Marble and Glass Pedestal Table, 1970s

Side table with marble base and glass top, 1970s. Very good condition. LP690

70's armchair reupholstered in high quality fabrics. Foam seat, tubular structure. Excellent condition. Pair of 70's reupholstered in high quality fabrics. Foam seat, tubular structu...

Marble and Brass Side Table from the 1980s. The tabletop is gray marble, and the base is made of black lacquered metal and brass. This end table complements Memphis-style furniture. ...

Coffee table from the Parallel Bar collection by designer Florence Knoll for Knoll International, 1950s. The round walnut tabletop rests on 4 brushed metal legs. Very good condition....

Art Deco pedestal table or side table composed of a mirrored top and a sycamore structure. Good condition, some scratches are noted on the surface of the top. DV569

Chauffeuse by French designer Jacques Charpentier, 1970s. The seat has been reupholstered in high-end fabric by our workshop. The base is in brushed steel. Very good condition. LP260

Italian pedestal, handcrafted out of Carrara marble, fabricated in the 1970s. It can be used inside or outside the house. It is made of beautiful marble. Please take notice of the v...

Tall tessellated stone pedestal table from the 1970s in the style of Maitland Smith.

A marble coffee table from 1970s Italy. The solid block of the silhouette is articulated by the clean edges of the marble slabs. The cool color and nebulous veining of the polished s...

Round pedestal dining table model UFO with a base in brushed steel and tabletop in thick glass with a black enamel decorative circle. Designed by Luigi Saccardo and manufactured by Maison Jansen in the 1970s. Maison Jansen was a Paris-based interior decoration office founded in 1880 by Dutch-born Jean-Henri Jansen. From its beginnings, Maison Jansen combined traditional furnishings with influences of new trends including Anglo-Japanese style, the Arts and Crafts movement, and Turkish style. The firm paid great attention to historical research with which it attempted to balance clients' desires for livable, usable, and often dramatic space. Within ten years the firm had become a major purchaser of European antiques, and by 1890 had established an antique gallery as a separate firm that acquired and sold antiques to Jansen's clients and its competitors as well. In the early 1920s Jean-Henri Jansen approached Stéphane Boudin, who was then working in the textile trimming business owned by his father and brought him on board. Accounts of the arrangement vary. Speculation existed that Boudin was able to provide financial solvency to the prominent but capital-poor atelier. Boudin's attention to detail, concern for historical accuracy, and ability to create dramatic and memorable spaces brought increasing new work to the firm. Boudin was made director and presided over an expansion of the firm's offices and income. Not originally equipped with its own workrooms for producing furniture the firm began by relying upon antiques and the furniture contracted to outside cabinetmakers. By the early 1890s Maison Jansen had established its own manufacturing capacity producing furniture of contemporary design, as well as reproductions, primarily in the Louis XIV, Louis XVI, Directoire, and Empire styles. Throughout the firm's history, it employed a traditional style drawing upon European design, but influence of contemporary trends including the Vienna Secession, Modernism, and Art Deco has also appeared in Jansen interiors and in much of the custom furniture the firm produced between 1920 and 1950. Under Boudin's leadership, Maison Jansen provided services to the royal families of Belgium, Iran, and Serbia; Elsie de Wolfe, and Lady Olive Baillie's Leeds Castle...

Beautiful pair of 1970s Nero Marquina Marble pedestals. The pedestals are in great condition as they have been professionally polished by...

Pedestal in lucite with polished chrome trim and thick glass top, American 1970's.