1970's Fred Terna Modern Abstract Artwork

1974 Mid-Century Modern abstract artwork by Jonas Gerard.

1960s black and white abstract artwork signed "Bernstein".

Beautiful modern oil on canvas Peruvian modern 1980's artwork in vintage original condition with minor wear and patina due to age and use. Artwork without...

Nice set of 3 1996 stainless steel shadow boxes wall artwork, in vintage original condition with some wear and patina due to age and use. The measurements for each shadow box is w...

1990 artwork by artist Michael Tetherow "Signed and numbered" in original condition with original walnut wood frame.

1960s watercolor painting by French artist Charles Levier (1920-2003), in vintage original condition with minor wear and patina due to age and use. Artwo...

1970S bronze wall decoration mounted on smoked lucite panel

Peter Mathews extra large abstract artwork. Mixed-media on canvas. Measures: 1000 x 150 H cm.

A beautiful signed abstract artwork of paper - a sophisticated decoupage style work. Paper is specifically defined/designed and placed strategically o...

Abstract charcoal drawing by Miriam Kubach, American, circa 1960s. Similar to works by Louise Bourgeois from the same era. It is executed on paper and has been professionally framed ...

Selection of Modern Artwork, circa 1920s-1960s. Perfect to start or add to your gallery wall. All are priced at $375 each. They are: Top row, left to right, 1) Paul Cezanne etching entitled "Portrait of Painter Guillauman with William Hanging" measures 10.5" H x 8.5" W. 2) Portrait of a big eyed...

Excellent example of a large oil on canvas abstraction by Fred Hocks from 1957. This painting was included in the 1976 retrospective at the Fine Arts Gallery in San Diego which later became the San Diego Museum of Art. No painter embodies San Diego’s early avant-garde more than Fred (Ferdinand) Hocks, a German-born painter who began visiting San Diego in the late 1920s after studies at the California School of Fine Art in San Francisco and the Art Students League in New York. Fellow painter Dan Dickey credited Hocks in 1947 with “opening up pathways for future, more enlightened generations (of artists),” and predicted that Fred Hocks would be “esteemed a master.” During the post-war years Hocks was assistant director of the San Diego School of Arts and Crafts, a private art school in La Jolla, and was instrumental in keeping affordable artist’s studios in Spanish Village. Along with modern architect Lloyd Ruocco, Fred Hocks co-founded the dynamic Allied Artists Council with Belle Baranceanu, Everett Gee Jackson, Dan Dickey and John Olsen. The well-travelled Hocks exhibited in San Francisco, Oakland, Los Angeles, Long Beach, Pasadena, Paris, Mallorca and Guadalajara, had several one-person shows at the Art Center La Jolla/La Jolla Museum of Art and at the Fine Arts Gallery (SDMA). The San Diego Museum of Art held a major retrospective of his painting in 1976, just a few years before his death. He brought a continental element to the local art scene and is described in Bruce Kamerling’s 100 Years of Art in San Diego as “one of the most adventurous local artists…an intelligent and articulate defender of modern tendencies in art.” Local arts and architecture writer James Britton called Fred Hocks “the dean of the San Diego moderns...