Customizable White Side Table 'Cloud III' by DenHolm, Limestone

Contemporary side table 'Ellie' by denHolm. Each creation is unique and signed by the artist. Dimensions: H. 55 cm L. 37 cm W. 41 cm Material: South Australian Limestone, sculpted...

Theorem side table by Marta Delgado Studio Contemporary side table Model on the picture: Marble: Estremoz Dimensions: Width: 23.6” 60 cm Depth: 23.6” 60 cm Height: 21.7” 55 cm Marta Delgado is a Portuguese artist, she founded her design studio after several years of working in furniture and interior design. The pieces signed Marta Delgado are luxurious and original. She seeks to create timeless furniture...

Side table, dining table Electroplated stainless steel (nylon table top) Measures: H 74cm – D 75cm Production lead time: 3 to 4 weeks Side table from “HOT” collection, a crea...

"Blue Bar" Side table made by German designer Andreas Berlin One-off piece signed by the artist Materials: Clay, Glass, Plexiglas, Tabletop: Glass Measures: 55 cm high, 3...

"Aeroplane'" Side table made by German designer Andreas Berlin One-off piece signed by the artist Base made of several glassware, porcelain or ceramics vintage items. Glass tablet...

"I Melt With You" Side table made by German designer Andreas Berlin One-off piece signed by the artist Base made of clay, porcelain or ceramics vintage items. Glass tabletop. Me...

The Classic range Ellie side table designed by Steve John Clark is made of South Australian Limestone and sculpted entirely by hand.

Human element, Excavation III, 2017 Granite and gypsum cement Measures: 25 x 21 x 75 cm. Edition - Unique work ‘Human Element’ is a project that explores the influence material has on the human condition and how our consciousness is derived from our relationship with materials. By using cement and anchoring forms to stone, he wants to create a sense of familiarity and comfort. Through the manipulation of form, balance, and texture, Collin Townsend Velkoff wants his sculptures to convey a feeling of unease and tension which communicates our relationship with materials and our dependency on the environment. For these sculptures, he has developed a sand casting technique that allows him to cast unique cement forms onto organic stone forms buried beneath the sand. After the cement cures the two materials are locked together and the object is then dug out by hand. Stones are selected from nature and construction sites, these stones dictate the shape, color, and forms on the cement pieces that will cast onto the stones. Each piece is unique. Collin Townsend Velkoff Williamsport, Pennsylavnia Lives and Works in Helsinki,Finland EDUCATION 2014-2018 Aalto University - Helsinki, Finland 2007-2011 Pratt Institute - Brooklyn, New York SELECTED EXHIBITIONS 2018 Sacred Simulations - Galleria Huuto - Helsinki, Finland (Solo, Upcoming) REFORM 18 Design Biennale - Munkeruphus - Munkerup, Denmark A Passing Permanence - Vappan Taiteen Tila - Helsinki, Finland 2017 Side Show - Paja & Bureau Gallery - Helsinki, Finland 2016 Nothing to Declare - Tulli & Pakkahuone - Helsinki, Finland Noni - Ventura Lambrate - Milan, Italy Näyttely - A-Space - Espoo, Finland Dean’s Circle Exhibition - Aalto University - Helsinki, Finland Mitä Tuli Tehtyä -Näyttelyn Avajaiset - Creat Space - Helsinki, Finland Chair Noir - Stockholm Furniture Fair - Stockholm, Sweden 2015 Table Talks - Design Museum Arabia - Helsinki, Finland 2011 Playtime - Picaflor - New York, New York Pratt Show - The Manhattan Center - New York, New York 2010 Pucci + Paper + Pratt - Ralph Pucci Showroom - New York, New York 2009 Glass Exhibition - Kalmar Castle - Kalmar, Sweden PUBLICATIONS 2018 TZVETNIK - ‘A Passing Permanence’ A Group Show at Vapaan Taiteen Tila Helsinki - 7.5.2018 2017 Kristen de la Valliere - Sayhito_Mag - 5.12.2017 La Rocca, Francesca - ‘Design on Trial. Critique and Metamorphosis of the Contemporary Object” This is Paper Magazine - 08.08.2017 Leo Lei - Leibal - 06.14.2017 Prodeez - 04.07.2017 Said Ali - Style & Decor Magazine Moritz Firchow - Arcademi - 10.02.2017 2016 Prodeez - 07.04.2016 Yatzer - Yatzer Round-Up #4 Editor’s Picks - 26.06.2016 Ignant - Showcasing of Emgering Finnish Design Talent - 03.04.2016 2011 Konahrtist - Empty Kingdom - 06.12.2011 AWARDS & RESIDENCES 2018 Jingdezhen Ceramic Insitute - Residency - Jingdezhen, China 2017 Seine Art...

