1970s Granite and Chrome End Tables

Pair of solid brass angular side tables with solid golden walnut tops.

Cube chrome, brass and glass side tables in the style of Milo Baughnan. the top glass is clear and the bottom glass is smoked

Solid oak parquet cube coffee table / end table by Lou Hodges for California design group.

Mid-Century brass and glass end table.

California Modern solid walnut beveled top side tables in the style of John Keal.

A pair of walnut tops with aluminium base side tables from the Erwin collection designed by Paul McCobb for Calvin furniture.

Beautiful coffee table in chromed metal and crystal, Italian production of the 1970s.

Pair of side tables with chromed frame with a quadrant granite top with chrome "grout". These work equally well as side tables, cocktail tables or low bedside tables...

Rare and beautiful chrome tubular and smoke glasse coffee table or end table manufactured in France in 1970s. Incredible and super decorative furniture with a crazy look. A first tra...

Large coffee table in glass, steel, gilded brass and Lucite. Top quality and perfect condition.

Set of Space Age end tables in excellent condition. These tables consist of a marble column which holds an oval lucite top. The heavy column is made of polished Carrara marble. The oval top is made from a thick olive green lucite. The top is held into place by a rubber ring...

Elegant brass, chrome and smoked glass square coffee table. Romeo Rega designed this elegant coffee table during the 1970s in Italy. The unique combination of straight and pure lines with superb materials, makes this item a go-to for Italian midcentury lovers. This piece smoked glass top will add seductive elegance to a midcentury living room or a studio. Measures (cms): width - 70 depth - 70 height - 40 Romeo Rega is born in Rome on 10 October 1925, third of six children, born and raised in the Trastevere district, in the heart of Rome. In 1943 , at the age of 18, he joins the army as a driver, a position that he holds for the next two years. In 1945, the year of Liberation, he comes into contact with whom he himself calles “the Master”, an excellent blacksmith and forger, from whom he learnes the art of iron. This way he starts his path after his father Piero, also a craftsman. Nine years later he gets married and opens a small shop in Via della Pelliccia, in the Trastevere district. Here he starts to work wrought iron, discovering himself capable of inventing, designing and realizing gates, railings and iron furniture. He is 27 years old when, in 1957, he enrolls in the Albo provinciale delle imprese artigiane (Provincial Register of Craft Enterprises) and opens his first workshop in Vicolo della Frusta 6, where he collaborates with talented masters of wrought iron and forging. At this point arrives the first important order: the design and manufacturing for Cinecittà of the chariots for the American colossal film Ben-Hur, which will be published in 1959. He stays in Vicolo della Frusta until the end of the 1960s, a period in which he dedicated himself to his favorite activity: the design of his own pieces and the relations with people. Among his clients there are personalities from the world of cinema and entertainment, such as Marcello Mastroianni, Renato Rascel and his wife Giuditta Saltarini, Massimo Ranieri. In 1970 he met the filmmaker Massimo Saraceni who encouraged him to broaden his entrepreneurial horizons. The 1970s represent a real revolution for the Italian culture, here start the “golden years” of design. In this roaring context, Romeo manages to apply with creativity the traditional methods usually used to process forging and wrought iron to new industrial materials such as brass, steel and perspex. This is how the famous “Romeo Rega” brand is born, and the serial production of his furniture starts in Vicolo Pian due Torri, in the Magliana district of Rome. The “four-rod” tables, the “Z-shaped” consoles...