Contemporary Danish Marianne Eriksen Scott-Hansen "Goldilocks" Paper Sculpture

Jeppe Hein 2007 “Corner Cubes”. PVC, magnets and wire. From an edition of 5. Provenance: Galleri Nicolai Wallner, Copenhagen. About Danish artist Jeppe Hein (b. 1974) produces e...

Keisuke Yoshida Japan, 2004 Japanese handmade paper screen by Keijusha. From Toyama region. H 124 x W 180 cm

Suijin Chung Korea, 2006 Sculpture in porcelain with decorations. H 105 x W 30 x D 25 cm

Benode Behari Mukherjee India, 1957 Woman with fan. Collage on paper in antique frame. Benode Behari Mukherjee was a leading Indian modernist...

Arje Griegst Denmark, Vintage Chain necklace in porcelain and stearling silver, consisting of five sprouting eggs enclosed by red pearls. Royal Copenhagen, 1976 Measure: L 70 cm.

Bjørn Wiinblad Denmark, 1977 Unique figurative ceramic candleholders illustrating King Solomon and his wife, Queen of Saba, riding on elephants. About Danish ceramist and pa...

Landscape sheet metal, wood, found objects 33 x 61in. Artist statement: I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made im...

Silk Road sheet metal 24 x 69 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable. The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum. Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is primitive. It exists because it is sacred. Biography: Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa Company, a fabrication shop which produced custom furniture and architectural fixtures. At Gulassa, after hours and on weekends, Scott worked on personal projects, applying the tools and techniques used in his daily work. Lacking resources to purchase stock materials, much of the steel he used came from the scrap bins at Gulassa. He also used steel found along the railways, shipyards, and industrial corridors of Seattle. The characteristics and limitations of the material helped him to define his aesthetic and his approach to sculpture. He currently lives and works in Vermont. Inspirations: David Smith, Anthony Caro, John Chamberlain, Julio Gonzalez, Richard Stankiewicz, Tony Smith...

Radiant Man (Crucifixion) wood, found objects 19.5 x 35 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and ma...

Red Center found sheet metal 33.5 x 36 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In ...

Offering One Of Our Recent Palm Beach Estate Fine Art Acquisitions Of A Monumental Mid-Century Modern Abstract Painting Sculpture by SCOTT HILE Consists o...

A close-up oil on canvas painting of a cutleaf coneflower. It is one of four paintings of vividly colored and almost stylistic flowers. About the artist: Esther Hansen grew up in t...