Luigi Saccardo for Armet Pedestal Round Dining Table, 1970, Italy

High-quality Italian round travertine marble table by Up & Up Italy. Thick travertine top in variegated tones of grey, beige, and brown. The top rests on a round pedestal base also ...

Rare original Angelo Mangiarotti dining table, for La Sorgente Dei Mobili, Italy, 1970s. The table has four supporting legs, with an elephant's foot sha...

Beautiful table designed by architect Silvio Coppola and produced by Bernini. Of considerable ingenuity is the mechanism that allows the central part of the table to rise. Equipped w...

A Timeless red travertine coffee table with interlocking legs that was designed by Angelo Mangiarotti for Up&Up in the 1970s. The table features...

Sculptural Metafora travertine coffee table designed by Lella and Massimo Vignelli. in the 1970s. Inspired by the four forms of Euclidean geometry, the cube, the pyramid, the cylinde...

Carrara marble and steel Narciso table mirror by Sergio Mazza for Artemide, the 1970s. With a cylindrical base in white Carrara marble and support...

Great minimalistic round UFO dining table designed by Luigi Saccardo and manufactured by Arrmet in Italy in 1972. It gets its modern appearance from t...

Dining table with circular glass top, 130 cm diameter, brushed aluminum base, signed Luigi Saccardo produced by Arrmet, Italy around 1970 Fair condition. More photos on demand

Luigi Saccardo for Arrmet, dining table model 'Ufo', metal and glass, Italy, 1972 This outstanding dining table is based on a well thought out construction that is aesthetically pl...

Round pedestal dining table model UFO with a base in brushed steel and tabletop in thick glass with a black enamel decorative circle. Designed by Luigi Saccardo and manufactured by Maison Jansen in the 1970s. Maison Jansen was a Paris-based interior decoration office founded in 1880 by Dutch-born Jean-Henri Jansen. From its beginnings, Maison Jansen combined traditional furnishings with influences of new trends including Anglo-Japanese style, the Arts and Crafts movement, and Turkish style. The firm paid great attention to historical research with which it attempted to balance clients' desires for livable, usable, and often dramatic space. Within ten years the firm had become a major purchaser of European antiques, and by 1890 had established an antique gallery as a separate firm that acquired and sold antiques to Jansen's clients and its competitors as well. In the early 1920s Jean-Henri Jansen approached Stéphane Boudin, who was then working in the textile trimming business owned by his father and brought him on board. Accounts of the arrangement vary. Speculation existed that Boudin was able to provide financial solvency to the prominent but capital-poor atelier. Boudin's attention to detail, concern for historical accuracy, and ability to create dramatic and memorable spaces brought increasing new work to the firm. Boudin was made director and presided over an expansion of the firm's offices and income. Not originally equipped with its own workrooms for producing furniture the firm began by relying upon antiques and the furniture contracted to outside cabinetmakers. By the early 1890s Maison Jansen had established its own manufacturing capacity producing furniture of contemporary design, as well as reproductions, primarily in the Louis XIV, Louis XVI, Directoire, and Empire styles. Throughout the firm's history, it employed a traditional style drawing upon European design, but influence of contemporary trends including the Vienna Secession, Modernism, and Art Deco has also appeared in Jansen interiors and in much of the custom furniture the firm produced between 1920 and 1950. Under Boudin's leadership, Maison Jansen provided services to the royal families of Belgium, Iran, and Serbia; Elsie de Wolfe, and Lady Olive Baillie's Leeds Castle...

Round pedestal dining table, with a white Carrara marble leg, and round thick glass top. In this work, the designer put the focus on the architecture of the leg, simple and classica...

Italian design style round pedestal table consisting of a graphic wooden base with a round black marble tray.