Italian Tables

Made in Italy, 1950s. Mod. 522 designed by Gianfranco Frattini and produced by Bernini. It is a vintage piece, therefore it might show slight traces of use, but it can be considere...

This Gio Ponti Desk, designed for BNL offices and manufactured by Isa Bergamo during the 1950s, is a beautiful piece of furniture that showcases the designer's signature style. Made of solid teak wood, the desk features a sleek and elegant design with clean lines and a minimalist aesthetic. The piece also features brass feet and details, which add a touch of elegance and sophistication to the overall design. The desk top - with a dimension of 161x80.5cm (WxD) - has ample surface space for writing and working and the three drawers provide ample storage for documents and office supplies...

Italian Mid-Century Modern pair of black and brown-olive green bar tables, 1950s. Pair of bar tables with round brown-olive green painted metal top...

Dining table in solid teak Frattino style, 1950s Packaging with bubble wrap and cardboard boxes is included. If the wooden packaging is needed (fumigated crates or boxes) for US and International Shipping...

Round table attributed to Ico and Luisa Parisi, 1950s. Rosewood top and rosewood-stained beech legs. Piece attributed to the above designer/maker. It has no hallmark or proof of aut...

Very rare pair of triangular coffee tables designed by the great Paolo Buffa for Serafino Arrighi production, with surveyed drawing attesting to the authenticity of the piece. The sm...

Osvaldo Borsani for Tecno Italy table walnut, iron, particular brass years '54. Adjustable in height, measure diameter 48 inches, and are for 4/6 perso...

Italian Aldo Tura lacquered goatskin table. This stunning Italian lacquered goatskin square table has an unusual Neoclassical Trompe L'oeil design ...

Elegant Rouge Marble and Iron Breakfast or Petite Dining Table, Italian, circa 1950s. It measures 35.25" diameter x 28.75" height. It is a versatile size and can be used as a breakfast or petite dining table in a small apartment...

A remarkable 1950s Italian coffee table attributed to Pier Luigi Colli. This table has a sculptural hammered brass base with a subtle circular pattern and two stretchers. It has a re...

Round centre or dining table, wood, glass, Italy, 1950s Elegant round dining or center table made in Italy in the 1950s. The table top is executed in green glass with circular white...

Dining table designed by Umberto Mascagni of Bologna in the 1950s. The main body structure is in solid European wood, covered in cream-colored vinyl with anodized aluminum. Even the legs are covered with black vinyl! Very attractive table, excellent vintage condition! This extravagant table...

A table inspired by the artistic work of Piet Mondrian, with these slender metal legs colored in red, yellow, blue and black. A clear reference to the work of the Dutch artist, this ...

Beautiful 1950s round table of Italian manufacture Dassi designed by Edmundo Palutari. The table is entirely made of a very dark brown wood, very elegant. There are 4 supporting leg...

Beautiful Italian wooden desk made in the 1950s, from the house on Lake Como, of fine Italian craftsmanship. The desk is finely crafted in wood. The frame is supported by four wooden legs, thin and very distinctive, but powerful and strong. The top is also made of fine wood, very durable, and shows the very elegant wood grain. The top contains two small drawers, useful for resting documents or writing objects. The two drawers open via semi-rectangular brass handles. The vintage wooden desk...

Height Adjustable Table

Brass and glass low table by Angelo Lelii The same frame design was used for a magazine rack, Model n°13007, published in "Arredoluce", Catalogue Raisonné, Silvana Editoriale, Mil...

Simple but elegant inlaid and worked wood table attributed to the early work of Paolo Buffa late 1950s. The table presents two hidden drawers that, in addition to being storage, can ...

DINING TABLE BY CARLO DE CARLI An extremely rare Macassar ebony extending table by Italian designer Carlo de Carli, extending top to accommodate a single butterfly leaf that stores ...

Amaizing Bar Materials: wood and glass Style: Art Deco If you want to live in the golden years, this is the bar that your project needs. We have specialized in the sale of Art Deco...

