Mahogany Centre Table from Clumber Park, Seat of the 7th Duke of Newcastle

Late Regency Amboyna centre table, attributed to the workshop of Edward Holmes Baldock. The circular top with a shaped apron set upon a solid trif...

A very attractive antique late Regency giltwood centre table attributed to Gillow of Lancaster and London, inset with an Italian Pietra Dura top, The central turned baluster supp...

A fine walnut and burr walnut orientalist centre table, of shaped rectangular form with a mirrored frieze, set upon carved cabriole legs terminating in acanthus feet, decorated with quarter veneered top inlaid in boxwood with scattered flower heads and butterflies centred on a spray of roses, each corner with a floral basket, framed within a raised border of boldly carved acanthus leaves and scrolls which continues around the frieze and onto the legs, the frieze further embellished with gilt brass Orientalist...

This exhibition quality table is attributed to Holland and Sons. The octagonal top is supported by four turned knopped legs, all joint by a solid shaped stretcher centred on an urn. ...

A Regency rosewood five-foot tilt-top centre table, the circular top decorated with striking book veneers and a moulded edge, raised upon a stepped parcel gilt tripod...

An exhibition quality burr walnut and ormolu-mounted centre table with superb quartered veneered top. Attributed to Holland and Sons or Gillows.

A fine Regency period tilt-top brass inlaid mahogany and calamander library center table. Raised on a concave-sided triform base, with well-modelled cast-brass scrolling feet. Also referred to as a monopodium (table). All in excellent condition, well figured, and of very good rich color. Typical of designs by Thomas Hope (1769 - 1831). This form of antique table is also associated with work by George Bullock (1777 - 1818) and George Oakley (circa 1765 - 1841). Refs: A similar table with a leather insert, in the manner of Thomas Hope, circa 1800 - 1805, was sold in London for £39,650 - December 2010. This early 19th century table is reminiscent of the ‘Grecian’ style that the pioneering collector and designer Thomas Hope (1769-1831) popularized in Britain with the publication of ‘Household Furniture and Interior Decoration’ in 1807. Thos. Hope (banker, born 1769, d. 1831) The furniture manufacturer George Oakley (circa 1765-1841) was greatly influenced by Hope’s designs, and produced fashionable furniture in this style, using brass and star inlays similar to our table on offer. The firm’s designs and craftsmanship earned them royal patronage, and Oakley worked for the Prince Regent at Carlton House, as well as supplying furniture and upholstery for The Mansion House and The Bank of England. His work for the Cheere family - of Papworth Hall, Cambridgeshire, UK - is well documented. The reference to Geo. Oakley relates to a known table of this pattern in calamander wood and brass marquetry of starred-ribbon guilloche, which corresponds to the brass marquetry in a table supplied by Oakley in 1810 to Papworth Hall. Lit: Parker, R. 'History of Papworth Everard...

A fine quality astrological centre table firmly attributed to Maple & Co Constructed in very finely figured mahogany and satinwood, and having marquetry inlay of superior quality...

Ornately carved mahogany octofoil centre table with rouge marble top. Turned feet on splayed legs with beaded apron. Upwardly bowed four part stretcher wi...

Magnificent Italian centre table, 18th century Magnificent centre table with bone inlay work. At the top decoration of scrolls and lions holding coat of arms. Topped with specimen...

A fine quality, elegant and sophisticated antique European oval centre table from the second half of the 19th century. Hand-crafted and carved from solid rosewood, finished in th...

A good centre table by Johnstone & Jeanes of London   Constructed in amboyna, with extensive marquetry inlays in specimen woods, and enhanced with parcel-gilt highlights. Rising from a cruciform platform base adorned with knops and having concealed castors, supporting the inlaid, and gently stepped and tapering centre column with stylized 'c' form brackets bracing the octagonal top, the outer guard band having English roses inlaid at the angles, with foliates with the national emblems of Scotland and Ireland, thistles and shamrocks. Stamped by the makers to the underside, 'Johnstone & Jeanes 67 Bond Street'. circa 1845 Published in “British Furniture 1820 to 1920” by Christopher Payne, 2023, p. 131, illustrated fig. 3.21. Johnstone, Jeanes & Co John Johnstone of Bond Street came to prominence after his collaboration with Robert Jupe, an 'upholder' of 47 Welbeck Street, Cavendish Square, London, who patented a remarkable design for a circular expanding dining table with a segmented top in 1835. After Jupe's death, the firm traded as 'Johnstone and Jeanes' from 1842 until 1880, having moved to 67 Bond Street and continuing the tradition of producing high quality furniture. After 1880, the company was re-named Johnstone & Norman. They exhibited at the Great Exhibition 1851, The International Exhibition of London in 1862, and The Paris Exhibition of 1878. Both the Royal Collection Trust and the Victoria & Albert Museum own stamped pieces of furniture in their collections. The company of Crace were designers and decorators to the Royal household from 1768 until 1899, working for every monarch from George the Third...