Early 20th Century Pair of French Art Nouveau Occasional Tables by, Emile Gallé

An early 20th century French Art Nouveau carved wood"Ombelle" wall mirror by, Emile Gallé with carved "ombelle" decoration at the top arch and further carved frame with beveled glass...

An early 20th century French Art Nouveau carved fruitwood & marquetry pedestal by, Emile Gallé featuring inlaid fruitwood marquetry depicting magnolias on the upper and a flowering m...

A French Art Nouveau carved and inlaid wood marquetry "Fougére" table by Emile Gallé with carved wood fern decorated legs with further inlaid various exotic wood marquetry landscap...

Early 20th century French Art Nouveau carved wood "Les Blés" (The Wheat) pattern wall shelf by, Louis Majorelle decorated with two shallow display shelves further carved with "Les Blés" (Wheat) decoration on each bend. The shelf is ready to hang. circa 1905. Measurements: height: 20 in. x width: 28.75 in. x depth: 6.25 in. Notes: Objects Diplayed Are Not Included Biography: Louis Majorelle, (Toul, 26 September 1859 – Nancy, 15 January 1926) born as Louis-Jean-Sylvestre Majorelle was a French decorator and furniture designer who manufactured his own designs, in the French tradition of the ébéniste. He was one of the outstanding designers of furniture in the Art Nouveau style, and after 1901 formally served as one of the vice-presidents of the École de Nancy. The Majorelle firm's factory was designed by famous École de Nancy architect Lucien Weissenburger (1860 – 1929) and located at 6, rue du Vieil-Aître in the western part of Nancy. In the 1880s Majorelle turned out pastiches of Louis XV furniture styles, which he exhibited in 1894 at the Exposition d'Art Décoratif et Industriel [Exposition of Decorative and Industrial Art] in Nancy, but the influence of the glass- and furniture-maker Emile Gallé (1846 – 1904) inspired him to take his production in new directions. Beginning in the 1890s, Majorelle's furniture, embellished with inlays, took their inspiration from nature: stems of plants, waterlily leaves, tendrils, dragonflies. Before 1900 he added a metalworking atelier to the workshops, to produce drawerpulls and mounts in keeping with the fluid lines of his woodwork. His studio also was responsible for the ironwork of balconies, staircase railings...

An important & monumental early 20th century French Art Nouveau gilt and cast bronze "Surtot De Table" (Centerpiece for a table) titled "La Mer' by, Francios Raoul Larche depicting mermaids emerging from within the sea amongst seaweed and water holding aloft three oyster shells with one figure emerging towards the top . The sculpture is signed with signature and foundry marks and is further a period sand casting finished in a gilt patina. circa 1900 Signature: The Sculpture is signed & impressed "Raoul Larche", further impressed foundry mark 'Siot Decauville Paris Fondeur" and numbered Measurements: Centerpiece: height: 29.5 in. x width: 32 in. x depth: 13 in.. Literature Philippe Dahhan, Étains 1900, 200 Sculpteurs de la Belle Époque, Paris, 2000, p. 229 Biography: The son of an ornamental sculptor, François-Raoul Larche was a well-known Art Nouveau sculptor...

An important pair of early 20th century French Art Nouveau gilt and cast bronze sculptures titled "La Mer' by, Francios Raoul Larche depicting mermaids emerging from the sea each embracing a conch shell Each are period sand castings finished in a ilt bronze patina. circa 1900 Signatures: Both Sculptures are each signed & impressed "Raoul Larche", each with impressed foundry marks 'Siot Decauville Paris Fondeur" one side piece is impressed "B747"; the second side piece is impressed "B748" Measurements: Side Piece: height: 16..25 in. x width: 8.5 in. Side Piece: height: 16.25 in. x width: 8.5 in. Literature Philippe Dahhan, Étains 1900, 200 Sculpteurs de la Belle Époque, Paris, 2000, p. 229 Notes: Similar example sold at Sotheby's New York, The John and Katsy Mecom Collection, Part II, 26 November 1993, lot 28 Biography: The son of an ornamental sculptor, François-Raoul Larche was a well-known Art Nouveau sculptor...

French Art Nouveau occasional table with a circular top with shaped edge and floral marquetry inlay that rotates on a central axis, resting on four tapered sabre legs joined by a squ...

Early 20th Century Anglo Indian occasional table We share what we love, and we love this aged hard wood example of a large Anglo Indian hard...

French Art Nouveau walnut and floral inlaid serving table on scroll legs with a tray form top having open handles and filigree gallery corners with a drawer (signed EMILE GALLE)

Very rare original Emile Galle ''plate 66 Japonisme'' side table in Art Nouveau style. This beautiful side table was created by Emile Galle in 1900, during the art nouveau period. It features exquisite marquetry woodwork that is inspired by the Japonisme movement, which was influenced by Japanese art and design. The side table is decorated with breathtaking Magnolia flowers & a romantic couple of butterflies. Made from various types of wood, creating a unique scenery almost like a painting. The table showcases intricate details, such as delicate foliage and organic forms, that are hallmarks of art nouveau style. Galle was renowned for his innovative techniques and attention to detail, and this piece is a testament to his mastery of the craft. It is a stunning example of the art nouveau movement and a true work of art. Literature: ''Galle furniture by Alastair Duncan and Georges de Bartha 2012 Page 153. Plate 66. This Emile Galle table...

A two tiered French Art Deco table made of walnut with exotic wood inlaid in floral designs. Signed in marquetry Galle.

Set of Art Nouveau tea tables: Four nesting side tables with ornate floral marquetry, designed by the famous Art Nouveau designer Émile Gallé, made in his workshop in Nancy, France, ...