Italian Aged Carrara Marble Mosaic Table in Florentine Pietre Dure Style

1990s grand Mosaic white marble console table signed "Bebo" with the bases. Spectacular long marble table profusely decorated with Pietre Dure inl...

Octagonal Carrara White marble table top profusely decorated with Italian Pietre Dure mosaic inlays using green malachite, dark blue lapis, light blue turquoise, light green jade, mo...

Pair of handmade rectangular pietre dure mosaic top using blue lapis lazuli, ocean jasp, blue amethyst and other semiprecious stones. Both tops are set in wooden hand carved relie...

Octagonal Belgian black marble table top profusely decorated with Italian Pietre Dure mosaic inlays using green malachite, dark blue lapis, light b...

Marble tabletop covered in a mosaic of semi-precious hardstones, specially green malachite, as well as yellow travertine, brown Emperador and black Belgian marble. A work of craftsma...

Round Italian geometric pietre dure technique handmade mosaic table top with different marble and semiprecious stones.  

A mid-20th Century Italian Pietra Dura marble occasional table. Elegantly made with a range of different geometric cut marble inserts. The table features a beveled edge and petal sha...

Among the most beautiful examples of hardstone artistry that have ever entered our collection, these important Grand Ducal pietre dure console tables are in a class all their own. Their powerful architectural elegance, impressive size and rarity make them two of the finest hardstone masterpieces ever created and quite possibly the greatest pair of pietre dure tables in existence. With their naturalistically rendered flowers and birds, these tabletop panels showcase the particularly fine quality craftsmanship of the Grand Ducal workshops in Florence during the first quarter of the 17th century. Grand Duke Ferdinando I de Medici, one of the most important personages in the annals of art history, established the Grand Ducal Workshop in 1588. The workshop specialized in the art of pietre dure developed from the ancient art of opus sectile, giving rise to the most luxurious and detailed examples of hardstone artistry ever produced. Its patrons were the Popes and Royals of Europe, and the quality of the objects produced in the workshop is without equal. Typically, because of the high level of workmanship the art form requires, pietre dure plaques were crafted in small sizes. The great majority of known examples of pietre dure are a fraction of the size of our grand tables. The combination of pietre dure and extensive use of other rare decorative hardstones such as lapis lazuli and pietra paesina or “ruin marble” meant that these tabletops were surely produced for a wealthy collector. The tables are further distinguished by their superbly carved bases by Andrea Brustolon, known as the “Michelangelo of wood.” Brustolon was a Venetian wood sculptor known for his exuberant and intricate Baroque furniture. His high Baroque style was influenced by his years studying in Rome, where he was exposed to the sculpture of Gian Lorenzo Bernini. Crafted in the early 18th century, these bases display Brusolon’s unmatched talent for both figural and foliate work, combining cupids, masks and oversized scrolling vines for a grand, ornate effect. Similar furnishings by Brustolon are held in museums worldwide, including the Victoria & Albert Museum, the National Museum of Scotland and the Metropolitan Museum of Art, while the Ca' Rezzonico Museum in Venice features an entire room dedicated to the sculptor. For approximately 150 years, these tables were part of the famed Stoneleigh Abbey collection owned by the Lord Leigh family. This renowned English country estate inspired Jane Austen to write Mansfield Park. Lord Leigh eventually sold the tables at Christie’s London in 1962, and the pair have stayed in the collection of the same Florentine family who purchased them from Christie's until we recently acquired them. Our tables are prominently pictured in the important Saul Levy book Il Mobile Veneziano del Settencento. The pietre dure plaques date circa 1625-1650. The decorative tops likely would have originally been sold with a pair of plain stone columns to display them, and Lord Leigh would have commissioned the custom bases from Brustolon circa 1714 when he added the impressive four-story fifteen-bay Baroque West Wing to Stoneleigh Abbey. A similar single Grand Ducal tabletop is in the United Kingdom’s National Trust Collection, and a smaller tabletop resides in Buckingham Palace. The flower and bird panels in our examples relate to the famous Badminton Cabinet...

Italian specimen marble inlaid top, early 19th century.

A unique, one-off edition piece of the AlUla Civilization furniture design from Duffy London, brought to life as a stunning console table in premium marble stone. Every piece is mad...

Inspired by the feeling of weightlessness and its connection to the space, crafted entirely in laminated stone. This advanced technique allows us to get an ultra-thin and high resis...

Carrara marble star console table by Olivier Gagnère Materials: Base in gold lacquered metal or black bronze. Top in white Carrara marble or black Marquina marble Technique: Lacquered metal, polished marble. Dimensions: D 42 x W 110 x H 85 cm Also available in Nero Marquina marble, and gold or bronze base. The Star collection by French designer Olivier Gagnère is a line of coffee tables and console...