Black painted wood coffee table made by Rob Jhon Gibbings for Widdicomb from the 1950s. The lines are clean and essential. The coffee table has a round shape with a very elegant bla...

A Mid-Century Modern style console table with a structure in black lacquered wood and a tabletop in pink marble. The console table presents a single drawer on the frontal part. ...

To remember: dining table in dark walnut and top in Italian bronzed glass in the Ico Parisi style of the 50s. The table has a beautiful sculptural shape. The table has been polished ...

Small writing desk, mahogany, brass, Italy, 1950s. Sculptural Italian desk with beautiful curved top. This writing table is both refined and elega...

Mid-Century Italian coffee table attributed to Ico Parisi (1950s). A mostly reddish, rectangular marble top sits upon a very stylish base consisting of Parisi's iconic wooden legs an...

Table Material: iron Style: Art Deco italy We have specialized in the sale of Art Deco and Art Nouveau styles since 1982.If you have any questions we are at your disposal. Pushing t...

Round coffee table realized in walnut wood with metal details, the tabletop presents an elegant circular decorative motif. Attribuited to Gio Ponti, Italian manufacturer from the 1950s Gio Ponti was an icon of the modernist movement: the Italian designer, architect, artist and publisher contributed significantly to the worlds of architecture and design with his extensive work in fine furniture and ceramics, education, office and residential buildings, and everything in between. Giovanni, known as Gio Ponti was born in 1891 in Milan. It was there that he spent his childhood, and in 1921 he began to study architecture at the Politecnico di Milano. From 1923 to 1930 he served as the artistic director of the Richard-Ginori porcelain factory. In 1927, Ponti started his first architectural office, together with Emilio Lancia, and in 1928 he started the magazine Domus, which is still regarded as one of the most influential European magazines for architecture and design. He was also very influential during the period as a curator of the Milan Triennale. After his collaboration with Emilio Lancia had come to an end, upon completion of the Torre Rasini, he began to work as an architect together with the engineers Antonio Fornaroli and Eugenio Soncini...

A Fornasetti table is the perfect synthesis of the artist's vision: a perfect balance of functional design and visionary illustrations that bring new meaning to a common object. Like all Fornasetti pieces of furniture, it is handcrafted using original artisan techniques. This table is silk-screened by hand, hand painted and covered with a smooth lacquer. Cammei decoration is inspired by one of the collections of Piero Fornasetti. This decoration combines Piero's interests about history, collecting and classic culture. The atelier often uses this decoration for its most popular pieces: from screens to ashtrays, from lamps to trays, plates and paper baskets This table is published on several books among which Piero Fornasetti. Fornasetti the complete Universe, Rizzoli NY. Also a copy of the same table...

Wrought iron round tea table for the garden in the early 50s, the table is deliberately left with its patina of antique.

Fantastic six leg iron base table with wonderful pine top. Very cool, great design.

Rosewood table with glass top and green alpi marble base by Vittorio Dassi For Dassi, 1950s. Rosewood table designed by Vittorio Dassi in the 1950s....

"Fasce Cromate" T10 table by Luigi Caccia Dominioni for Azucena. Red cloth central top invites to use it as a desk or a games table. Two pieces available.

This is a superb 1950s Italian dining table attributed to Paolo Buffa. A beautiful dining room table in mahogany colored walnut that is also extendable on both sides to a length of 2...

Gorgeous Italian Mid-Century Modern glass and teak wood square table with brass feet circa 1950s.

