Adjustable Copper & Ash Table By Francois Caruelle, France 1930's

Elegant Andre Sornay bar cart in darkened Oregon pine on steel and rubber casters, each tray has an inset glass piece protecting the wood for use. The sides have a discreet line of e...

A freeform table reminiscent of the work of Jacques Hitier.

A pair of end tables in oak by Guillerme & Chambron, a very atypical design that rests on asymmetrical legs.

Modernist lacquered wrought iron and leather top side table with leather top. The leather top is new. Interesting iron knot metalwork.

Whimsical end table in oak and caning with magazine rack built in the stretcher.

Robert Mallet-Stevens is well known for his strong clean Art Deco lines. The chair presented here bears a lot of his design language. Made of thick oak and assembled with mortises, the backs are adjustable in three-positions via a moveable bar...

1930s French Art Deco adjustable table. The table is walnut with bone inlay to the top and the sabots are bone as well. Has four round painte...

Superb coffee table composed of a metal sculpture and a glass top. The metal sculpture represents a stag beetle / scarab in wrought iron, patinated brass and other various metals....

A striking 1930s side table attributed to Jules Leleu, mahogany veneered with a circular top on four vertical legs with splayed supports adorned with metal feet and banding.

Small, low accent table (table basse) in stained ash with round top supported by three solid rectangular legs designed by Jacques Quinet. The piece ha...

Jean Pascaud (1903-1916) - A fine French Art Deco coffee table by Jean Pascaud.

A Fine French 19th-20th Century Louis XV style Mahogany, Satinwood and Gilt-Bronze (Ormolu) Mounted Side Table by Franc¸ois Linke (1855-1946). The square shaped table fitted with a Bre^che Violette marble top with a gilt bronze trim, the body surmounted on each corner with bronze caryatid mounts of female busts with laced-tied outfits, the a parquetry apron surmounted with acanthus ormolu mounts and a lower parquetry shelf, all raised on four cabriolet legs ending with gilt bronze sabots. Signed on one mount: F. Linke. Circa: Paris, 1900. François Linke (1855-1946) was one of the most celebrated ébénistes of his time. Born in Pankraz, Bohemia, Linke moved to Paris in 1875 and six years later established independent ateliers at 170, rue de Faubourg St. Antoine. As was the practice among contemporaries and noteworthy predecessors, such as Alfred Beurdeley and Henry Dasson, Linke initially produced furniture derived from styles popular during the 18th century ancien régime. By 1900, his worldwide reputation as an individualistic master of high quality furniture was already established. However, with a huge display, placing his extravagant pieces in room settings and winning the Médaille d'Or for his Grand Bureau...