Tarot Card The Queen of Coins Set of 2 by Vetrofuso

Stunning in its simplicity, this Murano glass replica of the medieval tarot card by the Visconti di Modrone will transform any decor with its antique allure. The Queen of Cups, a poe...

Presented in a compact and elegant wooden box wrapped in dove gray leather, this extraordinary game set is a truly unique item of great quality and style. T...

Rare 18th century Italian gaming board "Nobilissimo Giuoco Della Mea" Or "The Nobel Game of Chance" in original paint and decoupage, (lacca povera) depicting a game which appears to be a board version of "Put and Take" with different characters representing either plus or minus points. Four corners with scalloped carved coin wells, the centre slightly dished for either a top or ball to roll within. Characters include: Scimmia/Monkey - put 6, Re/King - take 1, Vople/Wolf take 3 , Pascia/Lord - take two and so on. Other characters include, Cinese/Chinese, Colombo/Pidgeon, Crepascolo/Twilight, Armigero/Knight?, Gezelia/Gazelle, Adone/Adonis, Gonhiere/Gondolier, Araba Fenice/Arab Phoenix?, Vecchio/Old Man, Leone/Lion. A very similar game board is in the collection of the Medici Villa...

19th century Pair of desks with portraits of Petrarch and Leonardo (2) Alabaster, 34 and 35 cm diam The pair of alabaster discs features a central cameo with the effigy of Petrarch and Leonardo, probably part of a larger series that featured illustrious characters from Italian history. On the openwork frame of Petrarch there are portraits of some characters who face each other, combined for centuries, as can be seen from the shapes of the garments that span several centuries: from the thirteenth century, in which men wear long-tipped bonnets, to the fifteenth century and Sixteenth century, the two characters at the top, in the seventeenth century, with wide collars, up to the eighteenth century. Francesco Petrarca (1304-1374) embodies the figure of the humanist intellectual par excellence, entirely dedicated to the study of Latin conceived as the only form of expression worthy of a man of letters, so as to serve any form of written communication, including letters and the reflection on himself witnessed in the Secretum. A personality made more complex by obsessive perfectionism, which led him to a continuous and infinite editing of the work which he also flaunted to consider as minor and which instead ensured him an undying fame among posterity, the Canzoniere. But the only aspect fixed in the collective imagination is that of the lover who idolizes the places where his ideal love blossomed...