Fuoco Side Table in Bronze by Roberto Sironi

Roberto Sironi has sought out the remains of trees that have been burned by fire, trunks hit by lightning, charred branches salvaged from the mountains. With the ancient technique of...

Roberto Sironi has sought out the remains of trees that have been burned by fire, trunks hit by lightning, charred branches salvaged from the mountains. With the ancient technique of...

Custom works and dimensions upon request.

Roberto Sironi has sought out the remains of trees that have been burned by fire, trunks hit by lightning, charred branches salvaged from the mountains. With the ancient technique of...

Roberto Sironi has sought out the remains of trees that have been burned by fire, trunks hit by lightning, charred branches salvaged from the mountains. With the ancient technique of...

Rediscovered in 1748, after being buried for almost two millennia under a blanket of lava and ash following the eruption of Vesuvius, Pompeii redefines our relationship with the past through its generative potential between reality and imagination. Defined by Goethe “An incredible place, worthy of peaceful thoughts”, Pompeii has the power to transform inanimate archaeological material into narrative matter, merging past and present in a relationship of reciprocity and interaction. Exploring the site, today as then, it is possible to admire the interiors decorated with frescoes that reproduce architectural partitions or that tell stories of myths and divinities, in rooms set up with marble elements that the owner used to display his most precious objects. The Pompeian frescoes were made according to different techniques with colors obtained from earth and minerals such as cinnabar (Pompeian red), ochres (Pompeian yellow), by oxidation processes of metals as in the case of cerulean or by the pulverization of roots and animal bones as in case of greens and blacks. DOMUS POMPEII is a capsule collection of five side...

Secondo Fuoco is an investigation into slags, a solidified foamy mass thrown off that emerges on the surface of molten metal. We wondered about the multip...

A pair of side tables in bronze with base in black patina and a top in natural bronze.

"Lattea," side table by Roberto Giulio Rida. Heavy, cone-form brass base with circular cut-outs of varying sizes throughout. Interior metal cone and beautiful finial at top. Carved and polished glass top. Signed on the brass. This design is exclusive to Donzella LTD...

Unique side table- rosewood legs, bookmatched end grain veneer Douglas fir top by Uruguayan Craftsman Roberto Sorrondeguy. 1997 Neocon award winning designer for his tables. This i...

Walnut legs, Douglas Fir top.

1960s side or occasional table by artist Clyde Harwick. This example has bronze legs with an etched brass top.