Side Table in the Middle of the Century, 1970’s

Made in Czechoslovakia Made of fabric, metal The fabric is torn in places Suitable for upholstery.

Made in Czechoslovakia Made of wood, metal Good original condition.    

- made in Czechoslovakia - made of oakwood - good original condition.

Made in Germany Made of glass, brass With aged patina Re-polished Original condition.

- rare type - very practical.

- Made of beech wood and glass - Good original condition with minor signs of use.

Tabletop with rounded edges walnut stained and lacquered with four black stained legs and also lacquered.

Faux Goatskin side/end table, 1970. Style of Karl Springer. Original.

Pair of side tables attributed to Osvaldo Borsani for Tecno. The base features curved steel with a smoked glass top. The glass top might show slight traces of use. The base is in ...

Pair of Italian Mid-Century Modern small side tables with industrial style frames. The tables have minimalist rectangular frames featuring doub...

Unique geometrical puzzle side/ end table in the manners of Pierre Chapo with a glass top. Perfect as a side table or end table.

Stunning table after Pierre Chareau originally designed for the Club-House of the Beauvallon Golf Hôtel in 1928 . The table has a wooden top, supported by a riveted steel base. Completed in 1928, the Club-House of the Beauvallon Golf Hôtel represented the first major commission for Pierre Chareau in collaboration with the Dutch architect Bernard Bijvoet. The white-painted cement-rendered club-house was an asymmetric structure executed in the prevailing Modernist style, and comprised of a kitchen, a bar-dining area, and an open terrace. With the exception of fully-upholstered seating that was reserved for use in the interior, the majority of furnishings expressed Chareau's creative interest in the use of steel and iron for furniture manufacture. These included a variety of occasional tables and iron-framed chairs with woven cane seats, designed for use on the open terrace. This commission was amongst the first to illustrate the intensive working relationship between Pierre Chareau and the metal-worker with whom he exclusively collaborated, Louis Dalbet. In good original condition, some shrinkage to the circular top. Literature: p.92 Pierre Chareau Designer and Architect published by Taschen Provenance: from the collection of Marion Lambert...