Round table model TL30 with black lacquered metal base and a wooden top. Designed by Franco Albini for Poggi, Pavia in 1950s.   After spending his childhood and part of his youth in Robbiate in Brianza, where he was born in 1905, Franco Albini moved with his family to Milan. Here he enrolled in the Faculty of Architecture of the Polytechnic and graduated in 1929. He starts his professional activity in the studio of Gio Ponti and Emilio Lancia, with whom he collaborates for three years. He probably had his first international contacts here In those three years, the works carried out are admittedly of a twentieth-century imprint. It was the meeting with Edoardo Persico that marked a clear turning point towards rationalism and the rapprochement with the group of editors of “Casabella”. The new phase that that meeting provoked starts with the opening of the first professional studio in via Panizza with Renato Camus and Giancarlo Palanti. The group of architects began to deal with public housing by participating in the competition for the Baracca neighborhood in San Siro in 1932 and then creating the Ifacp neighborhoods: Fabio Filzi (1936/38), Gabriele D’Annunzio and Ettore Ponti (1939). Also in those years Albini worked on his first villa Pestarini. But it is above all in the context of the exhibitions that the Milanese master experiments his compromise between that “rigor and poetic fantasy” coining the elements that will be a recurring theme in all the declinations of his work – architecture, interiors, design pieces . The opening in 1933 of the new headquarters of the Triennale in Milan, in the Palazzo dell’Arte, becomes an important opportunity to express the strong innovative character of rationalist thought, a gym in which to freely experiment with new materials and new solutions, but above all a “method”. Together with Giancarlo Palanti, Albini on the occasion of the V Triennale di Milano sets up the steel structure house, for which he also designs the ‘furniture. At the subsequent Triennale of 1936, marked by the untimely death of Persico, together with a group of young designers gathered by Pagano in the previous edition of 1933, Franco Albini takes care of the preparation of the exhibition of the house, in which the furniture of three types of accommodation. The staging of Stanza per un uomo, at that same Triennale, allows us to understand the acute and ironic approach that is part of Albini, as a man and as a designer: the theme addressed is that of the existenzminimum and the reference of the project is to the fascist myth of the athletic and sporty man, but it is also a way to reflect on low-cost housing, the reduction of surfaces to a minimum and respect for the way of living. In that same year Albini and Romano designed the Ancient Italian Goldsmith’s Exhibition: vertical uprights, simple linear rods, design the space. A theme, that of the “flagpole”, which seems to be the center of the evolution of his production and creative process. The concept is reworked over time, with the technique of decomposition and recomposition typical of Albinian planning: in the setting up of the Scipio Exhibition and of contemporary drawings (1941) the tapered flagpoles, on which the paintings and display cases are hung, are supported by a grid of steel cables; in the Vanzetti stand (1942) they take on the V shape; in the Olivetti store in Paris (1956) the uprights in polished mahogany support the shelves for displaying typewriters and calculators. The reflection on this theme arises from the desire to interpret the architectural space, to read it through the use of a grid, to introduce the third dimension, the vertical one, while maintaining a sense of lightness and transparency. The flagpole is found, however, also in areas other than the exhibition ones. In the apartments he designed, it is used as a pivot on which the paintings can be suspended and rotated to allow different points of view, but at the same time as an element capable of dividing spaces. The Veliero bookcase...

Round dining table or living room table with four legs in black lacquered metal, table top in wood and brass details. The peculiar tabletop presents a beautiful decoration due to t...

Coffe table. Material: wood, glass and mirror. Italian. We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are a...

Italian modern Gio Ponti inspired table. Stunning Italian modern Gio Ponti inspired table. This shapely Italian table was executed in sycamore with...

Table Material: golden iron and mirror Italian We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your di...

Impressive dining table iby Ico Parisi for Brugnoli Mobili Cantù from Italy, the 1950s. This table has a base with well-designed legs that featur...

Elegant coffe table with golden brass and inlaid wood base with a glass top. Handmande in Italy in 1950 circa.  

Giovanni Ferrabini was a modernist architect, designer, and artist whose creative output and prominence centered on his prolific career as a sculpto...

A rare mahogany version of the Cavaletto or TL2 table designed by the great neo-rationalist designer, Franco Albini. Designed in 1950 for manufacturers Poggi...

A low and large table manufactured in Italy during the 1950s As we normally prefer, the original finish has been completely removed to bring the wood back to its original state, the...

