2018 Abstract Expressionist Mixed-Media Painting by Kimberley Moore, Framed

Late 19th-century French mirror. The frame of the mirror is decorated with flowers and shells pressed into sheet copper. The back of the mirror is supported with wood. Featuring one ...

Handmade oil and acrylic painting on canvas with textured and dimensional details. This canvas is unframed. This painting was purchased from an independent artist on Etsy.

Custom designed coffee table with a high gloss lacquered cork top and black legs.

Murano blown glass amber grape cluster. Great for accessorizing on shelves, coffee tables or in the kitchen.

The outer sides of the wastebasket are beautifully crafted to mimic the natural eye pattern of shagreen, topped with a veneer trim. 2 wastebaskets available - priced separately but c...

Pair of wood structure chairs with woven rush seat and back. Antique condition, wear is consistent with age, circa 1950s.

Contemporary art Expressionist composition Mixed-media on paper Signed and dated 2018 D. Silva Measure: 70 x 50 cm /28 x 20 in Private collection.

Landscape sheet metal, wood, found objects 33 x 61in. Artist statement: I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made im...

Silk Road sheet metal 24 x 69 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable. The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum. Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is primitive. It exists because it is sacred. Biography: Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa Company, a fabrication shop which produced custom furniture and architectural fixtures. At Gulassa, after hours and on weekends, Scott worked on personal projects, applying the tools and techniques used in his daily work. Lacking resources to purchase stock materials, much of the steel he used came from the scrap bins at Gulassa. He also used steel found along the railways, shipyards, and industrial corridors of Seattle. The characteristics and limitations of the material helped him to define his aesthetic and his approach to sculpture. He currently lives and works in Vermont. Inspirations: David Smith, Anthony Caro, John Chamberlain, Julio Gonzalez, Richard Stankiewicz, Tony Smith...

Radiant Man (Crucifixion) wood, found objects 19.5 x 35 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and ma...

A contemporary abstract mixed media drawing on paper by Italian artist Giancarlo Mustich. This piece was professionally framed in a black wood frame ...

Red Center found sheet metal 33.5 x 36 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In ...