Beautiful Salon Side Table in Louis XV after F. Linke

20th century French salon side table in Louis XV after F. Linke Solid wood side table in Louis XV. Slightly convex and concave, carcass, flanked by solid corner glaciers on high, ...

20th Century French Salon Side Table in Louis XV after F. Linke, Beech Solid wood side table in Louis XV. Slightly convex and concave, carcass, flanked by solid corner glaciers on h...

20th century French Salon Side Table in Louis XV after F. Linke, white Solid wood side table in Louis XV. Slightly convex and concave, carcass, flanked by solid corner glaciers on h...

20th century French Salon Side Table in Louis XV after F. Linke, black Solid wood side table in Louis XV. Slightly convex and concave, carcass, flanked by solid corner glaciers on h...

20th century French Salon Side Table in Louis XV after F. Linke, black Solid wood side table in Louis XV. Slightly convex and concave, carcass, flanked by solid corner glaciers on...

Classic saloon side table in the Louis XV after F. Linke. Veneer on solid beech, daintily finished, body, flanked by solid corner strips on high, elegantly curved legs with bronze...

A pair of magnificent fine quality vintage French Louis XV style gilt bronze ormolu mounted mahogany side tables after celebrated master Parisian ébéniste Francois Linke (b.1855-1946...

Gueridon, Side table by Baur, Gass & Schamber, Paris, Circa 1870 Louis XV / Rococo Style. Kingwood crossbanded applied veneer with mercury gilt bronze applications. Having a polis...

An antique French louis xv revival kingwood and ormolu etagere in the manner of francois linke, late 19th century The circular quarter veneered and cross banded top with a pierced...

A very fine pair of antique French Louis XV style gilt bronze ormolu mounted mahogany tiered side tables with breccia violetta marble tops. circa 1900 ...

A Fine French 19th-20th Century Louis XV style Mahogany, Satinwood and Gilt-Bronze (Ormolu) Mounted Side Table by Franc¸ois Linke (1855-1946). The square shaped table fitted with a Bre^che Violette marble top with a gilt bronze trim, the body surmounted on each corner with bronze caryatid mounts of female busts with laced-tied outfits, the a parquetry apron surmounted with acanthus ormolu mounts and a lower parquetry shelf, all raised on four cabriolet legs ending with gilt bronze sabots. Signed on one mount: F. Linke. Circa: Paris, 1900. François Linke (1855-1946) was one of the most celebrated ébénistes of his time. Born in Pankraz, Bohemia, Linke moved to Paris in 1875 and six years later established independent ateliers at 170, rue de Faubourg St. Antoine. As was the practice among contemporaries and noteworthy predecessors, such as Alfred Beurdeley and Henry Dasson, Linke initially produced furniture derived from styles popular during the 18th century ancien régime. By 1900, his worldwide reputation as an individualistic master of high quality furniture was already established. However, with a huge display, placing his extravagant pieces in room settings and winning the Médaille d'Or for his Grand Bureau...

A fine French Louis XV Style Mahogany and Gilt-Bronze (Ormolu) Mounted Side Table, Attributed to Franc¸ois Linke (1855-1946). The square shaped table fitted with a Bre^che Violette marble top with a gilt bronze trim, the body surmounted on each corner with bronze caryatid mounts of winged female busts and an acanthus apron, the lower shelf with a sunburst parquetry design and raised on four cabriolet legs ending with gilt bronze sabots. The mounts stamped 'E.M' on the reverse. We believe that this table was most likely commissioned to Linke by Mâison Millet. circa: Paris, 1900-1920. François Linke (1855-1946) was one of the most celebrated ébénistes of his time. Born in Pankraz, Bohemia, Linke moved to Paris in 1875 and six years later established independent ateliers at 170, rue de Faubourg St. Antoine. As was the practice among contemporaries and noteworthy predecessors, such as Alfred Beurdeley and Henry Dasson, Linke initially produced furniture derived from styles popular during the 18th century ancien régime. By 1900, his worldwide reputation as an individualistic master of high quality furniture was already established. However, with a huge display, placing his extravagant pieces in room settings and winning the Médaille d'Or for his Grand Bureau...