"Décomplexé" stone side table sculpted by Frederic Saulou. Materials: Buffon stone. Dimensions: D 38 x H 50 cm, approximately 70 kg. "While wandering in the streets I have been observing buildings construction toward the sky and found myself eagerly interested in slate material and ornamental stones. I am wondering about post-Industrial heritage of local mineral material and widen the range of possibilities in creating functional objects for the house and in questioning history, material and its usual impact between art and design. Thus, I want to distort, democratize and increase the value of this material as a future heritage and above all as a food for thought. To bring traditional and Industrial know-how face to face for creative purposes, to reinterpret the material in formal and conceptual ways so as to provide it a new understanding." Frederic Saulou's sculpted design artworks introduce a series of work coming from researches and partnerships between local ateliers and designer, and implemented to another scale: That of the object and contemporary creation. Frédéric Saulou is a proeminent French contemporary designer. Born in 1989, Frédéric Saulou, lives and works in Rennes, in France. Graduated in space and environmental design at the Institut Supérieur des Arts Appliqués (LISAA) in 2011 and in object design at the Ecole Européenne Supérieure des Beaux Arts de Rennes (EESAB) in 2013, Frédéric will continue to perfect his experience within the Eric Gizard Associés agency and with the designer Frédéric Ruyant. In 2013, he founded the studio - Frédéric Saulou Design Studio - an independent and multidisciplinary design and consulting agency that sees design as a space for research and exchange that allows him to develop a sensitive approach to forms and materials. Experimentation and research take precedence over his work in order to think of new materials and new uses. This accompanies his daily approach so that each project is conceived as a sculpture in its own right, between simplicity and technicality. His approach guides him towards a global approach but also unique in his creations, thus creating particular interactions between the user and the object, between industrial craftsmanship. Today Frédéric works on various projects, from objects to space, in series or limited editions and collaborates with prestigious institutions and brands such as the publishing houses Ligne Roset, Drugeot Manufacture, Brossier Saderne, Vista Alegre, Esprit Porcelaine Limoges...

Decomplexe, Marble Side Table Sculpted by Frederic Saulou Limited Edition Materials: Ruivina Marble Dimensions: H 50 x D 38 cm. "While wandering in the streets I have been observi...

Charming cherry wood side table Napoleon III period Good condition, patina of the tray to be reviewed.

Mother of pearl side table by Marten and Joost Sustainable design: Plastic waste into timeless design...? - Measures: L 40, W 40, H 43.5cm - Recycled polycarbonate - Limited edition of 10 - Signed and numbered - Design: Marten van Middelkoop and Joost Dingemans Plasticiet Plasticiet originated from an idea that was formed during a field trip in India where we saw various micro-economies popping up based on local demographic waste streams such as cotton clothes, plastic bottles and metal parts. All in their own unique way the craftsmen there were able to find their own unique translation of these waste materials into something functional and recognizable with added value. They then made these products available for other local industries resulting in personal revenue and providing means of production for other craftsmen, keeping both industries thriving on a small scale. When we were trying to find solutions for people’s and industry’s disposed of plastics, looking back at the idea we studied in India we knew that the outcome should not be a final product. Inspired by the primal beauty and longevity of natural stone we then aspired to create a sheet material that would inspire other creators to build objects that can last. To make a waste material appealable we underwent a thorough research on how to give these plastic products a distinct super-natural marbled or terrazzo appearance, for if the material isn’t beautiful it won’t sustain. For the past two years we have underwent some challengers working with recycled plastic. Each plastic has a different viscosity even when it’s of the same type. Besides that we often work with plastic that contain some sort of contamination. Hence we always need to test our material intensively before we are able to resell it as a sheet material. This hands-on approach allows for quite a bit of experimentation which gives way for us to broaden our knowledge. Manifesting this collection was about stretching the boundaries of our know-how, creating a craft with a highly industrialized material yet at the same time we wanted to show that plastic waste used as a raw material is able to stand out next to other high-end materials. Given that Plasticiet’s key inspiration always comes from natural stone and rock formations it was only logical to find inspiration in the Neolithicum - the last part of the Stone Age - where our predecessors used more primitive means to come about. The collection currently holds three pieces; a cabinet, stool and chair. Three basic yet essential pieces of furniture that everyone recognizes instantly. To create the marbled or pearlescent design we first melt the material, and then start kneading and mixing it when it’s still warm. The technique we use is very similar to taffy making for sugary candy canes. During this process the material is stretched and folded numerous times, aerating it. The tiny stretched air bubbles captured within the translucent plastic reflect light resulting in an iridescent glow resembling mother of pearl. Every part of the mother of pearl collection is individually moulded and when all the parts are completed they’re joined together. We can create much larger pieces than what the collection currently shows by playing with the composition and holding in mind that polycarbonate is an extremely tough material. Currently the largest single block we’ve made was around 15 kilograms, which is twice the size of the chair’s seat. At that weight it’s quite a tough job stretching and folding the material but we’re planning to go bigger still! Four hands are better than two, so 30kg should definitely be achievable. To source the material we partnered up with several Dutch companies such as LC Plastics, Suez and PRC. We often drive by to visit their shredding facilities to see what’s in stock. Other times we receive a call when a batch of plastic arrived that’s contaminated with leaves, water or a wrong plastic type mixed within; the regular plastic industry can often not deal with this because it will damage their machinery. Normally batches like this end up...