A Roman micromosaic plaque of the Tomb of Cecilia Metella, Italian, mid 19th

A Micromosaic picture, mid-19th century A view of the Campidoglio with the Palazzo dei Conservatori in a marble slip Size with frame: Height 29....

An Italian Micromosaic (micro mosaic) plaque of the "Doves of Pliny", Vatican workshop, late 19th century, Rome within giltwood frame carved with acan...

A very important and rare Roman micromosaic plaque, circa 1840-1850. circular, "Village People" in a later giltwood frame plaque sight size 12 1/2" b...

A Huanghuali style table, Chinese, Qing dynasty, 19th century The rectangular paneled top above a straight waist and apron, the legs of square section Measures: Height 25.25 in. (...

An Empire style ormolu-mounted mahogany marble top center table, late 19th century. The circular portoro marble top above a frieze applied with anthemia, rosettes and laurel wreaths, raised square tapered legs each headed by a female Egyptian bust...

A Berlin (K.P.M.) Painted Rectangular Plaque, "The Dance", Late 19th Century depicting dancers in an 18th century interior also titled "The Waltz", impressed sceptre mark, KPM plaque 11 1/2 x 18 1/2 in.; overall 26 x 18 1/2 in. 29 x 46 cm Catalogue Note A nearly identical plaque sold...

An Italian mid-19th century micromosaic and pietre dure circular tabletop The central micromosaic panel depicting a mother hen and her chicks within a grassy landscape with rocks an...

A Grand Tour Centre Table The Top Attributed to Cesare Roccheggiani The carved gilt wood base in the manner of George Smith having four monopedia supports, each depicting leopards heads atop, with paw feet below, and conjoined by an incurved stretcher base having carved stiff leaf decoration, and raised on castors; the circular platform of marmoro nero, with a stylised Greek Key border within double Malachite reserves; the central micromosaic roundel depicts The Vatican from St Peter's Square, surrounded by eight separate roundels of The Pantheon of the Gods; the smallest of Rome's seven hills, the Capitoline; The Mauseoleum of Hadrian on the Tiber; The Roman Forum, with the remnants of the Temple of Vespasian; The Colosseum; the Temple of Vesta; The Arch of Titus, and the Tomb of Cecilia Metella. English / Italian, Circa 1875 The attribution to Cesare Roccheggiani is supported by Jeanette Hanisee Gabriel, former curator of the Gilbert Collection and Honorary Curator for the Gilbert Collection at the Victoria & Albert Museum. Provenance: From a Noble family, the 6th Earl of Macclesfield (1811-1896) then by descent. The base is similar in design to designs published by George Smith's A Collection of Designs for Household Furniture and Interior Decoration, 1808. The taste for monopedia supports was of fashion, in the Regency period and models of such were displayed in the 1851 Great Exhibition. The Macclesfield coat of arms depicts a shield with a central chevron and three leopard's faces. Views of Roman monuments was the most popular theme used by mosaicists in Rome in the beginning of the 19th century, supplying the flow of wealthy Grand tourists from Northern Europe. From small gold boxes...

A grand tour circular table top Possibly by Domenico Moglia The circular platform of marmore nero, inset with fine micromosaic panels consisting of hundreds of coloured glass tesserae; a central flower bouquet sit within a malachite border surrounded by a border including four cartouches in conforming malachite reserves representing Roman views including the Arch of Titus, the Temple of Vesta, the Capitoline Hill, and the Tomb of Cecilia Metella, connected by floral garlands. Italy, circa 1855 Domenico Moglia (1780 - 1862) Brothers, Luigi and Domenico Moglia, are celebrated as two of the few great mosaicists of the 19th century. Both are recorded as exhibiting at the 1851 Great Exhibition, London. Domenico's work included micromosaics plaques depicting views of 'the roman forum', 'the colosseum', and the 'temples of Paestum.' The Lombardi Museum contains a collection of architectural...

This very fine table made in Rome in the very late 19th or early 20th century is of dramatic design and using costly material. The base carved from solid travertine is in a Renaissan...

A handsome and large-scale Italian mid-19th-century solid walnut trestle table. The table is raised by extremely decorative carved supports displaying richly scrolled patterns with a...

Gothic looking carved drop down desk that is drop dead gorgeous.