Louis XV-Style Ormolu-Mounted Mahogany and Marble-Top Side Table

Extraordinary 18th century Italian Giltwood console table with original marble top. The Giltwood console platform has an tripartite carv...

Important circa 1750 Irish George II mahogany side table with lacquered-brass mounts showing the influence of French taste in mid-18th century English and Irish furniture design. Thi...

Exceptional French Boulle bureau plat has the English feel of a library table with the four rams head mounted bronze fluted legs terminating in a br...

Elegant neoclassical Italian marble top console has a double marble above an Adam Style painted frieze with hidden drawers. The legs are decorated with craved gilt acanthus capitals ...

A fine Louis XV-style French Ormolu-mounted mahogany marble-top side table with a side drawer and foliate inlay on cabriole legs.?? Origin: French? Date: circa 19th century? Dim...

This gorgeous Louis XV Style pink marble table is made of mahogany and gilt detailing, standing on slender cabriole legs ending with fine brass sabots. The round tabletop is made of ...

This exquisite French Louis XV-style side table, dating from the late 19th century, showcases refined craftsmanship and graceful proportions. The shaped top is set with a white marbl...

A very fine French 19th-early 20th century Louis XV style mahogany, tulipwood, parquetry and ormolu mounted oval gueridon side table with a Brêche Violette marble top, attributed to François Linke (1855-1946). The inset oval Brêche Violette marble top with a gilt-bronze surround, above a lozenge parquetry frieze with foliate ormolu mounts, with a drawer to one side, on cabriole legs headed by clasps and joined by an 'X'-shaped stretcher centered by a finial, on scroll sabots. Unsigned. Circa: Paris, 1900. François Linke (1855-1946) was one of the most celebrated ébénistes of his time. Born in Pankraz, Bohemia, Linke moved to Paris in 1875 and six years later established independent ateliers at 170, rue de Faubourg St. Antoine. As was the practice among contemporaries and noteworthy predecessors, such as Alfred Beurdeley and Henry Dasson, Linke initially produced furniture derived from styles popular during the 18th century ancien régime. By 1900, his worldwide reputation as an individualistic master of high quality furniture was already established. However, with a huge display, placing his extravagant pieces in room settings and winning the Médaille d'Or for his Grand Bureau, Linke's participation in the Paris 1900 exhibition...