Italian Marble Centre Table, circa 1830

Biedermeier salon table on three S-shaped legs around a hexagonal column base and a round tabletop with a slight chamfer.

Curtain rod with crowning eagle and golden silk scarf.

An hexagonal salon table made from walnut with a marble top which stands on a slightly curved tulip base.

Large table with an extraordinary base out of wood, brass and metal by Mordecai Pillant. The rectangular glass tabletop with an orange strip, labeled “Croazia 20”.

Mahogany armchair with fine thread inlays and volute shaped armrests, hand polished.

Table standing on six conical legs with glass top and diamond-shaped bracing over the blue-laminated tabletop. The table was designed in the mid-20th century for a studio by architect Vittorio...

Exceptional circa 1830 Austrian Biedermeier walnut centre table of oval form having exquisite radiant pattern veneer top and single full-length centre drawer above ebonized doric col...

We are delighted to offer for sale this important William Iv Circa 1830 Flamed Mahogany Spiral Column base centre table with stunning Pietra Dura Speciamin...

Rare and exceptional Italian ivory painted and parcel-gilt center table with a circular Carrara marble top above triple addorsed finely carved winged horses on a triform base with lion feet. Designed by Domenico Moglia. Published; Il mobile Impero in Italia by Enrico Colle. Electa edition. Available also eight outstanding armchairs...

The circular top decorated with various specimen marbles including Rosso antico, serpentino, Giallo antico, Palombino, Malachite , Granito, Carrara .. ecc. Masterpiece of Italian c...

A Very Fine George IV Parcel-Gilt Amboyna Centre Table Attributed to Thomas & George Seddon. English, Circa 1830. The table is of finely figured Amboyna with a circular tilt-top above a triform column with parcel-gilt scrolled supports. It is raised on a conforming plinth base with foliate carved feet and concealed castors. George Seddon was the eighth child of John Seddon of Blakelea, Lancashire. His father apprenticed him to George Clemaphon of Cripplegate to learn cabinet making. He became a master cabinet maker. (He was Master of the Joiner’s Company in 1795). In the early 1750s he was sufficiently successful to acquire London House, Aldersgate Street. It consisted of extensive workshops, where furniture was made, and showrooms to display the finished products. London House had formerly been a palace of the Bishops of London. The panelled state-rooms were ideal for the display of fashionable furniture; and the chapel and library made convenient workshops. When Seddon married, he converted the garden house and infirmary into the family home. Seddon was the biggest furniture maker of his time. His furniture store covered a two acre site in Aldersgate Street. His workshop there was described by London visitor Sophie v. La Roche in 1786: "We drove first to Mr. Seddon's, a cabinet-maker,...He employs four hundred apprentices on any work connected with the making of household furniture—joiners, carvers, gilders...

The circular top decorated with various specimen marbles including Rosso antico, serpentino, Giallo antico, Palombino, Malachite , Granito, Carrara .. ecc. Masterpiece of Italian cr...