Emile Gallé Cartouche Form Lift Top Table

This exquisite Galle bat lamp is crafted from three-color cameo glass, featuring a delicate lavender-hued shade adorned with a golden finial, held aloft by th...

This French Art Nouveau "Grenouilles" carved fruitwood cabinet by Émile Gallé features detailed and masterful marquetry depicting dragonflies and mushrooms in a lush, leafy landscape...

A French Art Nouveau marquetry commode by Émile Gallé. With original key. Circa 1890. The syncretic influence of Japanese art is keenly felt in Gallé's commode. The beginning of Galle's fascination with Japanese art can be traced back to his friendship with Hokkai Takashima (1850-1931), a fellow botanist and member of the École de Nancy. Their botanical dialogue was facilitated by the Shokobutsu mei-i, a book of Japanese names for botanical species. It is from Hokkai that Gallé gained a spiritual and symbolic understanding of nature. Along with other École de Nancy artists, Hokkai and Gallé exhibited together in the display window of René Wiener's papeterie. The store served as the office of Wiener's arts journal, the Nancy artiste, which regularly featured on its covers contemporary examples of Gansai (Japanese watercolor), Byōbu (folding screens) from the Rinpa school, Sumi-e (ink painting), and Ukiyo-e (woodblock prints). As a show of gratitude, Hokkai bequeathed a vast art book collection to Wiener. It is from this record that we know with certainty of which Japanese artists Gallé had knowledge. One of the books in Hokkai's collection was Hokusai's Les cent paysages du Fuji (Fugaku hyakkei.) This 1835 expansion of Hokusai's 36 views of Mount Fuji...

A French Art Nouveau two-tiered square pedestal with carved and marquetry decoration by Emile Gallé. The pedestal has two marquetry shelves depicting leaves. Its four sinuous legs ar...

This "Chardons des Sables," or "Sand Thistle," multi-wood chest of drawers, by Émile Gallé, is a moving meditation on the artist's own mortality. T...

A French carved and fruitwood marquetry inlaid Ombelliféres vitrine by Emile Gallé. The vitrine has marquetry ombelle flowers in its interior and on the panel below the bottom shelf....

French Art Nouveau occasional table with a circular top with shaped edge and floral marquetry inlay that rotates on a central axis, resting on four tapered sabre legs joined by a squ...

French Art Nouveau occasional / dressing table with an elaborate inlaid floral and pastoral design that lifts on two brass hinges to reveal an interior mirror and inlaid floral desig...

French Art Nouveau walnut and floral inlaid serving table on scroll legs with a tray form top having open handles and filigree gallery corners with a drawer (signed EMILE GALLE)

Very rare original Emile Galle ''plate 66 Japonisme'' side table in Art Nouveau style. This beautiful side table was created by Emile Galle in 1900, during the art nouveau period. It features exquisite marquetry woodwork that is inspired by the Japonisme movement, which was influenced by Japanese art and design. The side table is decorated with breathtaking Magnolia flowers & a romantic couple of butterflies. Made from various types of wood, creating a unique scenery almost like a painting. The table showcases intricate details, such as delicate foliage and organic forms, that are hallmarks of art nouveau style. Galle was renowned for his innovative techniques and attention to detail, and this piece is a testament to his mastery of the craft. It is a stunning example of the art nouveau movement and a true work of art. Literature: ''Galle furniture by Alastair Duncan and Georges de Bartha 2012 Page 153. Plate 66. This Emile Galle table...

Gorgeous French Art Nouveau side table / gueridon by Emile Gallé model: Plate 162. Designed produced in 1905-1910. This is an antique original and not some reproduction. Amazing tri...

Beautiful and practical Art Nouveau table by one of the French master designers. This elegant and remarkable condition table in the Art Nouveau style is entirely made of beautiful woods and the inlaid floral patterns most connoisseurs will immediately recognize as typically Gallé. What is less typical is the 'burned' maker's mark, but this maker's mark most certainly is by the grandmaster himself and we also found this very same 'tray-table' in one of the books we have on Emile Gallé. Besides a few tiny missing pieces of inlay this tray-design table top is in superb condition and the hand carved and also flower inspired base is simply mint. Thanks to the elegant design and the wonderful patinas this rare, one-piece Gallé table...