: 70 kg Also available in different colors and dimensions. Exclusive dining table with tiles...

Dining table model "Table B" 90cm x 180cm The Table B, which inaugurated the Extrusions Collection in 2009, can reach up to five metres using a simple profile of extruded aluminium. Its apparent simplicity covers a complex technical development where important engineers have participated. The result is a piece of excelling craftsmanship, carrying the German designers character. Silver Delta Award 2009 winner. AVAILBLE MEASUREMENTS 240 x 120 x h. 74cm 300 x 120 x h. 74cm 360 x 120 x h. 74cm 400 x 120 x h. 74cm 500 x 120 x h. 74cm MATERIALS AND FINISHES Top in extruded, scotch polished and anodized silver aluminium. Surface laminating available in matte from Fenix or natural oak (Oberflex). Legs in architectural concrete in grey with steel concrete base fastening plate painted in epoxy polyester, silver color, for both interior and exterior use. MATERIALS AND FINISHES Top in extruded, scotch polished and anodized silver aluminium. Surface laminating available in matte from Fenix or natural oak (Oberflex). Legs in architectural concrete in grey with steel concrete base fastening plate painted in epoxy polyester, silver color, for both interior and exterior use. Konstantin Grcic (1965) was trained as a cabinet maker at The John Makepeace School for Craftsmen in Wood before studying Design at the Royal College of Art in London. He set up his own office in Munich in 1991. Today, Konstantin Grcic Design GmbH is based in Berlin. The office operate in diverse fields ranging from industrial design projects, exhibition design and architectural collaborations. Amongst his renowned clients are Aeance, Authentics, Cassina, ClassiCon, Flötotto, Flos, Galerie Kreo, Kettal, Laufen, Magis, Muji, Nespresso, Plank, Smart and Vitra. He is the recipient of numerous awards such as the Compasso d`Oro for his MAYDAY lamp...

Handcrafted of reinforced resin and lacquered in white ref. RAL "9227" matte. Unlike concrete, reinforced resin is forceful enough to withstand extreme weather conditions without cra...

Dinners are our favorite. We love having them, hosting them, laughing around during them, cleaning up after them. This is what our dining table is and means to us. The solid white oak...