Side Table, Western Europe, circa 1930

Empire style side table Made of wood with an inlay. Manufactured around 1920 After renovation in our workshop. Very good condition height 52cm, width 47cm, depth 47cm

Eclectic side table, Western Europe, circa 1920. Made of oak wood. Renovation included Dimensions: Height 78 cm / width 55 cm / depth. 37 cm. ...

Inlaid table. Dimensions: height 54 cm / diameter 46 cm

A historic thread table from the turn of the 19th and 20th centuries. Dimensions: height 75 cm / width 53 cm / depth. 39 cm.

Antique oak table on lion's paws Origin: Western Europe, circa 1920. The table has been renovated and is in very good condition Dimensions: height 68 cm / diameter 100 cm

Side table, Northern Europe, circa 1870. Currently under renovation. Wood: mahogany dimensions height 78 cm width 70 cm depth 50 cm.

In good original condition Sometimes scratches or damages but construction is hard.

Western motif tile top table by Taylor Tile, California. Circa. 1930's. Depicts a covered wagon pulled by oxen in high desert country, a cowboy on horse with a dog. Cactus and mounta...

Made in Europe side table in good original condition sometimes scratches hard construction.

Our table was made of birch, solid and veneered, stained a rich brown, and topped off with a slab of Bohemian breccia marble. We date it to around 1928, and attribute the design to Fritz August Breuhaus de Groot, who coined the term Kultivierte Sachlichkeit (Cultured Objectivity) to describe his work, and distinguish it from the Neue Sachlichkeit (New Objectivity) practiced by his contemporaries Walter Gropius, Mies van der Rohe, and Lily Reich. The table bears a passing resemblance to a considerably simplified, marble-topped ovoid one that he designed for his 1934 Berlin living room. Breuhaus was a man on the make. The first of his three marriages was to the daughter of an industrialist, who financed the building of luxury villas and workers’ housing designed by his son-in-law. In 1929, Breuhaus, the son of a dentist, added “de Groot” to his name, falsely linking himself to a distinguished family of painters. By then, he’d been fudging his academic record for years. That didn’t prevent a teaching appointment at the State University of Bavaria, which allowed him to add the prestigious “Herr Professor” prefix to his name. Yet he never followed through on the teaching — he was far too busy designing more luxury villas (commissions he accepted only if he could furnish them as well), and products for his own company, which included furniture, textiles, wallpapers, lighting, and fine silver. In addition to designing aircraft interiors for Lufthansa, and pullman railroad...

A Charles Dudouyt (1885-1946) French table, circa 1930. Strongly influenced by African art, these richly carved tables mark a move form Art Deco to the bold abstract forms of Picass...

Antique oak parlor table features hand carved top resembling a western star or badge and second shelf Measures 29 in Tall, 19 in Deep.