Piece of great value in the style of Paolo Buffa. The lines are essential and elegant. The table is part of a set including the "Credenza Bar," which is also on sale, but is also sol...

Important Italian dining table attributed to Guglielmo Ulrich , from the 1950s . The table is really imposing and large in size . The special feature of the table only its ashlars th...

We are delighted to offer for sale this lovely decorative nest of six triangle tables, circa 1950’s made in Italy with Renaissance style inlaid panels A very good looking and utilitarian nest of tables, they can be used as six side tables, as one large coffee table, you can make a long short...

Vintage 1950s table, Italian manufacture. The table has a square structure with rounded edges. Along the contour of the support surface, the wood has a brass edging that is repeat...

Low table with a round-shaped table top in white marble and four metal legs from the Parallel Bar series, designed by Florence Knoll and manufactured by Knoll International during the 1950s. Born to a baker, and orphaned at age twelve, Florence Schust grew up in Saginaw, Michigan. Schust demonstrated an early interest in architecture and was enrolled at the Kingswood School for Girls, adjacent to the Cranbrook Academy of Art. While at Kingswood, Florence befriended Eilel Saarinen, whom she would later study under at Cranbrook. Warmly embraced by the Saarinen family, Florence vacationed with them in Finland, enjoyed the company of their accomplished friends, and formed a very close relationship with Eliel’s son, Eero. The connections she made and the skills she developed while at Cranbrook were the foundations of Florence Schust’s incredible design education and pioneering career. With recommendations from Eliel Saarinen and Alvar Aalto, Florence went on to study under some of the greatest 20th century architects, including Walter Gropius and Marcel Breuer in Cambridge, Massachusetts and Ludwig Mies van der Rohe at the Illinois Institute of Technology. In 1941 Florence moved to New York where she met Hans Knoll who was establishing his furniture company. With Florence’s design skills and Hans’ business acumen and salesmanship, the pair, who married in 1946, grew the nascent company into an international arbiter of style and design. Florence also seeded contributions with her friends Eero Saarinen, Harry Bertoia, and Mies van der Rohe. In creating the revolutionary Knoll Planning Unit, Florence Knoll defined the standard for the modern corporate interiors of post-war America. Drawing on her background in architecture, she introduced modern notions of efficiency, space planning, and comprehensive design to office planning. Florence ardently maintained that she did not merely decorate space. She created it. The Planning Unit rigorously researched and surveyed each client — assessing their needs, defining patterns of use and understanding company hierarchies — before presenting a comprehensive design, informed by the principles of modernism and beautifully executed in signature Knoll style. Florence and the Planning Unit were responsible for the interiors of some of America’s largest corporations, including IBM, GM and CBS. As part of her work with the Planning Unit, Florence frequently contributed furniture designs to the Knoll catalog...

Mid- century modern Italian teak wooden desk with black lacquered iron base. The base consists of two independently moveable parts that can be modified according to the utilization o...

Impressive and large Italian vintage console in Wood and Brass from ca the 1950s. This large console consists of two elements. First, the base ...

This masterpiece has been manufactured by Vittorio Dassi in 1950 and is a magnificent example of the Italian design of the period. It composed of precious mahogany wood, fine colored...

Italian 1950s adjustable dining / coffee table attributed to Ico Parisi. Measures: Diameter 100cm. Coffee table height 57cm. Dining table height 7...

This table was designed by the famous Italian designer Edmondo Palutari for Vittorio Dassi, using teak wood, in Italy in the 1950s. The table can be op...

Italian dining table in the style of Paolo Buffa from the 1950s. The table has wood grain and small painted elements in its legs. The table legs have a prism shape and as a final e...

splendid and important dining table in wood veneered in briar, original deco from the 1950s, production and design by Carlo Monguzzi di Lissone In ve...

Stylish Italian Mid-Century Modern dining table designed by Vittorio Dassi and produced by Dassi Mobili Moderni in 1950-1960. The table is extendable, adding one or two leaves and su...

Italian large desk from the 50ties Very unique design that offer a confortable and large table top.